Imagine, when a human dies,
the soul misses the body, actually grieves
the loss of its hands and all
they could hold. Misses the throat closing shy
reading out loud on the first day of school.
Imagine the soul misses the stubbed toe,
the loose tooth, the funny bone. The soul still asks, Why
does the funny bone do that? It’s just weird.
Imagine the soul misses the thirsty garden cheeks
watered by grief. Misses how the body could sleep
through a dream. What else can sleep through a dream?
What else can laugh? What else can wrinkle
the smile’s autograph? Imagine the soul misses each falling
eyelash waiting to be a wish. Misses the wrist
screaming away the blade. The soul misses the lisp,
the stutter, the limp. The soul misses the holy bruise
blue from that army of blood rushing to the wound’s side.
When a human dies, the soul searches the universe
for something blushing, something shaking
in the cold, something that scars, sweeps
the universe for patience worn thin,
the last nerve fighting for its life, the voice box
aching to be heard. The soul misses the way
the body would hold another body and not be two bodies
but one pleading god doubled in grace.
The soul misses how the mind told the body,
You have fallen from grace. And the body said,
Erase every scripture that doesn’t have a pulse.
There isn’t a single page in the bible that can wince,
that can clumsy, that can freckle, that can hunger.
Imagine the soul misses hunger, emptiness,
rage, the fist that was never taught to curl—curled,
the teeth that were never taught to clench—clenched,
the body that was never taught to make love—made love
like a hungry ghost digging its way out of the grave.
The soul misses the unforever of old age, the skin
that no longer fits. The soul misses every single day
the body was sick, the now it forced, the here
it built from the fever. Fever is how the body prays,
how it burns and begs for another average day.
The soul misses the legs creaking
up the stairs, misses the fear that climbed
up the vocal cords to curse the wheelchair.
The soul misses what the body could not let go—
what else could hold on that tightly to everything?
What else could see hear the chain of a swingset
and fall to its knees? What else could touch
a screen door and taste lemonade?
What else could come back from a war
and not come back? But still try to live? Still try
to lullaby? When a human dies the soul moves
through the universe trying to describe how a body trembles
when it’s lost, softens when it’s safe, how a wound would heal
given nothing but time. Do you understand? Nothing in space can
imagine it. No comet, no nebula, no ray of light
can fathom the landscape of awe, the heat of shame.
The fingertips pulling the first gray hair
and throwing it away. I can’t imagine it,
the stars say. Tell us again about goosebumps.
Tell us again about pain.
From Lord of the Butterflies (Button Poetry, 2018) by Andrea Gibson. Copyright © 2018 Andrea Gibson. Reprinted by permission of the author.
Whenever I spend the day crying,
my friends tell me I look high. Good grief,
they finally understand me.
Even when the arena is empty, I thank god
for the shots I miss. If you ever catch me
only thanking god for the shots I make,
remind me I’m not thanking god. Remind me
all my prayers were answered
the moment I started praying
for what I already have.
Jenny says when people ask if she’s out of the woods,
she tells them she’ll never be out of the woods,
says there is something lovely about the woods.
I know how to build a survival shelter
from fallen tree branches, packed mud,
and pulled moss. I could survive forever
on death alone. Wasn’t it death that taught me
to stop measuring my lifespan by length,
but by width? Do you know how many beautiful things
can be seen in a single second? How you can blow up
a second like a balloon and fit infinity inside of it?
I’m infinite, I know, but I still have a measly wrinkle
collection compared to my end goal. I would love
to be a before picture, I think, as I look in the mirror
and mistake my head for the moon. My dark
thoughts are almost always 238,856 miles away
from me believing them. I love this life,
I whisper into my doctor’s stethoscope
so she can hear my heart. My heart, an heirloom
I didn’t inherit until I thought I could die.
Why did I go so long believing I owed the world
my disappointment? Why did I want to take
the world by storm when I could have taken it
by sunshine, by rosewater, by the cactus flowers
on the side of the road where I broke down?
I’m not about to waste more time
spinning stories about how much time
I’m owed, but there is a man
who is usually here, who isn’t today.
I don’t know if he’s still alive. I just know
his wife was made of so much hope
she looked like a firework above his chair.
Will the afterlife be harder if I remember
the people I love, or forget them?
Either way, please let me remember.
Copyright © 2023 by Andrea Gibson. Originally published in Poem-a-Day on May 30, 2023, by the Academy of American Poets.
What words or harder gift does the light require of me carving from the dark this difficult tree? What place or farther peace do I almost see emerging from the night and heart of me? The sky whitens, goes on and on. Fields wrinkle into rows of cotton, go on and on. Night like a fling of crows disperses and is gone. What song, what home, what calm or one clarity can I not quite come to, never quite see: this field, this sky, this tree.
Reprinted by permission of Copper Canyon Press, www.coppercanyonpress.org.
2. 2047 Grace Street But the world is more often refuge than evidence, comfort and covert for the flinching will, rather than the sharp particulate instants through which God's being burns into ours. I say God and mean more than the bright abyss that opens in that word. I say world and mean less than the abstract oblivion of atoms out of which every intact thing emerges, into which every intact thing finally goes. I do not know how to come closer to God except by standing where a world is ending for one man. It is still dark, and for an hour I have listened to the breathing of the woman I love beyond my ability to love. Praise to the pain scalding us toward each other, the grief beyond which, please God, she will live and thrive. And praise to the light that is not yet, the dawn in which one bird believes, crying not as if there had been no night but as if there were no night in which it had not been.
Excerpted from Every Riven Thing by Christian Wiman. Published in November 2010 by Farrar, Straus and Giroux, LLC. Copyright © 2010 by Christian Wiman. All rights reserved.