Adam Smith
 
Every poet glistens with the dew
of money, but surely only some of them
truly have it. Never enough, wanting to know
what enough felt like, I buy fake versions
of the things I want on credit, my shelves
laden with zirconia, Prada knockoffs, and
pirated Oscar screeners. I’m driven by envy,
and gluttony, the desire to consume better
than anyone else, but the pleasure is only half
of what it should be, and so on until my house
is filled with objects that belong to Chase
and AmEx. I’ve been relentless and I’ve been
lucky, but that’s never been enough.
I’d sell my soul, but there aren’t any takers. 

 From Cruel Futures. Copyright © 2018 by Carmen Giménez Smith. Used with the permission of City Lights Books.

An immature black eagle walks assuredly
across a prairie meadow. He pauses in mid-step
with one talon over the wet snow to turn
around and see.

Imprinted in the tall grass behind him
are the shadows of his tracks,
claws instead of talons, the kind
that belongs to a massive bear.
And he goes by that name:
Ma kwi so ta.

And so this aegis looms against the last
spring blizzard. We discover he’s concerned
and the white feathers of his spotted hat
flicker, signaling this.

With outstretched wings he tests the sutures.
Even he is subject to physical wounds and human
tragedy, he tells us.

The eyes of the Bear-King radiate through
the thick, falling snow. He meditates on the loss
of my younger brother—and by custom
suppresses his emotions.

Originally published in Callaloo. Copyright © 1996 by Ray A. Young Bear. Used with the permission of the author.