Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door—
“’Tis some visitor,” I muttered, “tapping at my chamber door—
               Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
               Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
               This it is and nothing more.”
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
               Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
               Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
               ’Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
               Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
               Quoth the Raven “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
               With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
               Then the bird said “Nevermore.”
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
               Of ‘Never—nevermore.’”
But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
               Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o'er,
               She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
               Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
               Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
               Quoth the Raven “Nevermore.”
“Be that word our sign in parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
               Quoth the Raven “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
               Shall be lifted—nevermore!
This version appeared in the Richmond Semi-Weekly Examiner, September 25, 1849. For other versions, please visit the Edgar Allan Poe Society of Baltimore’s site: http://www.eapoe.org/works/poems/index.htm#R.
Beneath the lamp the lady bowed, And slowly rolled her eyes around; Then drawing in her breath aloud, Like one that shuddered, she unbound The cincture from beneath her breast: Her silken robe, and inner vest, Dropt to her feet, and full in view, Behold! her bosom, and half her side— A sight to dream of, not to tell! O shield her! shield sweet Christabel! Yet Geraldine nor speaks nor stirs; Ah! what a stricken look was hers! Deep from within she seems half-way To lift some weight with sick assay, And eyes the maid and seeks delay; Then suddenly as one defied Collects herself in scorn and pride, And lay down by the Maiden's side!— And in her arms the maid she took, Ah wel-a-day! And with low voice and doleful look These words did say: 'In the touch of this bosom there worketh a spell, Which is lord of thy utterance, Christabel!
This poem is in the public domain.
Part I
It is an ancient mariner
And he stoppeth one of three.
--"By thy long grey beard and glittering eye,
Now wherefore stoppest thou me?
The bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din."
He holds him with his skinny hand,
"There was a ship," quoth he.
"Hold off! unhand me, grey-beard loon!" 
Eftsoons his hand dropped he.
He holds him with his glittering eye--
The wedding-guest stood still,
And listens like a three-years' child:
The mariner hath his will.
The wedding-guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed mariner.
"The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.
The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.
Higher and higher every day,
Till over the mast at noon--"
The wedding-guest here beat his breast,
For he heard the loud bassoon.
The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.
The wedding-guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed mariner.
"And now the storm-blast came, and he
Was tyrannous and strong; 
He struck with his o'ertaking wings,
And chased us south along.
With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.
Listen, stranger! Mist and snow,
And it grew wondrous cold:
And ice mast-high came floating by,
As green as emerald.
And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken--
The ice was all between.
The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!
At length did cross an albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God's name.
It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!
And a good south wind sprung up behind;
The albatross did follow,
And every day, for food or play,
Came to the mariners' hollo!
In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moon-shine."
"God save thee, ancient mariner! 
From the fiends, that plague thee thus!--
Why lookst thou so?" "With my crossbow 
I shot the albatross.
Part II
The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.
And the good south wind still blew behind,
But no sweet bird did follow, 
Nor any day for food or play
Came to the mariners' hollo!
And I had done an hellish thing,
And it would work 'em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!
Nor dim nor red, like God's own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
'Twas right, said they, such birds to slay,
That bring the fog and mist.
The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.
Down dropped the breeze, the sails dropped down,
'Twas sad as sad could be;
And we did speak only to break
The silence of the sea!
All in a hot and copper sky,
The bloody sun, at noon,
Right up above the mast did stand,
No bigger than the moon.
Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.
Water, water, everywhere,
And all the boards did shrink;
Water, water, everywhere,
Nor any drop to drink.
The very deeps did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs 
Upon the slimy sea.
About, about, in reel and rout
The death-fires danced at night;
The water, like a witch's oils,
Burnt green, and blue and white.
And some in dreams assured were
Of the spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.
And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.
Ah! wel-a-day! what evil looks
Had I from old and young!
Instead of the cross, the albatross
About my neck was hung.
Part III
There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! A weary time!
How glazed each weary eye,
When looking westward, I beheld
A something in the sky.
At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.
A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water sprite,
It plunged and tacked and veered.
With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drouth all dumb we stood!
I bit my arm, I sucked the blood,
And cried, A sail! a sail!
With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.
See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!
The western wave was all aflame.
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.
And straight the sun was flecked with bars,
(Heaven's mother send us grace!)
As if through a dungeon grate he peered
With broad and burning face.
Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?
Are those her ribs through which the sun
Did peer, as through a grate?
And is that woman all her crew?
Is that a Death? and are there two?
Is Death that woman's mate?
Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The nightmare Life-in-Death was she,
Who thicks man's blood with cold.
The naked hulk alongside came,
And the twain were casting dice; 
'The game is done! I've won! I've won!'
Quoth she, and whistles thrice.
The sun's rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper, o'er the sea,
Off shot the spectre bark.
We listened and looked sideways up!
Fear at my heart, as at a cup,
My lifeblood seemed to sip!
