I.

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.

II.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place.

III.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

Written June 12, 1814. This poem is in the public domain.

     This is what I vow;
He shall have my heart to keep,
Sweetly will we stir and sleep,
     All the years, as now.
Swift the measured sands may run;
Love like this is never done;
He and I are welded one:
     This is what I vow.

     This is what I pray:
Keep him by me tenderly;
Keep him sweet in pride of me,
     Ever and a day;
Keep me from the old distress;
Let me, for our happiness,
Be the one to love the less:
     This is what I pray.

     This is what I know:
Lovers’ oaths are thin as rain;
Love's a harbinger of pain—
     Would it were not so!
Ever is my heart a-thirst,
Ever is my love accurst;
He is neither last nor first—
     This is what I know.

From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.

A single flow’r he sent me, since we met.
     All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet—
     One perfect rose.

I knew the language of the floweret;
     “My fragile leaves,” it said, “his heart enclose.”
Love long has taken for his amulet
     One perfect rose.

Why is it no one ever sent me yet
     One perfect limousine, do you suppose?
Ah no, it’s always just my luck to get
     One perfect rose.

From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.

Above a pond, I sit on a wooden bench
and throw pebbles into the willows.

A rush of sunlight and wind creates a path in a channel of water, dances
between the melting ice and brown islands of bulrush.

The resident osprey, its eyes the color of yellow grass,
follows my tossing hand.

Love is a diorama of inner life in an outer world.

I look down and find a chunk of fossilized rock
with an entire Paleozoic shell sticking out.

I am not afraid of love, but terrified of how it is my steady guide.

Once, when tired, I wandered off the trail and crawled under a tree to rest.

I woke to a young brown bear licking my boot.
Nothing had ever felt that good.

When I say I love you, what I mean is I wouldn’t leave you.

Even if love is not loved back it doesn’t go away,
although it may become a black hole.

Could this be what it’s like for trees to lose the green from their leaves?

At noon the light shifts and the pond turns
into a mosaic of opaque green ice.

Orange carp rise in these cold watery chambers to breathe at the surface.

Always I am in love. Face to face with the sun. Face to face with the moon.

From Not into the Blossoms and Not into the Air (Parlor Press, 2019).
Copyright © 2019 by Parlor Press. parlorpress.com. Used with permission.