I am liberated and focused today
on what it means to govern myself.

I am not watching the news
or wearing a bra.

I will not question America
or ask where it was last night.

I went to bed with a cold fact
With no cuddling, after.

Today, God I want nothing
not even the love I have been praying for.

On the train, I won’t offer
anyone my seat.

No one ever moves for me
Some days, not even the wind.

Today, I will be like the flag
that never waves.

At work, I will be black
and I will act like it.

They will mispronounce my name
And this time I won’t answer.

I will sit at my desk with my legs open
and my mind crossed.

Copyright © 2020 by Starr Davis. Originally published in Poem-a-Day on August 31, 2020, by the Academy of American Poets.

She needs to eat. She needs
to keep something warm in
her stomach. I reheat rice on the stove,
some cabbage and smoked salmon
and bring it to her in bed.
Like a widow, she chews the end
of a bone already buried. Ignores
the plate. I make her sit up anyways
adjust just before she spits
her last meal into my hands. Warm,
half-digested ghost.

Downstairs in the kitchen
I’ll eat from this plate, the white grains
cold and dead, pinched in my fingers’
tight grip, raised to a mouth
emptied—already open.
And I’ll try to—no, I will,
I’ll keep it down.

Copyright © 2020 by Charleen McClure. Originally published in Poem-a-Day on September 1, 2020, by the Academy of American Poets.

Call me lagahoo, soucouyant. Call me other.
I came ravenous: mongoose consuming
fresh landscapes until I made myself

new species of the Indies.
Christen me how you wish, my muzzle
matted with blood of fresh invertebrates.

I disappear your problems
without thought to consequence.
Call me Obeah. Watch me cut

through cane, chase
sugar-hungry rats. Giggling
at mating season, I grow fat

multiples, litters thick as tropic air.
Don’t you find me beautiful? My soft animal
features, this body streamlined ruthless,

claws that won’t retract. You desire them.
You never ask me what I want. I take
your chickens, your iguana,

you watch me and wonder
when you will be outnumbered.
My offspring stalking your village,

ecosystems uprooted, roosts
swallowed whole.
I am not native. Not domesticated.

I am naturalized, resistant
to snake venoms, your colony’s toxins—
everything you brought me to,

this land. I chew and spit back
reptile and bird bone
prophecy strewn across stones.

Copyright © 2020 by Daria-Ann Martineau. Originally published in Poem-a-Day on September 2, 2020, by the Academy of American Poets.

notice now pictures of awful things on top our head
the freight that barricades this view, how enough
how the law batter down the dogged tide we make
the world shoring its dark scars between seasons
as though to hold it together only by a flame
is here a voice to please enough the blunt
borderlessness of this grief turning our heads to rubble
the lunacy of nothing so limning as death in the streets
in these vibrating hours where the corners talk back
need I simply run my tongue along the granite sky and live

to know how lost the millionth life somewhere today
the swift shape of roads new names combust, the sum
of anthems flooding the world with the eye’s sudden and narrow
saltwater and streets ziplined with screams at the pitch of cooking pots
then tear gas, then pepper spray, then militarized lies unzipping
body bags, oh, our many many there, our alive and just born,
and that is how to say let’s fuck it up, we the beat and we the loud
tuning forks and the help arriving empty-handed
propping the hot news of new times on our head

days like these pleat whatever the hollow year must offer
between the not-yet-dead and those just waking up
it will not be the vanished thing that we remember
it will be what we exchanged close to midnight
like smugglers high-wiring the city, hoarding the thoughts
of ours we interrupted midway to discovering the velocity
of the burning world below
of our language in the lateness of our stuck and reckless love

where the forces who claim they love us
level our lives to crust—the centuries-wide dance
of swapped shackles for knees
their batons and miscellany
thrown at our whole lives demanding our mothers
raise from their separate rooms, separate graves, today
to save who and me? I open the book to a naked page
where nothing clatter my heart, what head
what teeth cling to broadside, roll alias after
alias with a pen at their dull tribunes and shrines
imagine our heirlooms of shot nerves make a life
given to placards and synergies and elegies, but more

last things: where letters here where snow in May
where the millennium unstitches the quartered earth
in June, how many today to the viral fire
the frosted rich and their forts, but not
the fulsome rage of my people unpeaced
mute boots with somber looks appear
a fearsome autumn ending spring, though we still hear

I dare not sing

another song to dig a hole this time for the lineages
of magnolias where the offspring bring a hand to cover
our mouth, our heaping lives, who sit who burn who drop
three feet to the tar, who eat and demolish the thing
that takes our head, the thing that is no more
the place that never was except a burning learned

just once and not again when the darker working’s race

Copyright © 2020 by Canisia Lubrin. Originally published in Poem-a-Day on September 3, 2020, by the Academy of American Poets.

They call. They message.

Then the occasional tag on social media.
I am wanting to check in on you… We
are thinking of you… I am so so sorry…

Then                  there                  I go
again                  pounding my head
sifting through thick
                            air
scattering names on a dusty floor

It is morning. It is the afternoon, maybe
the middle of some God-awful hour. I was

calm. I was hunkered low, shades drawn
maybe sipping a tea

                                                    No one
should see me    pacing kitchen

to porch

                                                 to bedroom

grabbing at lint or         shaking my wrist
                    in the mirror

                                                     Don’t call
don’t remind me there are soldiers

tramping on my lawn with gas
                                        and pepper spray.
I’ve just laid the sheets tight in my bed.
I’ve just trimmed the plants.
                                              And you are so white
and fragile with your checking. You are so late
so late so late.