The stars were dim, and thick the night,
The steersman's face by his lamp gleamed white;
From the sails the dews did drip--
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.
One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with ghastly pang,
And cursed me with his eye.
Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.
Their souls did from their bodies fly--
They fled to bliss or woe!
And every soul, it passed me by,
Like the whizz of my crossbow!"
Part IV
"I fear thee, ancient mariner! 
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.
I fear thee and thy glittering eye,
And thy skinny hand, so brown."--
"Fear not, fear not, thou wedding-guest!
This body dropped not down.
Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.
The many men, so beautiful!
And they all dead did lie:
And a thousand thousand slimy things
Lived on; and so did I.
I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.
I looked to heaven, and tried to pray;
But or ever a prayer had gushed,
A wicked whisper came, and made
My heart as dry as dust.
I closed my lids, and kept them close,
Till the balls like pulses beat;
For the sky and the sea, and the sea and the sky
Lay like a load on my weary eye,
And the dead were at my feet.
The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.
An orphan's curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man's eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.
The moving moon went up the sky,
And nowhere did abide:
Softly she was going up,
And a star or two beside--
Her beams bemocked the sultry main,
Like April hoar-frost spread;
But where the ship's huge shadow lay,
The charmed water burnt alway
A still and awful red.
Beyond the shadow of the ship,
I watched the water snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.
Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.
O happy living things! No tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.
The selfsame moment I could pray;
And from my neck so free
The albatross fell off, and sank
Like lead into the sea.
Part V
Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary-Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.
The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.
My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.
I moved, and could not feel my limbs:
I was so light--almost
I thought that I had died in sleep,
And was a blessed ghost.
And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.
The upper air bursts into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.
And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.
The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag, 
A river steep and wide.
The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.
They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.
The helmsman steered, the ship moved on;
Yet never a breeze up-blew;
The mariners all 'gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools--
We were a ghastly crew.
The body of my brother's son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me."
"I fear thee, ancient mariner!" 
"Be calm, thou wedding-guest! 
'Twas not those souls that fled in pain, 
Which to their corses came again, 
But a troop of spirits blessed.
For when it dawned--they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.
Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.
Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!
And now 'twas like all instruments,
Now like a lonely flute;
And now it is an angel's song,
That makes the heavens be mute.
It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.
Till noon we silently sailed on,
Yet never a breeze did breathe:
Slowly and smoothly went the ship,
Moved onward from beneath.
Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.
The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she 'gan stir,
With a short uneasy motion--
Backwards and forwards half her length
With a short uneasy motion.
Then like a pawing horse let go, 
She made a sudden bound:
It flung the blood into my head, 
And I fell down in a swound.
How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.
'Is it he?' quoth one, 'Is this the man?
By him who died on cross, 
With his cruel bow he laid full low 
The harmless albatross.
The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.'
The other was a softer voice,
As soft as honeydew:
Quoth he, 'The man hath penance done,
And penance more will do.'
Part VI
FIRST VOICE
'But tell me, tell me! speak again,
Thy soft response renewing--
What makes that ship drive on so fast?
What is the ocean doing?'
SECOND VOICE
'Still as a slave before his lord, 
The ocean hath no blast; 
His great bright eye most silently 
Up to the moon is cast--
If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously 
She looketh down on him.'
FIRST VOICE
'But why drives on that ship so fast, 
Without or wave or wind?'
SECOND VOICE
'The air is cut away before,
And closes from behind.
Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the mariner's trance is abated.'
I woke, and we were sailing on
As in a gentle weather:
'Twas night, calm night, the moon was high;
The dead men stood together.
All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.
The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.
And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen--
Like one, that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend 
Doth close behind him tread.
But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.
It raised my hair, it fanned my cheek
Like a meadow-gale of spring--
It mingled strangely with my fears,
Yet it felt like a welcoming.
Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze--
On me alone it blew.
O dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?
We drifted o'er the harbour bar,
And I with sobs did pray--
O let me be awake, my God!
Or let me sleep alway!
The harbour bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.
The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.
And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.
A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck--
O Christ! what saw I there!
Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph man,
On every corse there stood.
This seraph band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;
This seraph band, each waved his hand,
No voice did they impart--
No voice; but oh! the silence sank
Like music on my heart.
But soon I heard the dash of oars,
I heard the pilot's cheer;
My head was turned perforce away
And I saw a boat appear.
The pilot and the pilot's boy,
I heard them coming fast:
Dear Lord in heaven! it was a joy
The dead men could not blast.
I saw a third--I heard his voice:
It is the hermit good!
He singeth loud his godly hymns
That he makes in the wood.
He'll shrieve my soul, he'll wash away
The albatross's blood.
Part VII
This hermit good lives in that wood
Which slopes down to the sea.
How loudly his sweet voice he rears!
He loves to talk with mariners 
That come from a far country.
He kneels at morn, and noon, and eve--
He hath a cushion plump:
It is the moss that wholly hides
The rotted old oak stump.
