She hangs onto sadness
the way somebody else treads water
waiting for the world
to see how much she hurts from family
madness pierced her rib cage
twenty years ago
And she’ll continue to compete as Victim
Absolute
until she finally receives a gold
medallion for her suffering
or a truly purple heart complete
with ribbons
so that she can hang that up
and then
move right along
perhaps/at last
to someplace
really new
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.
From Directed by Desire: The Complete Poems of June Jordan (Copper Canyon Press, 2005). Copyright © 2005, 2017 by the June Jordan Literary Estate. Used with the permission of the June Jordan Literary Estate, www.junejordan.com.
Somebody come and carry me into a seven-day kiss
I can’ use no historic no national no family bliss
I need an absolutely one to one a seven-day kiss
I can read the daily papers
I can even make a speech
But the news is stuff that tapers
down to salt poured in the breach
I been scheming about my people I been scheming about sex
I been dreaming about Africa and nightmaring Oedipus the Rex
But what I need is quite specific
terrifying rough stuff and terrific
I need an absolutely one to one a seven-day kiss
I can’ use no more historic no national no bona fide family bliss
Somebody come and carry me into a seven-day kiss
Somebody come on
Somebody come on and carry me
over there!
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.
For Eddie
Only our hearts will argue hard
against the small lights letting in the news
and who can choose between the worst possibility
and the last
between the winners of the wars against breathing
and the last
war everyone will lose
and who can choose between the dry gas
domination of the future
and the past
between the consequences of the killers
and the past
of all the killing? There
is no choice in these.
Your voice
breaks very close to me my love.
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.
Washing the floors to send you to college
Staying at home so you can feel safe
What do you think is the soul of her knowledge
What do you think that makes her feel safe
Biting her lips and lowering her eyes
To make sure there's food on the table
What do you think would be her surprise
If the world was as willing as she's able
Hugging herself in an old kitchen chair
She listens to your hurt and your rage
What do you think she knows of despair
What is the aching of age
The fathers, the children, the brothers
Turn to her and everybody white turns to her
What about her turning around
Alone in the everyday light
There oughta be a woman can break
Down, sit down, break down, sit down
Like everybody else call it quits on Mondays
Blues on Tuesdays, sleep until Sunday
Down, sit down, break down, sit down
A way outa no way is flesh outa flesh
Courage that cries out at night
A way outa no way is flesh outa flesh
Bravery kept outa sight
A way outa no way is too much to ask
Too much of a task for any one woman
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.
Copyright © 2017 June Jordan from We’re On: A June Jordan Reader (Alice James Books, 2017). Used with permission of the publisher.
well I wanted to braid my hair
bathe and bedeck my
self so fine
so fully aforethought for
your pleasure
see:
I wanted to travel and read
and runaround fantastic
into war and peace:
I wanted to
surf
dive
fly
climb
conquer
and be conquered
THEN
I wanted to pickup the phone
and find you asking me
if I might possibly be alone
some night
(so I could answer cool
as the jewels I would wear
on bareskin for you
digmedaddy delectation:)
"WHEN
you comin ova?"
But I had to remember to write down
margarine on the list
and shoepolish and a can of
sliced pineapple in casea company
and a quarta skim milk cause Teresa's
gaining weight and don' nobody groove on
that much
girl
and next I hadta sort for darks and lights before
the laundry hit the water which I had
to kinda keep an eye on be-
cause if the big hose jumps the sink again that
Mrs. Thompson gointa come upstairs
and brain me with a mop don' smell too
nice even though she hang
it headfirst out the winda
and I had to check
on William like to
burn hisself to death with fever
boy so thin be
callin all day "Momma! Sing to me?"
"Ma! Am I gone die?" and me not
wake enough to sit beside him longer than
to wipeaway the sweat or change the sheets/
his shirt and feed him orange
juice before I fall out of sleep and
Sweet My Jesus ain but one can
left
and we not thru the afternoon
and now
you (temporarily) shownup with a thing
you says' a poem and you
call it
"Will The Real Miss Black America Standup?"
guilty po' mouth
about duty beauties of my
headrag
boozeup doozies about
never mind
cause love is blind
well
I can't use it
and the very next bodacious Blackman
call me queen
because my life ain shit
because (in any case) he ain been here to share it
with me
(dish for dish and do for do and
dream for dream)
I'm gone scream him out my house
be-
cause what I wanted was
to braid my hair/bathe and bedeck my
self so fully be-
cause what I wanted was
your love
not pity
be-
cause what I wanted was
your love
your love
From Naming Our Destiny: New and Selected Poems by June Jordan, published by Thunder's Mouth Press. Copyright © 1989 June Jordan. Used with permission.
