His wings rest at his feet.
His fists curl inside a brown paper bag.
The alert beak propped on his head

aims down the block into sidewalk pools
of streetlight. His red lips make plump
numbers. He has so much candy

the bottom bulges. A pumpkin arrives
on spindly orange legs, followed by
a skeleton crew of two with unkept

postures, baggy knees, and flaccid spines.
A ghost sidles up, his sheet belted,
a baseball cap holding sloppy eyeholes

in place. He hurries off with his posse
of short immortals, leaving the
wings where he stood.

The mother says, “Oh, look,”
disappointment as she brushes rubble
from feathers. She searches through streetlight

for her angel, holding the wings
so he’ll dig his arms through the straps,
shrugging on tonight’s beast.

A zombie is a head
with a hole in it.

Layers of plastic,
putty, and crust.

The mindless
must be sated.

Mottled men who will
always return

          mouthing wet                          
          promises.                                  

You rise already
harmed and follow

          my sad circle

as if dancing
on shattered legs.

Shoeless, toeless,
such tender absences.

You come to me
ripped

          in linens and reds,

eternal, autumnal
with rust and wonder.

My servant, sublimate
and I am yours

(the hot death
we would give each other).

My dark ardor,
my dark augur.

Love to the very open-
mouthed end.

We are made of
so much hunger.

unveil themselves in dark.
They hang, each a jagged,

silken sleeve, from moonlit rafters bright
as polished knives. They swim

the muddled air and keen
like supersonic babies, the sound

we imagine empty wombs might make
in women who can’t fill them up.

A clasp, a scratch, a sigh.
They drink fruit dry.

And wheel, against feverish light flung hard
upon their faces,

in circles that nauseate.
Imagine one at breast or neck,

Patterning a name in driblets of iodine
that spatter your skin stars.

They flutter, shake like mystics.
They materialize. Revelatory

as a stranger’s underthings found tossed
upon the marital bed, you tremble

even at the thought. Asleep,
you tear your fingers

and search the sheets all night.

The dead bird, color of a bruise,
and smaller than an eye
swollen shut,
is king among omens.

Who can blame the ants for feasting?

Let him cast the first crumb.

~

We once tended the oracles.

Now we rely on a photograph

a fingerprint
a hand we never saw

coming.

~

A man draws a chalk outline
first in his mind

around nothing

then around the body
of another man.

He does this without thinking.

~

What can I do about the white room I left
behind? What can I do about the great stones

I walk among now? What can I do

but sing.

Even a small cut can sing all day.

~

There are entire nights

                                I would take back.

Nostalgia is a thin moon,
                                                              disappearing

into a sky like cold,
                                          unfeeling iron.

~

I dreamed

you were a drowned man, crown
of phosphorescent, seaweed in your hair,

water in your shoes. I woke up desperate

for air.

~

In another dream, I was a field

and you combed through me
searching for something

you only thought you had lost.

~

What have we left at the altar of sorrow?

What blessed thing will we leave tomorrow?

If meat is put into the bowl, meat is eaten.

If rice is put into the bowl, it may be cooked.

If a shoe is put into the bowl,
the leather is chewed and chewed over,
a sentence that cannot be taken in or forgotten.

A day, if a day could feel, must feel like a bowl.
Wars, loves, trucks, betrayals, kindness,
it eats them.

Then the next day comes, spotless and hungry.

The bowl cannot be thrown away.
It cannot be broken.

It is calm, uneclipsable, rindless,
and, big though it seems, fits exactly in two human hands.

Hands with ten fingers,
fifty-four bones,
capacities strange to us almost past measure.
Scented—as the curve of the bowl is—
with cardamom, star anise, long pepper, cinnamon, hyssop.

—2014

Strict and bound 
as an analog watch, 
Aristotelian narrative 
calls for a probable
necessary sequence. 

It is suicide season.
The calendar taunts 
with year three’s death dance. 

Dialysate swills 
in my abdomen. 
Long arrows of surgery 
nudge under my ribs
            trace my hipbones 
                        garland my navel. 

Along my lower back 
divots of biopsy
freckle into sickles 
when I bend over. 

Driving over the city bridge 
quirk or quark humming
            I might be spared.

My grandmother loved
singing O What a Beautiful City 
as she sorted her pills.

The anesthetic mask
shatters linear discipline:

            Trotting the deep path by mosslight, 
            son is a dark-haired universe 
            in the crook of my right arm. 
            Five pound blood-hum
            prayer and verse ripping 
            my skull pure off.
            Time has me scalped
            kissing the whorls of my brain 
            with frank red lips. 

Rolling up from surgery
I look down to my wrist
where someone has clasped 
my watch on loosely.