The skiff boat neared: I heard them talk,
'Why, this is strange, I trow! 
Where are those lights so many and fair, 
That signal made but now?'
'Strange, by my faith!' the hermit said-- 
'And they answered not our cheer! 
The planks look warped! and see those sails,
How thin they are and sere!
I never saw aught like to them, 
Unless perchance it were
Brown skeletons of leaves that lag
My forest-brook along;
When the ivy tod is heavy with snow,
And the owlet whoops to the wolf below,
That eats the she-wolf's young.'
'Dear Lord! it hath a fiendish look,' 
The pilot made reply, 
'I am a-feared'--'Push on, push on!' 
Said the hermit cheerily.
The boat came closer to the ship,
But I nor spake nor stirred;
The boat came close beneath the ship,
And straight a sound was heard.
Under the water it rumbled on,
Still louder and more dread:
It reached the ship, it split the bay;
The ship went down like lead.
Stunned by that loud and dreadful sound,
Which sky and ocean smote
Like one that hath been seven days drowned
My body lay afloat;
But swift as dreams, myself I found
Within the pilot's boat.
Upon the whirl, where sank the ship,
The boat spun round and round;
And all was still, save that the hill
Was telling of the sound.
I moved my lips--the pilot shrieked
And fell down in a fit;
The holy hermit raised his eyes,
And prayed where he did sit.
I took the oars: the pilot's boy,
Who now doth crazy go,
Laughed loud and long, and all the while
His eyes went to and fro.
'Ha! ha!' quoth he, 'full plain I see,
The devil knows how to row.'
And now, all in my own country,
I stood on the firm land!
The hermit stepped forth from the boat,
And scarcely he could stand.
'Oh shrieve me, shrieve me, holy man!' 
The hermit crossed his brow. 
'Say quick,' quoth he, 'I bid thee say--
What manner of man art thou?'
Forthwith this frame of mine was wrenched
With a woeful agony,
Which forced me to begin my tale;
And then it left me free.
Since then, at an uncertain hour,
That agony returns:
And till my ghastly tale is told, 
This heart within me burns.
I pass, like night, from land to land;
I have strange power of speech;
The moment that his face I see,
I know the man that must hear me:
To him my tale I teach.
What loud uproar bursts from that door!
The wedding-guests are there:
But in the garden-bower the bride
And bridemaids singing are:
And hark the little vesper bell,
Which biddeth me to prayer!
O wedding-guest! This soul hath been
Alone on a wide wide sea:
So lonely 'twas, that God himself
Scarce seemed there to be.
Oh sweeter than the marriage feast, 
'Tis sweeter far to me, 
To walk together to the kirk 
With a goodly company!--
To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men, and babes, and loving friends
And youths and maidens gay! 
Farewell, farewell! but this I tell
To thee, thou wedding-guest!
He prayeth well, who loveth well
Both man and bird and beast.
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all."
The mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone: and now the wedding-guest
Turned from the bridegroom's door.
He went like one that hath been stunned,
And is of sense forlorn:
A sadder and a wiser man,
He rose the morrow morn.
This poem is in the public domain.
     Left to herself, the serpent now began  
To change; her elfin blood in madness ran,  
Her mouth foam’d, and the grass, therewith besprent,  
Wither’d at dew so sweet and virulent;  
Her eyes in torture fix’d, and anguish drear,
Hot, glaz’d, and wide, with lid-lashes all sear,  
Flash'd phosphor and sharp sparks, without one cooling tear.  
The colours all inflam’d throughout her train,  
She writh’d about, convuls’d with scarlet pain:  
A deep volcanian yellow took the place 
Of all her milder-mooned body’s grace;  
And, as the lava ravishes the mead,  
Spoilt all her silver mail, and golden brede;  
Made gloom of all her frecklings, streaks and bars,  
Eclips’d her crescents, and lick’d up her stars:
So that, in moments few, she was undrest  
Of all her sapphires, greens, and amethyst,  
And rubious-argent: of all these bereft,  
Nothing but pain and ugliness were left.
This poem is in the public domain.
Ah, what can ail thee, wretched wight,
  Alone and palely loitering;
The sedge is withered from the lake, 
  And no birds sing.
Ah, what can ail thee, wretched wight,
  So haggard and so woe-begone?
The squirrel's granary is full, 
  And the harvest's done.
I see a lilly on thy brow,
  With anguish moist and fever dew;
And on thy cheek a fading rose
  Fast withereth too.
I met a lady in the meads
  Full beautiful, a faery's child; 
Her hair was long, her foot was light,
  And her eyes were wild.
I set her on my pacing steed,
  And nothing else saw all day long;
For sideways would she lean, and sing 
  A faery's song.
I made a garland for her head, 
  And bracelets too, and fragrant zone;
She looked at me as she did love, 
  And made sweet moan.
She found me roots of relish sweet,
  And honey wild, and manna dew;
And sure in language strange she said,
  I love thee true.
