More than anything, I need this boy

so close to my ears, his questions

electric as honeybees in an acreage

of goldenrod and aster. And time where

we are, slow sugar in the veins

of white pine, rubbery mushrooms

cloistered at their feet. His tawny

listening at the water’s edge, shy

antlers in pooling green light, while

we consider fox prints etched in clay.

I need little black boys to be able to be

little black boys, whole salt water galaxies

in cotton and loudness—not fixed

in stunned suspension, episodes on hot

asphalt, waiting in the dazzling absence

of apology. I need this kid to stay mighty

and coltish, thundering alongside

other black kids, their wrestle and whoop,

the brightness of it—I need for the world

to bear it. And until it will, may the trees

kneel closer, while we sit in mineral hush,

together. May the boy whose dark eyes

are an echo of my father’s dark eyes,

and his father’s dark eyes, reach

with cupped hands into the braided

current. The boy, restless and lanky, the boy

for whom each moment endlessly opens,

for the attention he invests in the beetle’s

lacquered armor, each furrowed seed

or heartbeat, the boy who once told me

the world gives you second chances, the boy

tugging my arm, saying look, saying now.

Copyright © 2019 by Nicole Terez Dutton. Originally published in Poem-a-Day on October 25, 2019, by the Academy of American Poets.

My long two-pointed ladder’s sticking through a tree
Toward heaven still,
And there’s a barrel that I didn’t fill
Beside it, and there may be two or three
Apples I didn’t pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it’s like his
Long sleep, as I describe its coming on,
Or just some human sleep.

This poem is in the public domain.

Sometimes what you need is a road

house, blast of laughter and warm air pouring

out the door, where the waitresses know

your name but the customers don't, shrill

on the third martini or fifth Blue Ribbon,

steaks searing on a huge propane-fired grill.

Two birthday parties in full swing—

mylar balloons leashed to a chair-back slowly

turning—tonight you're a few years shy

the median age, at your back-wall table drinking

iced tea because you don't spend time with

the person you turn into after a frosted glass:

chardonnay, dark rum & tonic, you remember

her well, that girl, that woman, with great

compassion: her loneliness behind the amber

liquid disappeared, or seemed to, she got funny

and affectionate, softer, sexually daring but

not a femme fatale, always more honey

than darling, her courage long-gone by morning,

that terrible waking into a stranger's sheets.

You don't miss any of it. Headaches, longing

that's miles easier to bear when sober,

wishing a friend would come along and love you,

even though you're just getting older.

Some nights you need a road house, boisterous

laughter and warm air pouring through open

doors, the kind of place where your choice

is simple: well-done, bloody, or medium rare,

and no one gives a shit that you're by yourself,

writing in a notebook. Nobody turns to stare.

Copyright © 2014 Molly Fisk. This poem originally appeared in The Lascaux Review, 2014. Used with permission of the author.