As a seed, I was shot out the back end of a blue jay
when, heedless, she flew over the meadow.
She had swallowed me in my homeland when she spied me
lying easy under the sun—briefly, I called her Mother
before I passed through her gullet like a ghost.
In a blink of God’s eye I was an orphan. I trembled
where I fell, alone in the dirt. That first night
was a long night, early May and chilly, and I remember
rain filled my furrow. I called out for mercy—
only a wolverine wandered by. I cursed my luck,
I cursed the happenstance of this world, I smelled
his hot stink, but he nosed me deep into the mud—
this was the gift of obscurity. I germinated, hidden
from the giants of earth, the jostling stalks,
the various, boisterous bloomers, and this was my salvation.
After seven days and nights I pushed through—
yes. Here I am, kissable: your tiny, purple profusion.

Copyright © 2018 Lisa Bellamy. Used with permission of the author. This poem originally appeared in The Southern Review, Winter 2018.

As a seed, I was shot out the back end of a blue jay
when, heedless, she flew over the meadow.
She had swallowed me in my homeland when she spied me
lying easy under the sun—briefly, I called her Mother
before I passed through her gullet like a ghost.
In a blink of God’s eye I was an orphan. I trembled
where I fell, alone in the dirt. That first night
was a long night, early May and chilly, and I remember
rain filled my furrow. I called out for mercy—
only a wolverine wandered by. I cursed my luck,
I cursed the happenstance of this world, I smelled
his hot stink, but he nosed me deep into the mud—
this was the gift of obscurity. I germinated, hidden
from the giants of earth, the jostling stalks,
the various, boisterous bloomers, and this was my salvation.
After seven days and nights I pushed through—
yes. Here I am, kissable: your tiny, purple profusion.

Copyright © 2018 Lisa Bellamy. Used with permission of the author. This poem originally appeared in The Southern Review, Winter 2018.

I'd like to be under the sea
In an octopus' garden in the shade.
            —Ringo Starr

The article called it “a spectacle.” More like a garden than a nursery: 
hundreds of purple octopuses protecting clusters of eggs 
while clinging to lava rocks off the Costa Rican coast. 
I study the watery images: thousands of lavender tentacles 
wrapped around their broods. Did you know there’s a female octopus 
on record as guarding her clutch for 53 months? That’s four-and-a-half years 
of sitting, waiting, dreaming of the day her babies hatch and float away. 
I want to tell my son this. He sits on the couch next to me clutching his phone, 
setting up a hangout with friends. The teenage shell is hard to crack. 
Today, my heart sits with the brooding octomoms: not eating, always on call, 
always defensive, living in stasis in waters too warm to sustain them. 
No guarantees they will live beyond the hatching. Not a spectacle 
but a miracle any of us survive.

Copyright © 2019 by January Gill O’Neil. Originally published in Poem-a-Day on October 7, 2019, by the Academy of American Poets.

This morning a hawk plunges
straight for the squirrel at my feeder
and leaves only
its signature: blood on the snow.

All morning it circled the yard,
then dove, stunning itself
on the glass sky of my window,

and in minutes returned, braving
the thin, perilous channel
between hedgerow and house.
I was watching
its path as it fell, its persistence,

and the squirrel, how it dashed
for the downspout, finding itself
motionless under the heat
of the hawk’s body,

the claws in its rib cage, the sudden
tearing of wind as it rose
over the fence, the feeder,

the tops of maples and houses.
All morning it stays with me, not
the squirrel’s terror, the hawk’s
accuracy, but only

how it must feel to be lifted
out of your life, astonished
at the yard growing smaller, the earth
with its snow-covered fields tilting,
and what must be your shadow
flying across it, farther
and farther below.

Copyright © 1997 Patricia Hooper. Originally published in At the Corner of the Eye (Michigan State University Press, 1997) by Patricia Hooper. Used with permission of the author.