Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
There are some millionaires
With money they can’t use
Their wives run round like banshees
Their children sing the blues
They’ve got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
Now if you listen closely
I’ll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
’Cause nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
From Oh Pray My Wings Are Gonna Fit Me Well By Maya Angelou. Copyright © 1975 by Maya Angelou. Reprinted with permission of Random House, Inc. For online information about other Random House, Inc. books and authors, visit the website at www.randomhouse.com.
I'm writing to you from the loneliest, most
secluded island in the world. I mean,
the farthest away place from anything else.
There are so many fruits here growing on trees
or on vines that wrap and wrap. Fruits
like I've never seen except the bananas.
All night the abandoned dogs howled.
I wonder if one dog gives the first howl, and if
they take turns who's first like carrying
the flag in school. Carrying the flag
way out in front and the others
following along behind in two long lines,
pairs holding hands. Also the roosters here crow
from 4am onward. They're still crowing right now
and it's almost noon here on the island.
Noon stares back no matter where you are.
Today I'm going to hike to the extinct volcano
and balance on the rim of the crater. Yesterday
a gust almost blew me inside. I heard
that the black widows live inside the volcano
far down below in the high grasses that you can't
see from the rim. Well, I was going to tell you
that this morning the bells rang and I
followed them and at the source of the bells,
there I found so many animals
all gathered together in a room
with carved wooden statues
and wooden benches and low wooden slats
for kneeling. And the animals were there
singing together, all their voices singing,
with big strong voices rising from even
the filthiest animals. I mean, I've seen animals
come together and sing before, except in
high fancy vaults where bits of colored glass
are pieced together into stories. Some days
I want to sing with them.
I wish more animals sang together all the time.
But then I can't sing sometimes
because I think of the news that happens
when the animals stop singing.
And then I think of all the medications
and their side effects that are advertised
between the pieces of news. And then I think
of all the money the drug companies spent
to videotape their photogenic, well-groomed animals,
and all the money they spent to buy
a prime-time spot, and I think, what money
buys the news, and what news
creates the drugs, and what
drugs control the animals, and I get so
choked I can't sing anymore, Lonely Animal.
I can't sing with the other animals. Because it's
hard to know what an animal will do when it
stops singing. It's complicated, you know, it's just
complicated—
From Spring, published by University of Illinois Press. Copyright © 2008 by Oni Buchanan. Used with permission.
Look: I am building absence
out of this room's air, I'm reading suppositions into
summer's script snarled on a varnished floor.
It looks like a man. That knot's his hand
waving good-bye, that stippled stripe of grain's
the stacked-up vertebrae of his turned back.
Small birds (sparrows or finches, or perhaps)
are cluttering the trees with blackened ornaments (burning
in the remnant light of August eight o'clock), and noises
I can't hear. Chirring there, chittering. The window's closed.
I am assembling a lack of sound
in this locked box, and dotting all the i's
these floating motes present (my composition), I am not lonely
for the palpable world (midges I dap hands for
and kill), shivering into darkness underwater outside glass:
what's left of light sinking from zero down to less,
cobalt down to zaffer, deeper to purple-black
where divers drown. The swimming landscape's
all mistake (one world that shuts air into
my submerged terrarium), and I am luck.
"Drawing from Life" from Angel, Interrupted, by Reginald Shepherd. Copyright © 1996. Reprinted by permission of University of Pittsburgh Press.