The best thing of all is to take the enemy’s country whole and intact.
My mother took my heart out. She banked it on top of her stove.
It glowed white. She put it back in my chest.

Tita knew that overseas workers often had affairs.
He licked me and I pretended it pinged through my body like a swift idea
That I wrote about and considered like a bell of good craftsmanship.
She also knew that their kids ate better

He said your belly is like a cat’s.
He said with his bowl up to his chin
More please.

At night the fireflies come out. They flock to my window.
I put my hands up against the screen.
I think how fragile it is to be inside a house.
They say I want permission

I paint my face. I say—just take it.
Easy. If equally matched, we can offer battle.
If unequal in any way, we can flee from him.

Deprived of their father while sustained by his wages.
I thought a lot about walking around at night.
By myself. Just to think. But I never did.
I thought I could just flick a switch.

When I was born, my mother and father gave me a gardenia like personal star.
Don't you hate it when someone apologizes all the time?
It's like they are not even sorry.

From Delivered by Sarah Gambito. Copyright © 2009 by Sarah Gambito. Reprinted by Persea Books. All rights reserved.

like anyone i can make a list of the dead

i can make them my dead by making the list

i can write my name then name names below it 

i can craft & obfuscate & collapse

i can publish it

i can ask ‘who of us is left to tell their story?’

this land of plentitude & pens     

this land is my land, the song says, this land is mine

how long have humans buried each other in the earth

how long have we sung names into their absence

how long have we been paid for that singing

every architect expects people to inhabit their buildings

every poet pretends their poems to outlive them

every piece of furniture in my room is shaking its head

what’s the difference between weeping alone & on camera

what’s the gulf between an epitaph & an epic 

what’s a eulogy but a coin rising in the throat

eulogy from the greek means praise

praise from the latin means price

every public dirge is burning capital

every shirtless picture of him i keep is a small virgil 

every hell i’ve traveled through is an expensive bird in my mouth

i was paid a thousand dollars for writing a poem about a dead man who hated me

i was paid & each dollar is a ghost haunting my wallet

i was paid & i am trading his body for bags of food

i am never more dangerous than inside

the arms of a man

who will die

before me

Copyright © 2016 by sam sax. “Politics of Elegy” originally appeared in The Cortland Review. Reprinted with permission of the author.