when she came on the stage, this Ella
there were rumors of hurricanes and
over the rooftops of concert stages
the moon turned red in the sky,
it was Ella, Ella.
queen Ella had come
and words spilled out
leaving a trail of witnesses smiling
amen—amen—a woman—a woman.

she began
this three agèd woman
nightingales in her throat
and squads of horns came out
to greet her.

streams of violins and pianos
splashed their welcome
and our stained glass silences
our braided spaces
unraveled
opened up
said who's that coming?
who's that knocking at the door?
whose voice lingers on
that stage gone mad with
      perdido. perdido. perdido.
      i lost my heart in toledooooooo.

whose voice is climbing
up this morning chimney
smoking with life
carrying her basket of words
                               a tisket a tasket
                               my little yellow
                               basket—i wrote a
                               letter to my mom and
                               on the way i dropped it—
                               was it red...no no no no
                               was it green...no no no no
                               was it blue...no no no no
                               just a little yellow

voice rescuing razor thin lyrics
from hopscotching dreams.

we first watched her navigating
an apollo stage amid high-stepping
yellow legs
we watched her watching us
shiny and pure woman
sugar and spice woman
her voice a nun's whisper
her voice pouring out
guitar thickened blues,
her voice a faraway horn
questioning the wind,
and she became Ella,
first lady of tongues
Ella cruising our veins
voice walking on water
crossed in prayer,
she became holy
a thousand sermons
concealed in her bones
as she raised them in a
symphonic shudder
carrying our sighs into
her bloodstream.

this voice, chasing the 
morning waves,
this Ella-tonian voice soft
like four layers of lace.
                               when i die Ella
                               tell the whole joint
                               please, please don't talk
                               about me when i'm gone...

i remember waiting one nite for her appearance
audience impatient at the lateness
of musicians,
i remember it was april
and the flowers ran yellow
the sun downpoured yellow butterflies
and the day was yellow and silent
all of spring held us
in a single drop of blood.

when she appeared on stage
she became Nut arching over us
feet and hands placed on the stage
music flowing from her breasts
she swallowed the sun
sang confessions from the evening stars
made earth divulge her secrets
gave birth to skies in her song
remade the insistent air
and we became anointed found
inside her bop
                               bop bop dowa
                               bop bop doowaaa
                               bop bop dooooowaaaa

Lady. Lady. Lady.
be good. be good
to me. 
             to you.              to us all
cuz we just some lonesome babes
in the woods
hey lady. sweetellalady
Lady. Lady. Lady. be gooooood
ELLA ELLA ELLALADY
        be good
                     gooooood
                                   goooooood...

From Like the Singing Coming Off the Drums. Copyright © 1998 by Sonia Sanchez. Used with the permission of Beacon Press.

Whenever I spend the day crying, 
my friends tell me I look high. Good grief,  

they finally understand me.  
Even when the arena is empty, I thank god  

for the shots I miss. If you ever catch me  
only thanking god for the shots I make,  

remind me I’m not thanking god. Remind me  
all my prayers were answered  

the moment I started praying  
for what I already have.  

Jenny says when people ask if she’s out of the woods,  
she tells them she’ll never be out of the woods,  

says there is something lovely about the woods.  
I know how to build a survival shelter  

from fallen tree branches, packed mud,  
and pulled moss. I could survive forever  

on death alone. Wasn’t it death that taught me  
to stop measuring my lifespan by length,

but by width? Do you know how many beautiful things  
can be seen in a single second? How you can blow up

a second like a balloon and fit infinity inside of it? 
I’m infinite, I know, but I still have a measly wrinkle

collection compared to my end goal. I would love  
to be a before picture, I think, as I look in the mirror

and mistake my head for the moon. My dark  
thoughts are almost always 238,856 miles away 

from me believing them. I love this life, 
I whisper into my doctor’s stethoscope

so she can hear my heart. My heart, an heirloom
I didn’t inherit until I thought I could die.

Why did I go so long believing I owed the world
my disappointment? Why did I want to take

the world by storm when I could have taken it
by sunshine, by rosewater, by the cactus flowers

on the side of the road where I broke down?
I’m not about to waste more time

spinning stories about how much time
I’m owed, but there is a man

who is usually here, who isn’t today.  
I don’t know if he’s still alive. I just know

his wife was made of so much hope  
she looked like a firework above his chair.

Will the afterlife be harder if I remember
the people I love, or forget them?

Either way, please let me remember.

Copyright © 2023 by Andrea Gibson. Originally published in Poem-a-Day on May 30, 2023, by the Academy of American Poets. 

the train never comes.

You smell it anyway, its blue-coal
body. In August, the fringe sticky

with Queen Anne’s lace, you might
walk these tracks inside

gigantic noons. I walked them.
You might smash bottles,

start fires, watch clouds from
your back, breathe clouds through

the red sparks of cigarettes.
Take your first sips of bad

sweet wine, cry in a graveyard at night
with your best friend, a half moon

and grave dirt in your hair.
Have your first bad kiss here, like

swallowing a living fish. If you see
the older kids, run, god

knows why. They will chase you
into the waxy halls

of high school. Unlike me,
you will have all your music

in your hand, the best
movies, a phone that calls

everyone at once. Look up.
The big fires of June stars

are so slow and boring they will
keep you awake for good.

Swim the mucky river.
Wash your hair in clover-smell,

the swish of trees. The crows—
you can’t not love it

when they chatter the sun down.
Follow gravel roads

to screaming crickets
and beer, sleep out

on the hood of your
hand-me-down Honda,

wake up with yellow flowers
in your mouth. Walk the streets

on the first night
of fall, every tree swelling

with what I can’t say
and see in the lit-up houses

beautiful pictures
of strangers.

Copyright © 2016 Jeffrey Bean. This poem originally appeared in The Missouri Review. Used with permission of the author.

of November. It strips off the rest
of the leaves, reminds trees
how to shiver. I think to Earth
it looks like the first first rain, the water
of the beginning, swirling down hot
into gassy soup. The bubbling stuff
that imagined trees to begin with, and also
mountains, kangaroos, dolphin cartilage,
stoplights. And you, tearing down
hills on Arnold street, a blur
of training wheels and streamers. And me
in the ’80s, crunching Life cereal on the couch
beside my night-owl mother, blue in the light
of David Letterman’s grin.

Try to remember, everything that is solid
is not solid. But slowly, always melting. The road
cracks, wrinkles like a folded map. Huge trees
lie down, throb into pulp inside termites.
And the ground drinks you,
though you grow, a tall drink of water,
going down easy. It swallows me faster
and faster. But don’t worry. Look at
our neighbor’s roof—those fake gray shingles
are crumbling, growing a thick pelt
of moss. Eventually
we all wake up as forest.

Copyright © 2016 Jeffrey Bean. This poem originally appeared in The Missouri Review. Used with permission of the author.