She took me to her elfin grot,
  And there she gazed and sighed deep,
And there I shut her wild sad eyes—
  So kissed to sleep.
And there we slumbered on the moss,
  And there I dreamed, ah woe betide,
The latest dream I ever dreamed 
  On the cold hill side.
I saw pale kings, and princes too,
  Pale warriors, death-pale were they all;
Who cried—"La belle Dame sans merci 
  Hath thee in thrall!"
I saw their starved lips in the gloam 
  With horrid warning gaped wide,
And I awoke, and found me here 
  On the cold hill side.
And this is why I sojourn here 
  Alone and palely loitering,
Though the sedge is withered from the lake,
  And no birds sing.
This poem is in the public domain.
Little lamb, who made thee?
Dost thou know who made thee,
Gave thee life, and bid thee feed
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice? 
    Little lamb, who made thee? 
    Dost thou know who made thee?
    Little lamb, I'll tell thee;
    Little lamb, I'll tell thee:
He is called by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild,
He became a little child.
I a child, and thou a lamb,
We are called by His name. 
    Little lamb, God bless thee! 
    Little lamb, God bless thee!
This poem is in the public domain.
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
This poem is in the public domain.
I wandered lonely as a Cloud
   That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
   A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
   And twinkle on the Milky Way,
They stretched in never-ending line
   Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
   Out-did the sparkling waves in glee:—
A Poet could not but be gay
   In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft when on my couch I lie
   In vacant or in pensive mood,
They flash upon that inward eye
   Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
This poem appeared in Poem-a-Day on October 1, 2017. This poem is in the public domain.
All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.
We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.
There are more guests at table than the hosts
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.
The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.
We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.
The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapours dense
A vital breath of more ethereal air.
Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.
These perturbations, this perpetual jar
Of earthly wants and aspirations high,
Come from the influence of an unseen star
An undiscovered planet in our sky.
And as the moon from some dark gate of cloud
Throws o’er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,—
So from the world of spirits there descends
A bridge of light, connecting it with this,
O’er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.
This poem is in the public domain.
The ghosts swarm.
They speak as one
person. Each
loves you. Each
has left something
undone.
•
Did the palo verde
blush yellow
all at once?
Today's edges
are so sharp
they might cut
anything that moved.
•
The way a lost 
word
will come back
unbidden.
You're not interested
in it now,
only
in knowing
where it's been.
Rae Armantrout, "Unbidden" from Versed. Copyright © 2009 by Rae Armantrout. Used by permission of Wesleyan University Press. All rights reserved.
translated from the Spanish by John Pierrepont Rice
The way was black,
The night was mad with lightning; I bestrode
My wild young colt, upon a mountain road.
And, crunching onward, like a monster’s jaws,
His ringing hoof-beats their glad rhythm kept,
Breaking the glassy surface of the pools,
Where hidden waters slept.
A million buzzing insects in the air
On droning wing made sullen discord there.
But suddenly, afar, beyond the wood,
Beyond the dark pall of my brooding thought,
I saw lights cluster like a swarm of wasps
Among the branches caught.
“The inn!” I cried, and on his living flesh
My broncho felt the lash and neighed with eagerness.
And all this time the cool and quiet wood
Uttered no sound, as though it understood.
Until there came to me, upon the night,
A voice so clear, so clear, so ringing sweet—
A voice as of a woman singing, and her song
Dropped like soft music winging, at my feet,
And seemed a sigh that, with my spirit blending,
Lengthened and lengthened out, and had no ending.
And through the empty silence of the night,
And through the quiet of the hills, I heard
That music, and the sounds of the night wind bore me,
Like spirit voices from an unseen world
Came drifting o’er me.
I curbed my horse, to catch what she might say:
“At night they come, and they are gone by day—”
And then another voice, with low refrain,
And untold tenderness, took up the strain:
“Oh love is but an inn upon life’s way”;
“At night they come, and they are gone by day—”
Their voices mingled in that wistful lay.
Then I dismounted and stretched out my length
Beside a pool, and while my mind was bent
Upon that mystery within the wood,
My eyes grew heavy, and my strength was spent.
And so I slept there, huddled in my cloak.
And now, when by untrodden paths I go,
Through the dim forest, no repose I know
At any inn at nightfall, but apart
I sleep beneath the stars, for through my heart
Echoes the burden of that wistful lay:
“At night they come, and they are gone by day,
And love is but an inn upon life’s way.”
La canción del camino
a Alfredo Gómez Jayme.
   Era un camino negro.
La noche estaba loca de relámpagos. Yo iba
En mi potro salvaje
Por la montaña andina.
Los chasquidos alegres de los cascos,
Como masticaciones de monstruosas mandíbulas
Destrozaban los vidrios invisibles
De las charcas dormidas.
Tres millones de insectos
Formaban una como rabiosa inarmonía.
   Súbito, allá, a lo lejos,
Por entre aquella mole doliente y pensativa
De la selva,
Vi un puñado de luces como un tropel de avíspas.
