for Michele Antoinette Pray-Griffiths

Ordinary days deliver joy easily
again & I can't take it. If I could tell you
how her eyes laughed or describe
the rage of her suffering, I must
admit that lately my memories
are sometimes like a color
warping in my blue mind.
Metal abandoned in rain.

My mother will not move.

Which is to say that
sometimes the true color of
her casket jumps from my head
like something burnt down
in the genesis of a struck flame.
Which is to say that I miss
the mind I had when I had
my mother. I own what is yet.
Which means I am already
holding my own absence
in faith. I still carry a faded slip of paper
where she once wrote a word
with a pencil & crossed it out.

From tree to tree, around her grave
I have walked, & turned back
if only to remind myself
that there are some kinds of
peace, which will not be
moved. How awful to have such
wonder. The final way wonder itself
opened beneath my mother's face
at the last moment. As if she was
a small girl kneeling in a puddle
& looking at her face for the first time,
her fingers gripping the loud,
wet rim of the universe.

Copyright © 2019 by Rachel Eliza Griffiths. Originally published in Poem-a-Day on April 11, 2019, by the Academy of American Poets.

For our new apartment, which my mother may never see
since slugging into that old person’s disease—I won’t bring myself
to say it in writing—I bought a cactus and it’s beautiful,
its soldier-green skin and feline-whiskered dress howls
beneath the den light which encourages me to keep my big-boy jeans on.
I know I look for answers everywhere. Everywhere there you are
with your eyes a war-less country, a privilege we sometimes share.
But tonight, there isn’t a country. Just a sky fussing. Anxious music.
The classic duty of breath as we binge another episode of
What Should I Do When You Want to Die. Sometimes, you fail
to love me, I think I say, the math ain’t mathing—but what could you do?
You’ve researched plants, I know, to find which could live
without much gusto from its human. You pour yourself
another glass of vodka, a shot of tequila for me. Who am I
to think I’m too good for your anger—you were right…
Come, let’s sour our swords together. Come, let morning waltz
into our bedroom all cocky-like like it landlords the place. Come,
let’s plunge forward, drunkenly in love, grab hold the darkness we become.

Copyright © 2021 by Luther Hughes. Originally published in Poem-a-Day on May 27, 2021, by the Academy of American Poets.

How desire is a thing I might die for. Longing a well,
a long dark throat. Enter any body

of water and you give yourself up
to be swallowed. Even the stones

know that. I have writhed
against you as if against the black

bottom of a deep pool. I have emerged
from your grip breathless

and slicked. How easily
I could forget you

as separate, so essential
you feel to me now. You

beneath me like my own
blue shadow. You silent as the moon

drifts like a petal
across your skin, my mouth

to your lip—you a spring
I return to, unquenchable, and drink.

Copyright © 2021 by Leila Chatti. Originally published in Poem-a-Day on January 14, 2021, by the Academy of American Poets.

I keep thinking there’s a piano nearby.
I keep thinking it’s my favorite song. It’s my favorite song!

Below the marquee, I arrange the marquee:
Happy New Year, buddy. Happy ’nother one, sweetheart.

Out of ways to call you dead, I decide to call you busy,
call you at midnight from West Oakland.

These days I raise a glass to make sure it’s empty.
Even when I was a drunk, I thought champagne was pointless.

In my two-story civility, I stick my head out
each window & scream. S’cuse me, s’cuse me,

I’m trying to remember a story about gold,
about a giant falling from the sky.

Someone once asked who I prayed to.
I said a boy with a missing front tooth.

In this order, I ask, first, for water,
which might mean mercy,

which might mean swing by in an hour
& I’ll tell you the rest.

If you were here we’d dance, I think.
If you were here, you’d know what to do

what to do with all this time

Copyright © 2021 by Hieu Minh Nguyen. Originally published in Poem-a-Day on January 4, 2021, by the Academy of American Poets.

For 7 days and 7 nights, I’ve been shooting free throws
           The doctor said I needed focus

There is no net because some guy tried hanging himself from it
           But the moonlight betrayed him

In the courtyard where we sit, a dandelion grows
           I see you’re uncomfortable. Ignore these

blood-brick walls, cemented ground, nurse station window
          There’s forgiveness here. And I need to apologize

You’re seeing me in these weed-green scrubs, bone-cloth robe
           I unscrewed the roof from our home
                       swallowed all the memories

Did I tell you the cops wrote “superficial cuts” in their report?
          They didn’t understand when I said

I needed something red. They didn’t understand when I said
           I needed to paint my chest vermillion

I’m scared to go home. Have I told you that?
           I’ve always been

I keep having a nightmare where my hands grow into copper antlers
           I keep having this nightmare where I hold
                       a dandelion in one hand, a robin in the other

I made you something during craft hour. A paint-by-numbers thing
          Two deer in a winter forest full of birch trees
                       Look, a tiny spot of orange. Hunter orange

Blaze orange. See the buck? His antlers are still velvet
          See how strong he’s standing?      No, wait
                       his right front leg is soft on the ground.       No

He’s not standing, he’s kneeling. Only,
          He’s not kneeling
                       He’s fallen. Notice

There’s only one deer now and he’s still
          His tongue juts from the corner of his mouth
                       His eyes are focused on me
Wait, his head is missing. The antlers are gone.  Everything
          Is gone. There’s a bright streak
                       of red screaming across the snow 

There are only shadows now and boot prints. There’s only snow
          I made you something during craft hour
                       A cheap paint-by-numbers rip-off of O’Keeffe

A forest of birch trees but the math of it all didn’t make sense
         So I painted the numbers blank, then left
                       I couldn’t focus so I went and shot free throws

I thought about the man who tried hanging himself
         How afraid he must have been about going home
                      That dandelion is his ghost. His head

A thousand yellow florets, burning. The sun
         Never felt so good. I’m glad you’re here.

Copyright © 2016 b: william bearheart. This poem originally appeared in Boston Review. Reprinted with the permission of Carrie Bearheart.