He has 

              sent hither swarms of Officers to harass our people

He has plundered our

                                             ravaged our

                                                                   destroyed the lives of our

taking away our­

                                 abolishing our most valuable

and altering fundamentally the Forms of our

In every stage of these Oppressions We have Petitioned for
Redress in the most humble terms:
                                                                Our repeated 
Petitions have been answered only by repeated injury.

We have reminded them of the circumstances of our emigration
and settlement here.

                                    —taken Captive

                                                              on the high Seas

                                                                                             to bear—

Copyright © 2018 by Tracy K. Smith, from Wade in the Water. Used by permission of Graywolf Press. All rights reserved. www.graywolfpress.org.

For President Václav Havel

It is essential that Summer be grafted to
bones marrow earth clouds blood the
eyes of our ancestors.
It is essential to smell the beginning
words where Washington, Madison, Hamilton,
Adams, Jefferson assembled amid cries of:

       "The people lack of information"
       "We grow more and more skeptical"
       "This Constitution is a triple-headed monster"
       "Blacks are property"

It is essential to remember how cold the sun
how warm the snow snapping
around the ragged feet of soldiers and slaves.
It is essential to string the sky
with the saliva of Slavs and 
Germans and Anglos and French
and Italians and Scandinavians,
and Spaniards and Mexicans and Poles
and Africans and Native Americans.
It is essential that we always repeat:
                           we the people,
                           we the people,
                           we the people.

2.

"Let us go into the fields" one
brother told the other brother. And
the sound of exact death
raising tombs across the centuries.
Across the oceans. Across the land.

3.

It is essential that we finally understand:
this is the time for the creative
human being 
the human being who decides
to talk upright in a human
fashion in order to save this
earth from extinction.

This is the time for the creative
Man. Woman. Who must decide
that She. He. Can live in peace.
Racial and sexual justice on
this earth.

This is the time for you and me.
African American. Whites. Latinos.
Gays. Asians. Jews. Native
Americans. Lesbians. Muslims.
All of us must finally bury
the elitism of race superiority
the elitism of sexual superiority
the elitism of economic superiority
the elitism of religious superiority. 

So we welcome you on the celebration
of 218 years Philadelphia. America.

So we salute you and say:
Come, come, come, move out into this world
nourish your lives with a
spirituality that allows us to respect
each other's birth.
come, come, come, nourish the world where
every 3 days 120,000 children die
of starvation or the effects of starvation;
come, come, come, nourish the world
where we will no longer hear the
screams and cries of womens, girls,
and children in Bosnia, El Salvador,
Rwanda...AhAhAhAh AHAHAHHHHHH

       Ma-ma. Dada. Mamacita. Baba.
       Mama. Papa. Momma. Poppi.
       The soldiers are marching in the streets
       near the hospitals but the nurses say
       we are safe and the soldiers are
       laughing marching firing calling
       out to us i don't want to die i
       am only 9 yrs old, i am only 10 yrs old
       i am only 11 yrs old and i cannot
       get out of the bed because they have cut
       off one of my legs and i hear the soldiers
       coming toward our rooms and i hear
       the screams and the children are
       running out of the room i can't get out
       of the bed i don't want to die Don't
       let me die Rwanda. America. United
       Nations. Don't let me die..............

And if we nourish ourselves, our communities
our countries and say

       no more hiroshima
       no more auschwitz
       no more wounded knee
       no more middle passage
       no more slavery
       no more Bosnia
       no more Rwanda

No more intoxicating ideas of
racial superiority
as we walk toward abundance
we will never forget

       the earth
       the sea
       the children
       the people

For we the people will always be arriving
a ceremony of thunder
waking up the earth
opening our eyes to human
monuments.
    And it'll get better
    it'll get better
if we the people work, organize, resist,
come together for peace, racial, social
and sexual justice
  it'll get better
  it'll get better.

From Shake Loose My Skin. Copyright © 1999 by Sonia Sanchez. Used with the permission of Beacon Press.

Twin Poets Al Mills and Nnamdi O. Chukwuocha perform “Dreams are Illegal”


 

I had a dream
I had a dream that I was in America
I mean I was actually in the land of the beautiful
And the home of the brave
My boss came into my office and said
‘Hi Bob, how’s it going?
Why don’t you take off early and here is that raise”
As I pulled my Suburban, up to my suburban home
I checked the mail in the box
And saw that I was approved for another home equity loan
Girl scouts were there ringing the bell with cookies to sell
Of course, I bought a box
As Hillary quieted down Marmaduke, who had begun to bark
And later on, me—the wife & kids took a bike ride to the park
When we returned got back we had apple pie with ice cream on top
Then we buckled up and headed on down to the Redbox
To get some videos to watch
When we got in, the kids put on their pjs
And we met in the den
Relaxed on the couch for some family time watching videos
Then all these strangers turned to me and said:
What are you doing here? Don’t you know...
Dreams are Illegal in the Ghetto