¡La posada! El nervioso
Látigo persignó la carne viva
De mi caballo, que rasgó los aires
Con un largo relincho de alegría.
   Y como si la selva
Lo comprendiese todo, se quedó muda y fría.
   Y hasta mí llegó, entonces,
Una voz clara y fina
De mujer que cantaba. Cantaba. Era su canto
Una lenta … muy lenta … melodía:
Algo como un suspiro que se alarga
Y se alarga y se alarga … y no termina.
   Entre el hondo silencio de la noche
Y a través del reposo de la montaña, oíanse
Los acordes
De aquel canto sencillo de una música íntima,
Como si fuesen voces que llegaran
Desde la otra vida ...
   Sofrené mi caballo;
Y me puse a escuchar lo que decía:
   —Todos llegan de noche,
Todos se van de día …
   Y formándole dúo,
Otra voz femenina
Completó así la endecha
Con ternura infinita:
   —El amor es tan sólo una posada
En mitad del camino de la Vida.
   Y las dos voces, luego,
a la vez repitieron con amargura rítmica:
   —Todos llegan de noche,
Todos se van de día …
   Entonces, yo bajé de mi caballo
Y me acosté en la orilla
De una charca.
  Y fijo en ese canto que venía
A través del misterio de la selva,
Fui cerrando los ojos al sueño y la fatiga.
Y me dormí, arrullado; y, desde entonces,
Cuando cruzo las selvas por rutas no sabidas,
Jamás busco reposo en las posadas;
Y duermo al aire libre mi sueño y mi fatiga,
Porque recuerdo siempre
Aquel canto sencillo de una música íntima:
   —Todos llegan de noche,
Todos se van de día.
El amor es tan sólo una posada
En mitad del camino de la Vida …
This poem is in the public domain. Published in Poem-a-Day on September 19, 2021, by the Academy of American Poets.
In Ipswich nights are cool and fair, 
   And the voice that comes from the yonder sea 
Sings to the quaint old mansions there 
   Of “the time, the time that used to be”;
And the quaint old mansions rock and groan, 
And they seem to say in an undertone,
With half a sight and with half a moan:
   “It was, but it never again will be.”
In Ipswich witches weave at night 
   Their magic spells with impish glee;
They shriek and laugh in their demon flight 
   From the old Main House to the frightened sea. 
And ghosts of eld come out to weep
Over the town that is fast asleep;
And they sob and they wail, as on they creep:
   “It was, but it never again will be.”
In Ipswich riseth Heart-Break Hill
   Over against the calling sea;
And through the nights so deep and chill 
   Watcheth a maiden constantly,—
Watcheth alone, nor seems to hear
Over the roar of the waves anear
The pitiful cry of a far-off year:
   “It was, but it never again will be.”
In Ipswich once a witch I knew,—
   An artless Saxon witch was she;
By that flaxen hair and those eyes of blue, 
   Sweet was the spell she cast on me.
Alas! but the years have wrought me ill,
And the heart that is old and battered and chill 
Seeketh again on Heart-Break Hill
   What was, but never again can be. 
Dear Anna, I would not conjure down
   The ghost that cometh to solace me;
I love to think of old Ipswich town, 
   Where somewhat better than friends were we;
For with every thought of the dear old place 
Cometh again the tender grace
Of a Saxon witch’s pretty face, 
   As it was, and is, and ever shall be. 
This poem is in the public domain. Published in Poem-a-Day on October 27, 2024, by the Academy of American Poets.
THE rain set early in to-night, 
     The sullen wind was soon awake,
It tore the elm-tops down for spite,
     And did its worst to vex the lake:
     I listened with heart fit to break.
When glided in Porphyria; straight 
     She shut the cold out and the storm, 
And kneeled and made the cheerless grate
     Blaze up, and all the cottage warm;
     Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
     And laid her soiled gloves by, untied 
Her hat and let the damp hair fall,
     And, last, she sat down by my side
     And called me. When no voice replied, 
She put my arm about her waist, 
     And made her smooth white shoulder bare,
And all her yellow hair displaced, 
     And, stooping, made my cheek lie there, 
     And spread, o’er all, her yellow hair,
Murmuring how she loved – she
     Too weak, for all her heart’s endeavor,
To set its struggling passion free 
     From pride, and vainer ties dissever, 
     And give herself to me for ever. 
But passion sometimes would prevail, 
     Nor could to-night’s gay feast restrain 
A sudden thought of one so pale 
     For love of her, and all in vain:
     So, she was come through wind and rain. 
Be sure I looked up at her eyes 
     Happy and proud; at last I knew 
Porphyria worshipped me; surprise 
     Made my heart swell, and still it grew 
     While I debated what to do. 
That moment she was mine, mine, fair, 
     Perfectly pure and good: I found 
A thing to do, and all her hair 
     In one long yellow string I wound
     Three times her little throat around, 
And strangled her. No pain felt she;
     I am quite sure she felt no pain. 
