I saw a yellow butterfly
flying
in my opinion
the wrong way, flying across
the sound
to Connecticut

I saw a cormorant
oily-looking
flying
close to the sea’s surface
precisely
as I floated on it on

my back in
the attitude of the crucifixion
minerals in my body
in
conversation with
the minerals of the sea

about the sun
how can I possibly
add
to what’s already been said
so well
by the ancients

and said with
an austerity I’ll never
know
it is an honor to take
a backseat to the ancients
who knew how

I was a fat white fish
dissolving
under the sold-out stadium sun
like a god
but like a god
I could live through anything.
 

Copyright © 2017 by Timothy Donnelly. Originally published in Poem-a-Day on September 11, 2017, by the Academy of American Poets.

The pure products of America
go crazy—
mountain folk from Kentucky

or the ribbed north end of 
Jersey
with its isolate lakes and

valleys, its deaf-mutes, thieves
old names
and promiscuity between

devil-may-care men who have taken
to railroading
out of sheer lust of adventure—

and young slatterns, bathed
in filth
from Monday to Saturday

to be tricked out that night
with gauds
from imaginations which have no

peasant traditions to give them
character
but flutter and flaunt

sheer rags-succumbing without
emotion
save numbed terror

under some hedge of choke-cherry
or viburnum-
which they cannot express—

Unless it be that marriage
perhaps
with a dash of Indian blood

will throw up a girl so desolate
so hemmed round
with disease or murder

that she'll be rescued by an 
agent—
reared by the state and

sent out at fifteen to work in
some hard-pressed
house in the suburbs—

some doctor's family, some Elsie—
voluptuous water
expressing with broken

brain the truth about us—
her great
ungainly hips and flopping breasts

addressed to cheap
jewelry
and rich young men with fine eyes

as if the earth under our feet
were
an excrement of some sky

and we degraded prisoners
destined
to hunger until we eat filth

while the imagination strains
after deer
going by fields of goldenrod in

the stifling heat of September
Somehow
it seems to destroy us

It is only in isolate flecks that
something
is given off

No one
to witness
and adjust, no one to drive the car

Copyright © 1962 by William Carlos Williams. Used with permission of New Directions Publishing Corporation. All rights reserved. No part of this poem may be reproduced in any form without the written consent of the publisher.

After the birthing of bombs of forks and fear,
the frantic automatic weapons unleashed,
the spray of bullets into a crowd holding hands,
that brute sky opening in a slate metal maw
that swallows only the unsayable in each of us, what’s
left? Even the hidden nowhere river is poisoned
orange and acidic by a coal mine. How can
you not fear humanity, want to lick the creek
bottom dry to suck the deadly water up into
your own lungs, like venom? Reader, I want to
say, Don’t die. Even when silvery fish after fish
comes back belly up, and the country plummets
into a crepitating crater of hatred, isn’t there still
something singing? The truth is: I don't know.
But sometimes, I swear I hear it, the wound closing
like a rusted-over garage door, and I can still move
my living limbs into the world without too much
pain, can still marvel at how the dog runs straight
toward the pickup trucks break-necking down
the road, because she thinks she loves them,
because she’s sure, without a doubt, that the loud
roaring things will love her back, her soft small self
alive with desire to share her goddamn enthusiasm,
until I yank the leash back to save her because
I want her to survive forever. Don’t die, I say,
and we decide to walk for a bit longer, starlings
high and fevered above us, winter coming to lay
her cold corpse down upon this little plot of earth.
Perhaps, we are always hurtling our body towards
the thing that will obliterate us, begging for love
from the speeding passage of time, and so maybe
like the dog obedient at my heels, we can walk together
peacefully, at least until the next truck comes.

Copyright © 2016 by Ada Limón. Originally published in Poem-a-Day on January 1, 2016, by the Academy of American Poets.