Gunshots ring in the heat of the night
Followed by screams, violently disrupting my dreams
In my neighborhood
I don’t have to read the paper or watch the news
To know that something bad happen around here tonight
But once the ambulance leaves, the police sirens stop,
And the crowd disperses
The silence soaks into my soul, sobering my senses
In this often over-intoxicating society
I try to relax but the Devil just won’t let go
He keeps pointing to the signs that are posted all around me
That read: Dreams are Illegal

My neighborhood is the bottom of the barrel
Where drugs get mixed
Here there are no brothers and sisters
Just confused brothers and sisters
Here people drown in the backwash
Of the latest political scandal
In the midst of ghetto chaos dreams are quickly lost
The Devil is in sweet control
As dreams are stole
There is no honor amongst thieves
So dreams are stolen with ease
A high school graduate barely seventeen
Gives up her college dreams, for a pair of tight jeans
And a chance to be the next inner city queen
In the inner city checks and basketballs bounce with regularity
Life and death intermix with no disparity
Some children live for nothing, some children die for nothing
Everyday blue skies are gray
All they know is, they wanna make $doe
The Devil has them chasing a colorless rainbow
At the end there is no pot of gold, just a pot of steam
Which He exchanges for their dreams
Bona fide slaves are made in the Devil’s dream trade
Without dreams you are equivalent to being non-existent
Our children need to be told they can achieve
And that God bless those that hold on to their dreams
We have to take down the signs so that our children won’t know
That the Devil is trying to make dreams illegal...
 

From Our Work, Our Words… Poems on the pavement (Meja Books, 2015) Copyright © 2015 by Twin Poets. Used with permission of the Twin Poets Al Mills and Nnamdi O. Chukwuocha.

Although she feeds me bread of bitterness,
And sinks into my throat her tiger’s tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth!
Her vigor flows like tides into my blood,
Giving me strength erect against her hate.
Her bigness sweeps my being like a flood.
Yet as a rebel fronts a king in state,
I stand within her walls with not a shred
Of terror, malice, not a word of jeer.
Darkly I gaze into the days ahead,
And see her might and granite wonders there,
Beneath the touch of Time’s unerring hand,
Like priceless treasures sinking in the sand.

This poem is in the public domain.

The truth is, I’ve never cared for the National
Anthem. If you think about it, it’s not a good
song. Too high for most of us with “the rockets’
red glare” and then there are the bombs.
(Always, always there is war and bombs.)
Once, I sang it at homecoming and threw
even the tenacious high school band off key.
But the song didn’t mean anything, just a call
to the field, something to get through before
the pummeling of youth. And what of the stanzas
we never sing, the third that mentions “no refuge
could save the hireling and the slave”? Perhaps
the truth is that every song of this country
has an unsung third stanza, something brutal
snaking underneath us as we absent-mindedly sing
the high notes with a beer sloshing in the stands
hoping our team wins. Don’t get me wrong, I do
like the flag, how it undulates in the wind
like water, elemental, and best when it’s humbled,
brought to its knees, clung to by someone who
has lost everything, when it’s not a weapon,
when it flickers, when it folds up so perfectly
you can keep it until it’s needed, until you can
love it again, until the song in your mouth feels
like sustenance, a song where the notes are sung
by even the ageless woods, the shortgrass plains,
the Red River Gorge, the fistful of land left
unpoisoned, that song that’s our birthright,
that’s sung in silence when it’s too hard to go on,
that sounds like someone’s rough fingers weaving
into another’s, that sounds like a match being lit
in an endless cave, the song that says my bones
are your bones, and your bones are my bones,
and isn’t that enough?

From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.

We were running out of breath, as we ran out to meet ourselves. We
Were surfacing the edge of our ancestors’ fights, and ready to Strike.
It was difficult to lose days in the Indian bar if you were Straight.
Easy if you played pool and drank to remember to forget. We
Made plans to be professional—and did. And some of us could Sing
When we drove to the edge of the mountains, with a drum. We
Made sense of our beautiful crazed lives under the starry stars. Sin
Was invented by the Christians, as was the Devil, we sang. We
Were the heathens, but needed to be saved from them: Thin
Chance. We knew we were all related in this story, a little Gin
Will clarify the dark, and make us all feel like dancing. We
Had something to do with the origins of blues and jazz
I argued with the music as I filled the jukebox with dimes in June,

Forty years later and we still want justice. We are still America. We.

From An American Sunrise: Poems by Joy Harjo. Copyright © 2019 by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.

I pick you up
& you are a child made of longing
clasped to my neck. Iridescent,
lovely, your inestimable tantrums,
I carry you back & forth
from the famine in your mind.

Your alphabet wraps itself
like a tourniquet
around my tongue.

Speak now, the static says.

A half-dressed woman named Truth
tells me she is a radio.

I’m going to ignore happiness
& victory.
I'm going to undo myself
with music.

I pick you up
& the naked trees lean
into the ocean where you arrived,
shaking chains & freedom
from your head.

No metaphor would pull you
out of your cage.

Light keens from the dead.
& I’m troubled
by my own blind touch.

Did the ocean release
my neck? Did the opal waves
blow our cries to shore?

You don’t feel anything
in the middle of the night.

From Lighting the Shadow. Copyright © 2015 by Rachel Eliza Griffiths. Appears with permission of Four Way Books. All rights reserved.