I am a body schooling,
a ball of fish, flashing
and many, in these early days
of feeling, of love.
When I learned,
hours ago, of fish songs
that swell like birdsong
in the morning,
how they foghorn or buzz
for food, or mates
or space, I thought,
now aren’t I a humming thing?
Yes, you say,
a body of oceans
and marvelous.
And the sea anemone in me,
growing on the wreckage
of an old ship—
can they grow that way,
I wonder, on an ending—
Still this bright and tentacled
anthozoan polyp,
which reaches and filters
whatever it needs
from this strong current,
and the current too that carries
the sea cucumbers,
the rough mammals,
the life, both vertebrate
and invertebrate,
even the batfish,
the black jewfish,
and the terapontid,
it all swells and breaks in me
like a chorus at dusk.
Originally published in Sewanee Review, Fall 2017. Copyright © 2017 by Donika Kelly. Used with the permission of the poet.
Every night, I go back to Mr. Jefferson’s place, searching still
his kitchens, behind staircases, in a patch of shade somewhere
beside his joinery & within his small ice house, till I get down
that pit, lined with straw, where Mr. Jefferson once stacked frozen slabs
of river water until summer. Then, visitors would come to him
to ask about a peculiar green star, or help him open up
his maps. They’d kneel together on the floor, among his books
lavish hunks of ice melting like the preserved tears
of some antique mammal who must have wept
to leave Ablemarle, just as I wept when I landed in Milan
for the first time, stone city where Mr. Jefferson began
to learn the science of ice houses, how you dig into the dark
flank of the land, how you seal the cavity. Leave open
just one small hatch through which I might lift, through gratings
Mr. Jefferson’s cold dressed victuals, his expensive butter & salads
the sealed jars sweating clear gems of condensation, white blood
appearing from warm air, as if air could break & slough, revealing
the curved arc of our shared Milan. There, I wore silver rings
on each thumb. I studied & spoke in fine houses
of ice. I knew a kind of crying which sealed me to such realms
for good. Old magic weep, old throb-in-throat. How much
of my fondness for any place is water, stilled & bound
to darkness?
From White Blood: A Lyric of Virginia (Sarabande Books, 2020). Copyright © 2020 by Kiki Petrosino. Reprinted with the permission of The Permissions Company, Inc., on behalf of Sarabande Books.
As a child I made things
out of clay—a pig who
could not be eaten, a mule
who refused to carry
anything other than a pig
who could not be eaten.
They were companion
pieces. They kept each
other company, and me.
We kept each other’s
secrets: what flesh can
do with clay, what clay
can do that flesh can’t.
I was a small child who made
small decisions. I made big
people angry. I made them
confused. I
refuse, I refuse.
Copyright © 2025 by Andrea Cohen. Originally published in Poem-a-Day on August 4, 2025, by the Academy of American Poets.