“EL Sal-va-doh-RE-AN Salva-doh-RAN, Salva-DOH-RÍ-an,”
los mui-muis, we don’t even know what
to call ourselves. How to eat
a pupusa: ¿fork & knife? or
¿open it up & treat it like a taco? but
then, we’re betraying our nationalistic (read:
anti-black, anti-indigenous) impulse
to not mix with anyone else. ¿& what’s
with jalapeños in the curtido,
cipotes? ¿With using spicy “salsa”
instead of salsa de tomate? There’s too many
“restaurantes,” one side of the menu: Mexican,
the other, platos típicos. Typically
I want to order the ensalada, but then
they bring me an actual salad.
I say: cóman miercoles, they
want to charge me extra for harina de arroz. Extra
por los nueagados. There’s
nowhere I’d rather be most
than in Abuelita’s kitchen, watching her
throw bay leaves, tomatoes, garlic, orégano
into the blender, then chicharrón,
helping her sell to everyone that knows
she made the best pupusas
from 1985 to 2004. By then,
Salvadoreños became “Hermanos Lejanos,”
we traded Colón for Washingtón. By then,
Los Hermanos Flores looked for new singers
every time they returned from Los Yunaited
to San Salvador. Stay, no se vayan,
es-tei, no sean dundos, was all
those Salvadoreños could say.
We didn’t listen & came here
only to be called Mexican or Puerto Rican,
depending on the coast. We had to fight
for our better horchata, not
the lazy whiter one with only rice. & when
we didn’t want to fight
we tried to blend, speak more “Mexican,”
more ira, more popote, more
no pos guao. ¡Nó, majes!
¡No se me hagan dundos,
ponganse trucha vos!
When anyone wants to call you: Mexican.
You can just say: Nó,
actually, andáte a la M—
racista cara de nacionalista.

Copyright © 2020 by Javier Zamora. Originally published in Poem-a-Day on October 9, 2020, by the Academy of American Poets.

now i like to imagine la migra running
into the sock factory where my mom
& her friends worked. it was all women

who worked there. women who braided
each other’s hair during breaks.
women who wore rosaries, & never 

had a hair out of place. women who were ready
for cameras or for God, who ended all their sentences
with si dios quiere. as in: the day before 

the immigration raid when the rumor
of a raid was passed around like bread
& the women made plans, si dios quiere.

so when the immigration officers arrived
they found boxes of socks & all the women absent.
safe at home. those officers thought

no one was working. they were wrong.
the women would say it was god working.
& it was god, but the god 

my mom taught us to fear
was vengeful. he might have wet his thumb
& wiped la migra out of this world like a smudge

on a mirror. this god was the god that woke me up
at 7am every day for school to let me know
there was food in the fridge for me & my brothers.

i never asked my mom where the food came from,
but she told me anyway: gracias a dios.
gracias a dios del chisme, who heard all la migra’s plans

& whispered them into the right ears
to keep our families safe.

Copyright © 2021 by José Olivarez. Originally published in Poem-a-Day on January 12, 2021, by the Academy of American Poets.