After Hanif Abdurraqib & Frank O’Hara It is the last class of the day & I am teaching a classroom of sixth graders about poetry & across town a man has walked into a Starbucks & blown himself up while some other men throw grenades in the street & shoot into the crowd of civilians & I am 27 years old which means I am the only person in this room who was alive when this happened in New York City & I was in eighth grade & sitting in my classroom for the first class of the day & I made a joke about how mad everyone was going to be at the pilot who messed up & later added, how stupid do you have to be for it to happen twice? & the sixth graders are practicing listing sensory details & somebody calls out blue skies as a sight they love & nobody in this classroom knows what has happened yet & they do not know that the school is in lockdown which is a word we did not have when I was in sixth grade & the whole class is laughing because a boy has called out dog poop as a smell he does not like & what is a boy if not a glowing thing learning what he can get away with & I was once a girl in a classroom on the lucky side of town who did not know what had happened yet & electrical fire is a smell I did not know I did not like until my neighborhood smelled that way for weeks & blue skies is a sight I have never trusted again & poetry is what I reached for in the days when the ash would not stop falling & there is a sixth grade girl in this classroom whose father is in that Starbucks & she does not know what has happened yet & what is a girl if not a pulsing thing learning what the world will take from her & what if I am still a girl sitting in my classroom on the lucky side of town making a careless joke looking at the teacher for some kind of answer & what if I am also the teacher without any answers looking back at myself & what is an adult if not a terrified thing desperate to protect something you cannot save? & how lucky do you have to be for it to miss you twice? & tomorrow a sixth grade girl will come to class while her father has the shrapnel pulled from his body & maybe she will reach for poetry & the sky outside the classroom is so terribly blue & the students are quiet & looking at me & waiting for a grown-up or a poem or an answer or a bell to ring & the bell rings & they float up from their seats like tiny ghosts & are gone
Copyright © 2019 by Sarah Kay. Originally published in Poem-a-Day on February , 2019, by the Academy of American Poets.
And seriously now the guitar is beating me up It is shoving me into the narrow range of its cheerful melancholy And all sorts of feelings I want to have I cannot My feet start to move in exactly the same way They did for so many years each time I entered The tin shack where the dancing occurred Again I see you Luna just as I did When I was a boy once and everything Made a large kind of sense we were being guarded The new wave band with the exciting hair Produced inside us the same faint scent Of oranges that filled the patio in ancient holy Spain We read about in our textbooks We knew someday we would go Together there and feel our song In the narrow alleyways made sense We would sing it and drink each other’s blood Which would only make us grow stronger Sometimes we talked about just going to Panama To watch the ships move through the artificial scar Overlords made in earth to bring the goods we loved We put them in our mouths and on our record players Luna I am losing the red thread I want to rush back out into the street Away from this terrible guitar that is making me feel I’m just a chandelier in the reflections of my own Glass droplets quantifying what has passed Too enervated to keep toiling like a star Luna I don’t mean to say it’s all been a loss There was that class I took on how to ride The carousel holding my nephew But it’s impossible to be positive with this guitar playing There is something inside the tune I can’t alter and this man is singing All these songs about going there To be honest I just gave up and moved I hear my sister yelling in the yard Luna I’m going to bring my head outside To see if I can scare some crows They have bad manners not that I really care There are three of them right now Making me think of you and me and the other one The best evening of my life was when we parked Above that hill and talked all night About the things we would never do Until we grew dark and indifferent As a well in a ruined village The army passes by…
Copyright © 2018 by Matthew Zapruder. Originally published in Poem-a-Day on April 26, 2018, by the Academy of American Poets.
Blistered apple,
gold that molts
the eye & boils
animals in their caves.
I touch & touch
& touch,
branding the hands
of each child.
A circle
of unmoored fury.
I see death all
around you—
your phantomed self
charred blue,
cast against
asphalt.
The body’s ash already
visible,
unglittering
in its cheap velvet.
Bow down
in the brilliance
of your borrowed light.
Let me ignite
your end.
Copyright © 2017 by Hadara Bar-Nadav. “Sun” was published in The New Nudity (Saturnalia Books, 2017). Used with permission of the author.
—Ambreen Riasat was a victim of an honor killing on April 29, 2016. Thirteen people, including some of her family members, were arrested in connection to her murder.
See me for miles—
lightstreaked,
deathstreaked.
A disturbance.
(I am disturbed.)
Theatrical
and skinless.
Electrical, all
edge.
A knife of ice
carving the sky.
White blades,
white fathom,
unbridled.
White that is red
is pink is hue
is glazed enormity,
tangerine plush.
And then comes
the blood,
scarlets on fire.
Why is a girl always
on fire.
What makes her
crackle—
breathtaking,
the cut wrist,
thighs rushed
by smoke,
roil of voile,
combustible.
So I loved, laid, slept
for days, blinked,
breathed flame,
paraded like a god.
Gianter than god
and vincible.
Made of nothing at all.
Fleshless,
a fuse of refusals.
And am I beautiful
now, who owns beauty,
waiting for your tongues
to slip by.
Copyright © 2017 by Hadara Bar-Nadav. “Dress (Aurora Borealis)” was published in The New Nudity (Saturnalia Books, 2017). Used with permission of the author.
I slept with all four hooves
in the air or I slept like a snail
in my broken shell.
The periphery of the world
dissolved. A giant exit sign
blinking above my head.
My family sings
its death march.
They are the size of the moon.
No, they are the size
of thumbtacks punched
through the sky’s eyelid.
What beauty, what bruise.
What strange lullaby is this
that sings from its wound?)
Here, my dead father knocks
on a little paper door. Here,
my family knocks, waits.
Come through me, my darlings,
whatever you are: flame,
lampshade, soap.
Leave your shattered shadows
behind. I’ll be the doorway
that watches you go.
Copyright © 2013 by Hadara Bar-Nadav. “Lullaby (with Exit Sign)” was published in Lullaby (with Exit Sign) (Saturnalia Books, 2013). Used with permission of the author.