Everyone’s so quick to blame my
tenderness. My wound opening like a mouth
to kiss an arrow’s steel beak.

A beautiful man, now, plants his face
in Trojan sand while I tell
the secrets of his body—

make the ground red with truth.
Red with the death of Achilles, felled
by an arrow’s bite when nothing—

nothing—could puncture his Kevlar skin.
Everyone skips ahead to the moral: don’t
be a heel. For just one day I felt

sun where the chafing bonds of sandal
should have been. Without me, he’d be
just more fodder for the cannon.

I made him a hero, Troy’s poster
boy. Everyone forgets I was part of him,
I needed him—that even as he died,

I tasted each pulse—
that I could not hold back its rush of red
birds or the season to which they flew.

Copyright © 2013 by Charles Jensen. Used with permission of the author. This poem appeared in Poem-A-Day on June 13, 2013. Browse the Poem-A-Day archive.

Orpheus can never look back at the real woman trailing behind him out of hell, the woman that anybody could see with ordinary eyes. Orpheus must keep his eyes firmly fixed on the imaginal Eurydice before him, towards whom he has struggled all his life. She is not imaginary, not at all, but realer than any mere apparency, than any momentary act of seeing. He must move always towards that perfect image of his wife, and so sustain himself and his song. If ever he turns back, that is, regresses into seeing his wife as an ordinary woman, she is lost. And he is lost.

Orpheus with his lute made trees   
And the mountain tops that freeze   
  Bow themselves when he did sing:   
To his music plants and flowers   
Ever sprung; as sun and showers 
  There had made a lasting spring.   
  
Every thing that heard him play,   
Even the billows of the sea,   
  Hung their heads and then lay by.   
In sweet music is such art, 
  Killing care and grief of heart   
  Fall asleep, or hearing, die. 

This poem is in the public domain.

’Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

“Beware the Jabberwock, my son
   The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
   The frumious Bandersnatch!”

He took his vorpal sword in hand;
   Long time the manxome foe he sought—
So rested he by the Tumtum tree,
   And stood awhile in thought.

And, as in uffish thought he stood,
   The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
   And burbled as it came!

One, two! One, two! And through and through
   The vorpal blade went snicker-snack!
He left it dead, and with its head
   He went galumphing back.

“And hast thou slain the Jabberwock?
   Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
   He chortled in his joy.

’Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

This poem is in the public domain.