She’s saying
I wish there could be a metaphorical
investigative committee
and I’m saying
therapy or a priest?

and, behind us,
the excellence of bright children

and, on our walk home,
the left glove

and I’m saying
I’m fueled by kissing and crimes
against the environment

and she’s saying
the cat shaped depression in this cushion

the necessity of the cat

and I’m saying
I’ve never met a silk sheet I didn’t want to ruin

and, at home,
the fingerprints disappearing
from your grandfather’s coat

the way we carve people out like water through a rock face
the way we read it on their faces
like laundry lines
like clouds

Copyright © 2018 by Emily Hunerwadel. Used with the permission of the author. This poem originally appeared in Quarterly West Issue 94.

 

Two full cypress trees in the clearing
intertwine in a way that almost makes

them seem like one. Until at a certain angle
from the blue blow-up pool I bought

this summer to save my life, I see it
is not one tree, but two, and they are

kissing. They are kissing so tenderly
it feels rude to watch, one hand

on the other’s shoulder, another
in the other’s branches, like hair.

When did kissing become so
dangerous? Or was it always so?

That illicit kiss in the bathroom
of the Four-Faced Liar, a bar

named after a clock, what was her
name? Or the first one with you

on the corner of Metropolitan
Avenue, before you came home

with me forever. I watch those green
trees now and it feels libidinous.

I want them to go on kissing, without
fear. I want to watch them and not

feel so abandoned by hands. Come
home. Everything is begging you.

From The Hurting Kind by Ada Limón (Minneapolis: Milkweed Editions, 2022). Copyright © 2022 by Ada Limón. Reprinted with permission from Milkweed Editions. milkweed.org