By the doorstep of The Museum,
the Duplicate is frustrated.
Like the offspring of a rock star or senator,
no matter what he does, it’s never enough.
He only wants to think dignified thoughts,
important thoughts, thoughts that will imprint
like an artist’s signature on the memory of mankind.
But it’s difficult, because when he thinks,
his head is filled with iron and bronze,
not neurons and God.

I too, feel like that.
You know how it works when you make a photocopy
of a photocopy? The original fights to be seen
but appears blurred in each new version.
Each morning, I sit at the kitchen table
the way my father must’ve years ago.
I’ve got my oatmeal and coffee,
my newspaper and blank stare.
                                                  The Replica

digs his right elbow into his left thigh,
his chin into his right fist, and then he thinks
as hard as his maker will allow. He tries to envision
patterns among celestial bodies, the mysteries
of Christ, X + Y, crossword puzzles, free will.
The expression on his face:
somewhere between agony and falling asleep.

Yet he holds this pose
as if no one will notice what frauds we are,
as if some world around him is about to make sense,
some answer has almost arrived. Almost.

Matthew Olzmann, "Replica of The Thinker" from Contradictions in the Design. Copyright © 2016 by Matthew Olzmann. Used with the permission of Alice James Books, www.alicejamesbooks.org.

              to the memory of Denis Johnson

The stranger bites into an orange
and places the rind between us
on the park bench.
It becomes a small raft of fire.

I came here to admire
the iron-lit indifference
of the geese on the pond.

The summers here
are a circuit in parallel
with everything I cannot say,
wrote the inventor
before he was hanged
from the bridge
this park is named after.
His entire life devoted
to capturing inextinguishable light
in a teardrop of enamel.
He was hanged for touching
the forehead of another man
in the wrong century.

The only thing invented
by the man I lost yesterday
was his last step into a final
set of parenthesis.
I came here to watch the geese
and think of him.

The stranger and I
share the orange rind
as an ashtray.
He lights my cigarette
and the shadows of our hands
touch on the ground.

His left leg is amputated
below the knee
and the bell tower rings
above the town.
I tell him my name
and he says nothing.

With the charred end of a stick
something shaped like a child
on the other side of the pond
draws a door on a concrete wall
and I wonder where the dead
wait in line to be born.

Copyright © 2020 by Michael McGriff. Originally published in Poem-a-Day on February 21, 2020 by the Academy of American Poets.