The world is a beautiful place to be born into if you don’t mind happiness not always being so very much fun if you don’t mind a touch of hell now and then just when everything is fine because even in heaven they don’t sing all the time The world is a beautiful place to be born into if you don’t mind some people dying all the time or maybe only starving some of the time which isn’t half so bad if it isn’t you Oh the world is a beautiful place to be born into if you don’t much mind a few dead minds in the higher places or a bomb or two now and then in your upturned faces or such other improprieties as our Name Brand society is prey to with its men of distinction and its men of extinction and its priests and other patrolmen and its various segregations and congressional investigations and other constipations that our fool flesh is heir to Yes the world is the best place of all for a lot of such things as making the fun scene and making the love scene and making the sad scene and singing low songs of having inspirations and walking around looking at everything and smelling flowers and goosing statues and even thinking and kissing people and making babies and wearing pants and waving hats and dancing and going swimming in rivers on picnics in the middle of the summer and just generally ‘living it up’ Yes but then right in the middle of it comes the smiling mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
I never feel so alive as when I am
writing and have no right
answer for what this means
for the lives of others, how
to live in the after which after
all means the now of our living
together when together
means death for all
those forbidden from
entering the home so
methodically built until after
they are dead. Only
after will locked doors
swing amply open to
admit the murdered
into rooms of vast
crushed comfort, whose
inhabitants eat and sleep
on furnishings carved
with corpses, stepping
with hospitable sorrow
around the bodies of the
dead, speaking dirges
into the phantom
darkness. What happens
in the quiet grave where
the living make themselves
at home, where noisily
they intend to thrive, where
the poem itself concedes
to suffering so it might persist
in blazing against it.
Copyright © 2025 by Youna Kwak. Originally published in Poem-a-Day on February 5, 2025, by the Academy of American Poets.