1
honey people murder mercy U.S.A.
the milkland turn to monsters teach
to kill to violate pull down destroy
the weakly freedom growing fruit
from being born
America
tomorrow yesterday rip rape
exacerbate despoil disfigure
crazy running threat the
deadly thrall
appall belief dispel
the wildlife burn the breast
the onward tongue
the outward hand
deform the normal rainy
riot sunshine shelter wreck
of darkness derogate
delimit blank
explode deprive
assassinate and batten up
like bullets fatten up
the raving greed
reactivate a springtime
terrorizing
death by men by more
than you or I can
STOP
2
They sleep who know a regulated place
or pulse or tide or changing sky
according to some universal
stage direction obvious
like shorewashed shells
we share an afternoon of mourning
in between no next predictable
except for wild reversal hearse rehearsal
bleach the blacklong lunging
ritual of fright insanity and more
deplorable abortion
more and
more
From We're On: A June Jordan Reader. Copyright © 2017 by the June M. Jordan Literary Estate. Used by permission. www.junejordan.com.
Even tonight and I need to take a walk and clear
my head about this poem about why I can’t
go out without changing my clothes my shoes
my body posture my gender identity my age
my status as a woman alone in the evening/
alone on the streets/alone not being the point/
the point being that I can’t do what I want
to do with my own body because I am the wrong
sex the wrong age the wrong skin and
suppose it was not here in the city but down on the beach/
or far into the woods and I wanted to go
there by myself thinking about God/or thinking
about children or thinking about the world/all of it
disclosed by the stars and the silence:
I could not go and I could not think and I could not
stay there
alone
as I need to be
alone because I can’t do what I want to do with my own
body and
who in the hell set things up
like this
and in France they say if the guy penetrates
but does not ejaculate then he did not rape me
and if after stabbing him if after screams if
after begging the bastard and if even after smashing
a hammer to his head if even after that if he
and his buddies fuck me after that
then I consented and there was
no rape because finally you understand finally
they fucked me over because I was wrong I was
wrong again to be me being me where I was/wrong
to be who I am
which is exactly like South Africa
penetrating into Namibia penetrating into
Angola and does that mean I mean how do you know if
Pretoria ejaculates what will the evidence look like the
proof of the monster jackboot ejaculation on Blackland
and if
after Namibia and if after Angola and if after Zimbabwe
and if after all of my kinsmen and women resist even to
self-immolation of the villages and if after that
we lose nevertheless what will the big boys say will they
claim my consent:
Do You Follow Me: We are the wrong people of
the wrong skin on the wrong continent and what
in the hell is everybody being reasonable about
and according to the Times this week
back in 1966 the C.I.A. decided that they had this problem
and the problem was this man named Nkrumah so they
killed him and before that it was Patrice Lumumba
and before that it was my father on the campus
of my Ivy League school and my father afraid
to walk into the cafeteria because he said he
was wrong the wrong age the wrong skin the wrong
gender identity and he was paying my tuition and
before that
it was my father saying I was wrong saying that
I should have been a boy because he wanted one/a
boy and that I should have been lighter skinned and
that I should have had straighter hair and that
I should not be so boy crazy but instead I should
just be one/a boy and before that
it was my mother pleading plastic surgery for
my nose and braces for my teeth and telling me
to let the books loose to let them loose in other
words
I am very familiar with the problems of the C.I.A.
and the problems of South Africa and the problems
of Exxon Corporation and the problems of white
America in general and the problems of the teachers
and the preachers and the F.B.I. and the social
workers and my particular Mom and Dad/I am very
familiar with the problems because the problems
turn out to be
me
I am the history of rape
I am the history of the rejection of who I am
I am the history of the terrorized incarceration of
my self
I am the history of battery assault and limitless
armies against whatever I want to do with my mind
and my body and my soul and
whether it’s about walking out at night
or whether it’s about the love that I feel or
whether it’s about the sanctity of my vagina or
the sanctity of my national boundaries
or the sanctity of my leaders or the sanctity
of each and every desire
that I know from my personal and idiosyncratic
and indisputably single and singular heart
I have been raped
be-
cause I have been wrong the wrong sex the wrong age
the wrong skin the wrong nose the wrong hair the
wrong need the wrong dream the wrong geographic
the wrong sartorial I
I have been the meaning of rape
I have been the problem everyone seeks to
eliminate by forced
penetration with or without the evidence of slime and/
but let this be unmistakable this poem
is not consent I do not consent
to my mother to my father to the teachers to
the F.B.I. to South Africa to Bedford-Stuy
to Park Avenue to American Airlines to the hardon
idlers on the corners to the sneaky creeps in
cars
I am not wrong: Wrong is not my name
My name is my own my own my own
and I can’t tell you who the hell set things up like this
but I can tell you that from now on my resistance
my simple and daily and nightly self-determination
may very well cost you your life
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.
I never thought I’d keep a record of my pain
or happiness
like candles lighting the entire soft lace
of the air
around the full length of your hair/a shower
organized by God
in brown and auburn
undulations luminous like particles
of flame
But now I do
retrieve an afternoon of apricots
and water interspersed with cigarettes
and sand and rocks
we walked across:
How easily you held
my hand
beside the low tide
of the world
Now I do
relive an evening of retreat
a bridge I left behind
where all the solid heat
of lust and tender trembling
lay as cruel and as kind
as passion spins its infinite
tergiversations in between the bitter
and the sweet
Alone and longing for you
now I do
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.