The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
I never feel so alive as when I am
writing and have no right
answer for what this means
for the lives of others, how
to live in the after which after
all means the now of our living
together when together
means death for all
those forbidden from
entering the home so
methodically built until after
they are dead. Only
after will locked doors
swing amply open to
admit the murdered
into rooms of vast
crushed comfort, whose
inhabitants eat and sleep
on furnishings carved
with corpses, stepping
with hospitable sorrow
around the bodies of the
dead, speaking dirges
into the phantom
darkness. What happens
in the quiet grave where
the living make themselves
at home, where noisily
they intend to thrive, where
the poem itself concedes
to suffering so it might persist
in blazing against it.
Copyright © 2025 by Youna Kwak. Originally published in Poem-a-Day on February 5, 2025, by the Academy of American Poets.