Thank you for these tiny
particles of ocean salt,
pearl-necklace viruses,
winged protozoans:
for the infinite,
intricate shapes
of submicroscopic
living things.

For algae spores
and fungus spores,
bonded by vital
mutual genetic cooperation,
spreading their
inseparable lives
from equator to pole.

My hand, my arm,
make sweeping circles.
Dust climbs the ladder of light.
For this infernal, endless chore,
for these eternal seeds of rain:
Thank you. For dust.

I didn't know I was grateful
            for such late-autumn
                        bent-up cornfields

yellow in the after-harvest
             sun before the
                        cold plow turns it all over

into never.
            I didn't know
                        I would enter this music

that translates the world
             back into dirt fields
                         that have always called to me

as if I were a thing
              come from the dirt,
                          like a tuber,

or like a needful boy. End
             lonely days, I believe. End the exiled
                          and unraveling strangeness.

Home is so sad. It stays as it was left,
Shaped to the comfort of the last to go
As if to win them back. Instead, bereft
Of anyone to please, it withers so,
Having no heart to put aside the theft

And turn again to what it started as,
A joyous shot at how things ought to be,
Long fallen wide. You can see how it was:
Look at the pictures and the cutlery.
The music in the piano stool. That vase.

The chickens
are circling and
blotting out the 
day. The sun is 
bright, but the 
chickens are in 
the way. Yes,
the sky is dark
with chickens, 
dense with them.
They turn and 
then they turn 
again. These 
are the chickens
you let loose
one at a time
and small—
various breeds.
Now they have 
come home
to roost—all
the same kind
at the same speed.