I was waiting for something
to arrive. I didn’t know what.
Something buoyed, something
sun knocked. I placed my palms
up, little pads of butter, expecting.
All day, nothing. Longer than
that. My hair grew, fell out,
grew. Outside my window, I felt
the flick of a tail in September
wind. A bobcat sauntered across
the grass before me, the black tip
of its tail a pencil I’d like to sharpen.
I immediately hushed, crouched,
became a crumpled shock of
joy to see something this wild,
not myself. It turned to look
at me, its body muscular in
the turning. In its mouth was
the tail of a mouse drained of
blood, dangling diorama of death.
Sharp eyes looking at me and then,
not. Its lack of fear, its slow stroll
across the stream’s bridge, fur
lacquering its teeth. Sometimes
what comes to us, we never called
for. How long had I been crouched
like that? I stood up, blood rush
trumpeting. My arms wrapped
themselves around myself, lifted.
It was as if a bank vault had
opened and I was just standing
there, stealing nothing.
Copyright © 2021 by Jane Wong. Originally published in Poem-a-Day on May 17, 2021, by the Academy of American Poets.
Dog knows when friend will come home
because each hour friend’s smell pales,
air paring down the good smell
with its little diamond. It means I miss you
O I miss you, how hard it is to wait
for my happiness, and how good when
it arrives. Here we are in our bodies,
ripe as avocados, softer, brightening
with latencies like a hot, blue core
of electricity: our ankles knotted to our
calves by a thread, womb sparking
with watermelon seeds we swallowed
as children, the heart again badly hurt, trying
and failing. But it is almost five says
the dog. It is almost five.
Copyright © 2018 Nomi Stone. Used with permission of the author. This poem originally appeared in Tin House, Summer 2018.
Maybe there is more of the magical
in the idea of a door than in the door
itself. It’s always a matter of going
through into something else. But
while some doors lead to cathedrals
arching up overhead like stormy skies
and some to sumptuous auditoriums
and some to caves of nuclear monsters
most just yield a bathroom or a closet.
Still, the image of a door is liminal,
passing from one place into another
one state to the other, boundaries
and promises and threats. Inside
to outside, light into dark, dark into
light, cold into warm, known into
strange, safe into terror, wind
into stillness, silence into noise
or music. We slice our life into
segments by rituals, each a door
to a presumed new phase. We see
ourselves progressing from room
to room perhaps dragging our toys
along until the last door opens
and we pass at last into was.
Copyright © 2015 by Marge Piercy. Originally published in Poem-a-Day on May 21, 2015, by the Academy of American Poets.
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
From Homage to Clio by W. H. Auden, published by Random House. Copyright © 1960 W. H. Auden, renewed by the Estate of W. H. Auden. Used by permission of Curtis Brown, Ltd.