As a shut bud that holds a bee, 
     I warily oped her lids: again
     Laughed the blue eyes without a strain.
And I untightened next the tress
     About her neck; her cheek once more 
Blushed bright beneath my burning kiss:
     I propped her head up as before, 
     Only, this time my should bore
Her head, which droops upon it still:
     The smiling rosy little head,
So glad it has its utmost will, 
     That all it scorned at once is fled,
     And I, its love, am gained instead! 
Porphyria’s love: she guessed not how 
     Her darling one wish would be heard. 
And thus we sit together now, 
     And all night long we have not stirred,
     And yet God has not said a word!
This poem is in the public domain. Originally published in The Poetical Works of Robert Browning (London: Smith, Elder and Co., 1868).
Morning and evening
Maids heard the goblins cry:
“Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck’d cherries,
Melons and raspberries,
Bloom-down-cheek’d peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;—
All ripe together
In summer weather,—
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.”
Evening by evening
Among the brookside rushes,
Laura bow’d her head to hear,
Lizzie veil’d her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
“Lie close,” Laura said,
Pricking up her golden head:
“We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?”
“Come buy,” call the goblins
Hobbling down the glen.
“Oh,” cried Lizzie, “Laura, Laura,
You should not peep at goblin men.”
Lizzie cover’d up her eyes,
Cover’d close lest they should look;
Laura rear’d her glossy head,
And whisper’d like the restless brook:
“Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.”
“No,” said Lizzie, “No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.”
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat’s face,
One whisk’d a tail,
One tramp’d at a rat’s pace,
One crawl’d like a snail,
One like a wombat prowl’d obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.
Laura stretch’d her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.
Backwards up the mossy glen
Turn’d and troop’d the goblin men,
With their shrill repeated cry,
“Come buy, come buy.”
When they reach’d where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One rear’d his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav’d the golden weight
Of dish and fruit to offer her:
“Come buy, come buy,” was still their cry.
Laura stared but did not stir,
Long’d but had no money:
The whisk-tail’d merchant bade her taste
In tones as smooth as honey,
The cat-faced purr’d,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried “Pretty Goblin” still for “Pretty Polly;”—
One whistled like a bird.
But sweet-tooth Laura spoke in haste:
“Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.”
“You have much gold upon your head,”
They answer’d all together:
“Buy from us with a golden curl.”
She clipp’d a precious golden lock,
She dropp’d a tear more rare than pearl,
Then suck’d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow’d that juice;
She never tasted such before,
How should it cloy with length of use?
She suck’d and suck’d and suck’d the more
Fruits which that unknown orchard bore;
She suck’d until her lips were sore;
Then flung the emptied rinds away
But gather’d up one kernel stone,
And knew not was it night or day
As she turn’d home alone.
Lizzie met her at the gate
Full of wise upbraidings:
“Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck’d from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.”
“Nay, hush,” said Laura:
“Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;” and kiss’d her:
“Have done with sorrow;
I’ll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.”
Golden head by golden head,
Like two pigeons in one nest
Folded in each other’s wings,
They lay down in their curtain’d bed:
Like two blossoms on one stem,
Like two flakes of new-fall’n snow,
Like two wands of ivory
Tipp’d with gold for awful kings.
Moon and stars gaz’d in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapp’d to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock’d together in one nest.
Early in the morning
When the first cock crow’d his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch’d in honey, milk’d the cows,
Air’d and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn’d butter, whipp’d up cream,
Fed their poultry, sat and sew’d;
Talk’d as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day’s delight,
One longing for the night.
At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck’d purple and rich golden flags,
Then turning homeward said: “The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.”
But Laura loiter’d still among the rushes
And said the bank was steep.
And said the hour was early still
The dew not fall’n, the wind not chill;
Listening ever, but not catching
The customary cry,
“Come buy, come buy,”
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to tramp along the glen,
In groups or single,
Of brisk fruit-merchant men.
Till Lizzie urged, “O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?”
Laura turn’d cold as stone
To find her sister heard that cry alone,
That goblin cry,
“Come buy our fruits, come buy.”
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop’d from the root:
She said not one word in her heart’s sore ache;
But peering thro’ the dimness, nought discerning,
Trudg’d home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash’d her teeth for baulk’d desire, and wept
As if her heart would break.
Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
“Come buy, come buy;”—
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax’d bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.
One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew’d it with tears, hoped for a root,
Watch’d for a waxing shoot,
But there came none;
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream’d of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown’d trees,
And burns the thirstier in the sandful breeze.
She no more swept the house,
Tended the fowls or cows,
Fetch’d honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.
Tender Lizzie could not bear
To watch her sister’s cankerous care
Yet not to share.
She night and morning
Caught the goblins’ cry:
“Come buy our orchard fruits,
Come buy, come buy;”—
Beside the brook, along the glen,
She heard the tramp of goblin men,
The yoke and stir
Poor Laura could not hear;
Long’d to buy fruit to comfort her,
But fear’d to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.
