There’s Baxter, our neighbor’s harmless little dog,
before a storm door window, contented as a cat.
We’re in a row house and share a front area. One day
this summer we were headed out just as our neighbor
and his pet were coming back from a pee jaunt. Much barking
before our neighbor calmly said,
“Let them live, Baxter.”

And there’s our maple, now in winter
stark as any other tree, when only months ago
it tried to dominate the block with color
and, as far as I’m concerned, succeeded.

Now let’s bring in snow
there on limbs and branches, speaking up
as streetlights come on. Does that do
the trick? The idea is for the poem
to be as good as a pot- au- feu, where, to my taste,
after all those cuts of meat, plus marrow bones,
plus vegetables pulled from the earth,
the trick is done by cloves.

Copyright © 2019 David Curry. Used with permission of the author. This poem originally appeared in The Southern Review, Winter 2019.

                                    I

The colors of the rainbow are fading in the silent
      and distant West, and the heartache of
      twilight trembles within my aching breast.

   For the light of my love has faded like sunbeams
         in the West, and the color of twilight will
         tremble forever in my breast.

                                   II

I think of thy kindness often, when lonesome I feel
      and cold, I have not forgotten our childhood,
      nor your loving words of old.

   And still my sweetest songs of life are floating
         in dreams to thee, like whisperings at eventide,
         across a clouded sea.

                                   III

We two are sitting in the bark, and listen to the
      wavelets play, the shore is melting in the
      dark, days echoes silently decay.

   Oh life, with all thy hopes so fair, wilt thou
         too float away, like visions rising in the
         air that greet the parting day!

                                   IV

She stands amidst the roses, and tears dart from her
      eyes that like the fragrant roses her soul
      must fade and die.

   He stares at the twilight ocean on the shore of a
         foreign land, a faded rose is trembling
         within his soft white hand.

                                   V

The rushes whisper softly, the sounds of silence wake,
      large flowers like sad remembrance float
      on the dark green lake.

   Were life but like the waters, so bright and calm
         and deep, and love like floating flowers
         that on the surface meet.

                                   VI

The naked trees of autumn grope shivering through
      twilights gloom, athwart the whispering branches
      its dying embers loom.

   I dream of lifes defoliation, as I watch with
         silent dread, leaf after leaf departing, like
         hopes long withered and dead.

                                  VII

In haunting hours of twilight dreams restless the
      turbulent sea, and heaves her white wanton
      bosom in endless mystery.

   Dream on, dream on, titanic queen, beloved sea, at
         thy wanton breast, I would find rest
         in endless mystery.

From Drifting Flowers of the Sea and Other Poems (1904) by Sadakichi Hartmann. This poem is in the public domain.

        No sun—no moon!
        No morn—no noon—
No dawn—
        No sky—no earthly view—
        No distance looking blue—
No road—no street—no “t’other side the way”—
        No end to any Row—
        No indications where the Crescents go—
        No top to any steeple—
No recognitions of familiar people—
        No courtesies for showing ’em—
        No knowing ’em!
No traveling at all—no locomotion,
No inkling of the way—no notion—
        “No go”—by land or ocean—
        No mail—no post—
        No news from any foreign coast—
No park—no ring—no afternoon gentility—
        No company—no nobility—
No warmth, no cheerfulness, no healthful ease,
   No comfortable feel in any member—
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,
        November!

This poem is in the public domain.

One must admire the desperate way
                it flings
itself through air amid winter’s slow
                paralysis,

and clings to shriveled fruit, dropped
                Coke bottle,
any sugary residue, any unctuous
                carcass,

and slug-drunk grows stiff, its joints
                unswiveled,
wings stale and oar-still, like a heart;
                yes, almost

too easily like a heart the way, cudgeled,
                it lies
waiting for shift of season, light, a thing
                to drink down,

gnaw on, or, failing that, leaves half of
                itself torn
willingly, ever-quivering, in some
                larger figure.

"Late Autumn Wasp", from Miscreants by James Hoch. Copyright © 2007 by James Hoch. Used by permission of W. W. Norton & Company, Inc.