“Because the grief knot is known to slip apart ‘with astonishing ease,’
it is considered one of the most insecure of knots.”
—Wikipedia, “Grief Knot”
I not-see houses at the not-edge of the trees. Nothing gnaws through brush:
no football deflated, no crumpled seltzer cans. Possums emerge and are
not-run over. This yard is a certified wildlife habitat. These yards Make America
Laugh Again. Go Blue. From the top of a parking garage, I face the endless
not-anything. It is almost-green as I know it not-here. A golf course is not a rash,
not a sore, not a scab. It’s not so bad. A not-lover tells me these are Midwest Clouds
after we drive under the same frothy white for hours. There is not-not-ocean
on the other side of the road. Listen. I came from not-here. I know better than
to fault the land. ‘Āina has not-not-synonyms. There is no water I can look at
or not-look at and not-think of poison. Ground plumes. Oil spills. The not-
government not-warns of PFAs. Not-alarms at white foam. I am not-embering
with my not-anger. In this corner of not-Michigan, There is no public access
to tracts of forest, wetlands, shorelines. These are not unprecedented times.
What not-new not-apologies will we hear in one hundred years? Who will not
make them? I am not-not-exhausted afterwalking twelve miles in not-woods
open to not-scientists like me. There are no switchbacks. With every step, I not-
remember no mountains. No hemlocks. No cedars. No spruces. No dwarf rose.
No roses. No roses. Nō. My mother taught me to shake branches like hands,
to know pines by their follicles. Without her, I not-name plants with not-names
for other plants. How much to not-remember! Mother not-not-is a metonym.
When I not-sleep, I not-hear the train not-wailing. I am not too far from her.
Copyright © 2026 by Malia Maxwell. Originally published in Poem-a-Day on April 26, 2026, by the Academy of American Poets.
there is a new big problem & the problem is the students
have started setting up shop on the quad with their tarps
& tents their hand-lettered signs they are cooking vast
pots of soup they are hi-lighting Fanon & scrolling Tik-Tok
at full volume they are starting a kind of school I am leaning
in the kitchen of the administrator’s house pinot bright
in my glass it would shock you she is saying how good the new
algorithm is matches a faceprint in seconds even through
a mask she sets a timer wipes her hands of course the fees
are extortionate she laughs but the system will pay for itself
if something were to god forbid actually happen of the threats
on letterhead the teargas & beatings on stairs she says I
was young once too you know I get it you can have your views
but at a certain point in the other world a Shadow
scans the stalls of a market fresh fruit body heat a keystroke
& a distant turret turns she stirs the pan tops off
my glass shallots cook in butter evening leans into the arms
of the trees outside well okay right yes she says did you see
the new one where that French actor plays a young Bob
Dylan & sings all the songs himself & sounds actually
pretty good weren’t you impressed don’t you think that
was a risky move I swallow & say I agree I agree I am saying
as a streetlamp snaps on revealing a grid of freshly
mown turf clippings bagged & lined up at the curb a trail
in the lawn where someone dragged them we’re getting close
she says putting in the garlic & the fish
Copyright © 2026 by Edgar Kunz. Originally published in Poem-a-Day on May 7, 2026, by the Academy of American Poets.