Till Laura dwindling
Seem’d knocking at Death’s door:
Then Lizzie weigh’d no more
Better and worse;
But put a silver penny in her purse,
Kiss’d Laura, cross’d the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.
Laugh’d every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,—
Hugg’d her and kiss’d her:
Squeez’d and caress’d her:
Stretch’d up their dishes,
Panniers, and plates:
“Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and suck them,
Pomegranates, figs.”—
“Good folk,” said Lizzie,
Mindful of Jeanie:
“Give me much and many: —
Held out her apron,
Toss’d them her penny.
“Nay, take a seat with us,
Honour and eat with us,”
They answer’d grinning:
“Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.”—
“Thank you,” said Lizzie: “But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss’d you for a fee.”—
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call’d her proud,
Cross-grain’d, uncivil;
Their tones wax’d loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbow’d and jostled her,
Claw’d with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil’d her stocking,
Twitch’d her hair out by the roots,
Stamp’d upon her tender feet,
Held her hands and squeez’d their fruits
Against her mouth to make her eat.
White and golden Lizzie stood,
Like a lily in a flood,—
Like a rock of blue-vein’d stone
Lash’d by tides obstreperously,—
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire,—
Like a fruit-crown’d orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,—
Like a royal virgin town
Topp’d with gilded dome and spire
Close beleaguer’d by a fleet
Mad to tug her standard down.
One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff’d and caught her,
Coax’d and fought her,
Bullied and besought her,
Scratch’d her, pinch’d her black as ink,
Kick’d and knock’d her,
Maul’d and mock’d her,
Lizzie utter’d not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh’d in heart to feel the drip
Of juice that syrupp’d all her face,
And lodg’d in dimples of her chin,
And streak’d her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick’d their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh’d into the ground,
Some div’d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish’d in the distance.
In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro’ the furze,
Threaded copse and dingle,
And heard her penny jingle
Bouncing in her purse,—
Its bounce was music to her ear.
She ran and ran
As if she fear’d some goblin man
Dogg’d her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she prick’d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.
She cried, “Laura,” up the garden,
“Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeez’d from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.”
Laura started from her chair,
Flung her arms up in the air,
Clutch’d her hair:
“Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin’d in my ruin,
Thirsty, canker’d, goblin-ridden?”—
She clung about her sister,
Kiss’d and kiss’d and kiss’d her:
Tears once again
Refresh’d her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss’d and kiss’d her with a hungry mouth.
Her lips began to scorch,
That juice was wormwood to her tongue,
She loath’d the feast:
Writhing as one possess’d she leap’d and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks stream’d like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.
Swift fire spread through her veins, knock’d at her heart,
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense fail’d in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topp’d waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?
Life out of death.
That night long Lizzie watch’d by her,
Counted her pulse’s flagging stir,
Felt for her breath,
Held water to her lips, and cool’d her face
With tears and fanning leaves:
But when the first birds chirp’d about their eaves,
And early reapers plodded to the place
Of golden sheaves,
And dew-wet grass
Bow’d in the morning winds so brisk to pass,
And new buds with new day
Open’d of cup-like lilies on the stream,
Laura awoke as from a dream,
Laugh’d in the innocent old way,
Hugg’d Lizzie but not twice or thrice;
Her gleaming locks show’d not one thread of grey,
Her breath was sweet as May
And light danced in her eyes.
Days, weeks, months, years
Afterwards, when both were wives
With children of their own;
Their mother-hearts beset with fears,
Their lives bound up in tender lives;
Laura would call the little ones
And tell them of her early prime,
Those pleasant days long gone
Of not-returning time:
Would talk about the haunted glen,
The wicked, quaint fruit-merchant men,
Their fruits like honey to the throat
But poison in the blood;
(Men sell not such in any town):
Would tell them how her sister stood
In deadly peril to do her good,
And win the fiery antidote:
Then joining hands to little hands
Would bid them cling together,
“For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands.” 
 
Original illustration for the cover of Christina Rossetti's Goblin Market and Other Poems (1862), by her brother, Dante Gabriel Rossetti.
When by thy scorn, O murd’ress, I am dead And that thou think’st thee free From all solicitation from me, Then shall my ghost come to thy bed, And thee, feign’d vestal, in worse arms shall see; Then thy sick taper will begin to wink, And he, whose thou art then, being tir’d before, Will, if thou stir, or pinch to wake him, think Thou call’st for more, And in false sleep will from thee shrink; And then, poor aspen wretch, neglected thou Bath’d in a cold quicksilver sweat wilt lie A verier ghost than I. What I will say, I will not tell thee now, Lest that preserve thee; and since my love is spent, I’had rather thou shouldst painfully repent, Than by my threat’nings rest still innocent.
This poem is in the public domain.
