I who employ a poet’s tongue,
Would tell you how
You are a golden damson hung
Upon a silver bough.

I who adore exotic things
Would shape a sound
To be your name, a word that sings
Until the head goes round.

I who am proud with other folk
Would grow complete
In pride on bitter words you spoke,
And kiss your petaled feet.

But never past the frail intent
My will may flow,
Though gentle looks of yours are bent
Upon me where I go.

So must I, starved for love’s delight,
Affect the mute,
When love’s divinest acolyte
Extends me holy fruit.

From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922), edited by James Weldon Johnson. This poem is in the public domain.

LOVE has had his way with me.
      This my heart is torn and maimed
Since he took his play with me.
    Cruel well the bow-boy aimed,

Shot, and saw the feathered shaft
    Dripping bright and bitter red.
He that shrugged his wings and laughed––
    Better had he left me dead.

Sweet, why do you plead me, then,
    Who have bled so sore of that?
Could I bear it once again? . . .
    Drop a hat, dear, drop a hat!

From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.

Unknown to you, I walk the cheerless shore. 
   The cutting blast, the hurl of biting brine, 
May freeze, and still, and bind the waves at war, 
   Ere you will ever know, O! Heart of mine, 
That I have sought, reflected in the blue 
    Of these sea depths, some shadow of your eyes; 
Have hoped the laughing waves would sing of you, 
   But this is all my starving sight descries—

I.
Far out at sea a sail 
    Bends to the freshening breeze, 
Yields to the rising gale, 
    That sweeps the seas; 

II. 
Yields, as a bird wind-tossed, 
    To saltish waves that fling 
Their spray, whose rime and frost
    Like crystals cling

III. 
To canvas, mast and spar, 
   Till, gleaming like a gem, 
She sinks beyond the far
   Horizon’s hem. 

IV. 
Lost to my longing sight, 
    And nothing left to me
Save an oncoming night,—
    An empty sea.

This poem is in the public domain. Published in Poem-a-Day on May 30, 2020 by the Academy of American Poets.

Here in the time of the Winter morn, Love,
I see the Sunlit leaves of changing hue
Burn clear against a sky of tender blue,
Here in the time of the Winter morn, Love.
Here in the time of the Winter morn, Love,
I hear the low tone bells of changing song
Ring clear upon the air the full day long,
Here in the time of the Winter morn, Love.
I hear the bells, I see the changing leaves,
And one lone heart for Summer silent grieves,
Here in the time of the Winter morn, Love.

This poem is in the public domain. Published in Poem-a-Day on January 2, 2022, by the Academy of American Poets.

The light retreats and is generous again.
No you to speak of, anywhere—neither in vicinity nor distance, 

so I look at the blue water, the snowy egret, the lace of its feathers 
shaking in the wind, the lake—no, I am lying. 

There are no egrets here, no water. Most of the time, 
my mind gnaws on such ridiculous fictions. 

My phone notes littered with lines like Beauty will not save you
Or: mouthwash, yogurt, cilantro

A hummingbird zips past me, its luminescent plumage 
disturbing my vision like a tiny dorsal fin. 

But what I want does not appear. Instead, I find the redwoods and pines, 
figs that have fallen and burst open on the pavement, 

announcing that sickly sweet smell,
the sweetness of grief, my prayer for what is gone. 

You are so dramatic, I say to the reflection on my phone, 
then order the collected novels of Jean Rhys. 

She, too, was humiliated by her body, that it wanted
such stupid, simple things: food and cherry wine, to touch someone. 

On my daily walk, I steal Meyer lemons from my neighbors’ yard, 
a small pomegranate. Instead of eating them, 

I observe their casual rot on the kitchen counter, 
this theatre of good things turning into something else.

Copyright © 2021 by Aria Aber. Originally published in Poem-a-Day on October 19, 2021, by the Academy of American Poets.