I caught this morning morning’s minion, king-  
  dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding  
  Of the rolling level underneath him steady air, and striding  
High there, how he rung upon the rein of a wimpling wing  
In his ecstasy! then off, off forth on swing,
  As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding  
  Rebuffed the big wind. My heart in hiding  
Stirred for a bird,—the achieve of; the mastery of the thing!  
  
Brute beauty and valour and act, oh, air, pride, plume, here  
  Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!  
  
  No wonder of it: shéer plód makes plough down sillion  
Shine, and blue-bleak embers, ah my dear,  
  Fall, gall themselves, and gash gold-vermillion. 

This poem is in the public domain.

as if it were a scene made-up by the mind, 
that is not mine, but is a made place,

that is mine, it is so near to the heart, 
an eternal pasture folded in all thought 
so that there is a hall therein

that is a made place, created by light 
wherefrom the shadows that are forms fall.

Wherefrom fall all architectures I am 
I say are likenesses of the First Beloved 
whose flowers are flames lit to the Lady.

She it is Queen Under The Hill
whose hosts are a disturbance of words within words 
that is a field folded.

It is only a dream of the grass blowing 
east against the source of the sun 
in an hour before the sun's going down

whose secret we see in a children's game 
of ring a round of roses told.

Often I am permitted to return to a meadow 
as if it were a given property of the mind 
that certain bounds hold against chaos,

that is a place of first permission,
everlasting omen of what is.

by Robert Duncan, from The Opening of the Field. Copyright © 1960 by Robert Duncan. Reprinted by permission of New Directions Publishing Corp.