Copyright © 2020 by Nandi Comer. Originally published in Poem-a-Day on September 4, 2020, by the Academy of American Poets.

what it sounds like is a bird breaking small bones against glass. the least of them, a sparrow, of course. you’re about to serve dinner and this is the scene. blame the bird, the impertinent windows, try not to think of the inconvenience of blood splattering violet in the dusk. how can you eat after this? do not think of whom to blame when the least of us hurdles into the next moment. a pane opening into another. the least of us spoiling your meal.

~

the smell of it will be smoke and rank. you will mutter about this for days, the injustice of splatter on your window. foolish bird. civilization. house with the view. fucking bird feeder. it will take you a week, while the flesh starts to rot under thinning feathers, while the blood has congealed and stuck, for you to realize that no one is coming to take the body. it is your dead bird. it is your glass. you have options you think. hire out. move out. leave it for the bigger blacker birds.

~

you will taste rotting just above the top of your tongue. so much, that you check yourself to make sure that it is not you. the bird deserves something. you go to the closet, pick out a shoe box. discount? designer? you start to think of how it has come to this: pondering your mortality through a bird. a dead bird. never-mind. you don’t find it a problem not running into windows.

~

it is an eyesore and we start to gather as large billows in your yard. you marvel at us, beautiful, collecting and loosening our dark bodies from white sky to your grass. and then it comes. more bones and blood. one by one crashing into the closed pane. mindless birds. brown and gray feathers. filthy pests. another. fucking feeder. we look like billions lifting into flight and then—shatter.

~

you might find a delicate humility in the art of cleaning glass. while you work, you sustain tiny slivers of opened flesh. tips of your fingers sing. shards, carnage, it has become too much. you are careful to pick up all that you can see. you call a repairman. you are careful to pick up all that you can see. you throw everything into big shiny trash bags. you are careful to pick up all that you can see. you consider french doors. you are careful to pick up all that you can see and find more with each barefoot trip through your bloodbath house.

Copyright © 2020 by Bettina Judd. Originally published in Poem-a-Day on September 7, 2020, by the Academy of American Poets.

For Laquan McDonald

I think it’s quails lining the road but it's fallen Birchwood.

What look like white clouds in a grassy basin, sprinklers.

I mistake the woman walking her retriever as a pair of fawns.

Could-be animals. Unexplained weather. Maybe they see us

that way. Knowing better, the closer they get. Not quite ready to let it go.

Copyright © 2020 by Rio Cortez. Originally published in Poem-a-Day on September 8, 2020, by the Academy of American Poets.

You arrive on a Friday, with hail & vast
moving grey above small window
of white light, as a wound
which might be a passing through
of particulate ultra violet waiting
to arrive in sight, our adjectival
see. will it be violent, our photographic
ring around the light?

we inviolate what we can’t see,
revelate its arrival with our question:
boy or girl?

please, let the unseen speak in me.
there are stellar nurseries we cannot grimace.
i am a certificate of a bright somewhere.
you are a poem passing through
the membranes i have moved, mountainous you,
head up-of the interrogative blue

Copyright © 2020 by Jasmine Reid. Originally published in Poem-a-Day on September 9, 2020, by the Academy of American Poets.

To call oneself African (here) means, simply, the rejection of a view of self as mired in double consciousness. It is to imagine (or know—or avow, finally) one’s consciousness as that of the African’s untainted by the European encounter.
                                                             *  *  *

Think back, say 180 years: The slip, slippage…of thinking as someone free (thinking one’s self free to think, to be) and the cruel knock of the master or mistress insisting that you are object, abject…that what has slipped from your unguarded thoughts is aberration and must be nullified swiftly, permanently

                    You have been made to know at all costs—short of a kind of useless dysfunction—that yours is not to think, muse, contemplate. Your mind must be tabula rasa…your will nonexistent—except what is given you by others to be or do. The sharp eye or blunt iron or cutting whip has told you so.
                               
                          And you must take pains to never forget it.

                                                              *  *  *

Anyone who comes back to this human realm could be considered to have been stuck between a rock and a hard place. A liminal space, it offers possibility yet is fraught with tension. It is a “chafed” position, a chastened position, perhaps—as it does not provide stability or spiritual haven, but is, rather, a way station.
                                                              *  *  *  

It matters most to not just recognize the features of place or to come to know the feel of a place, but rather to have a particular sense of being in a place. 
(To sense one’s feeling of being in place.)

                                                              *  *  *  

                                  Anger has shaped its own place in you.
                                                              *  *  * 

Those who come to this human realm are struck between a rock and a hard place. Its liminal space offers possibility that is fraught with possibility. And you, with great pain, can never forget what others have so carefully forgotten.
                                                              *  *  *

          Think back: Tongue loosened from a bitter muteness…but the body moving among terrors…alight with everything you’ve guarded, even unremembered dreams…
          
       Thronging headlong bodies, buffering or buffeting or….

                    
                The cities and machines set against you, desperate to render you ragged and amorphous as clouds in rain.

                                                              *  *  * 

                    It matters most to not just recognize the features of place or to come to know the feel of a place, but rather to sense one’s being in that place. (To have a particular sense of being in that place.) 
                                                              *  *  * 

                                Where has anger not made a place for you?

Copyright © 2020 by Sharan Strange. Originally published in Poem-a-Day on September 10, 2020, by the Academy of American Poets.

Our bodies give

into the ocean rolling
     us beneath its tongues     How do we sing
our loss
with water brimming our throats? Oh


Sea, You


are greedy and transform us—
     our faces soft and opening

You do not wash
but strike and shove   You
rinse babies from our arms     leave
husbands waiting     
We spin in your disregard   You

upend this body We
praise your ruin     
                                     Our monuments
rooting bones in all shores

Copyright © 2020 by Ashaki M. Jackson. Originally published in Poem-a-Day on September 11, 2020, by the Academy of American Poets.