‘There’s a footstep coming: look out and see,’
     ‘The leaves are falling, the wind is calling;
No one cometh across the lea.’—
‘There’s a footstep coming: O sister, look.’—
     ‘The ripple flashes, the white foam dashes;
No one cometh across the brook.’—
‘But he promised that he would come:
     To-night, to-morrow, in joy or sorrow,
He must keep his word, and must come home.
‘For he promised that he would come:
     His word was given; from earth or heaven,
He must keep his word, and must come home.
‘Go to sleep, my sweet sister Jane;
     You can slumber, who need not number
Hour after hour, in doubt and pain.
‘I shall sit here awhile, and watch;
     Listening, hoping, for one hand groping
In deep shadow to find the latch.’
After the dark, and before the light,
     One lay sleeping; and one sat weeping,
Who had watched and wept the weary night.
After the night, and before the day,
     One lay sleeping; and one sat weeping—
Watching, weeping for one away.
There came a footstep climbing the stair;
     Some one standing out on the landing
Shook the door like a puff of air—
Shook the door, and in he passed.
     Did he enter? In the room centre
Stood her husband: the door shut fast.
‘O Robin, but you are cold—
     Chilled with the night-dew: so lily-white you
Look like a stray lamb from our fold.
‘O Robin, but you are late:
     Come and sit near me—sit here and cheer me.’—
(Blue the flame burnt in the grate.)
‘Lay not down your head on my breast:
     I cannot hold you, kind wife, nor fold you
In the shelter that you love best.
‘Feel not after my clasping hand:
     I am but a shadow, come from the meadow
Where many lie, but no tree can stand.
‘We are trees which have shed their leaves:
     Our heads lie low there, but no tears flow there;
Only I grieve for my wife who grieves.
‘I could rest if you would not moan
     Hour after hour; I have no power
To shut my ears where I lie alone.
‘I could rest if you would not cry;
     But there’s no sleeping while you sit weeping—
Watching, weeping so bitterly.’—
‘Woe’s me! woe’s me! for this I have heard.
     Oh, night of sorrow!—oh, black to-morrow!
Is it thus that you keep your word?
‘O you who used so to shelter me
     Warm from the least wind—why, now the east wind
Is warmer than you, whom I quake to see.
‘O my husband of flesh and blood,
     For whom my mother I left, and brother,
And all I had, accounting it good,
‘What do you do there, underground,
     In the dark hollow? I’m fain to follow.
What do you do there?—what have you found?’—
‘What I do there I must not tell:
     But I have plenty: kind wife, content ye:
It is well with us—it is well.
This poem is in the public domain.
O love, love, hold me fast,
He draws me away from thee;
I cannot stem the blast,
Nor the cold strong sea:
Far away a light shines
Beyond the hills and pines;
It is lit for me.
            Bridegroom
I have thee close, my dear,
No terror can come near;
Only far off the northern light shines clear.
Ghost
Come with me, fair and false,
To our home, come home.
It is my voice that calls:
Once thou wast not afraid
When I woo’d, and said,
‘Come, our nest is newly made’—
Now cross the tossing foam.
Bride
Hold me one moment longer!
He taunts me with the past,
His clutch is waxing stronger;
Hold me fast, hold me fast.
He draws me from thy heart,
And I cannot withhold:
He bids my spirit depart
With him into the cold:—
Oh bitter vows of old!
Bridegroom
Lean on me, hide thine eyes:
Only ourselves, earth and skies,
Are present here: be wise.
Ghost
Lean on me, come away,
I will guide and steady:
Come, for I will not stay:
Come, for house and bed are ready.
Ah sure bed and house,
For better and worse, for life and death,
Goal won with shortened breath!
Come, crown our vows.
Bride
One moment, one more word,
While my heart beats still,
While my breath is stirred
By my fainting will.
O friend, forsake me not,
Forget not as I forgot:
But keep thy heart for me,
Keep thy faith true and bright;
Through the lone cold winter night
Perhaps I may come to thee.
Bridegroom
Nay peace, my darling, peace:
Let these dreams and terrors cease:
Who spoke of death or change or aught but ease?
Ghost
O fair frail sin,
O poor harvest gathered in!
Thou shalt visit him again
To watch his heart grow cold:
To know the gnawing pain
I knew of old;
To see one much more fair
Fill up the vacant chair,
Fill his heart, his children bear;
While thou and I together,
In the outcast weather,
Toss and howl and spin.
This poem is in the public domain.
Red cradle of the night, 
     In you 
          The dusky child 
Sleeps fast till his might 
   Shall be piled 
Sinew on sinew. 
Red cradle of the night, 
   The dusky child 
Sleeping sits upright. 
   Lo how 
                    The winds blow now!
   He pillows back; 
The winds are again mild. 
When he stretches his arms out, 
Red cradle of the night, 
   The alarms shout 
From bare tree to tree, 
   Wild 
             In afright! 
Mighty shall he be, 
Red cradle of the night, 
   The dusky child!!
 This poem is in the public domain.
