The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

From The Complete Poems 1927–1979 by Elizabeth Bishop, published by Farrar, Straus & Giroux, Inc. Copyright © 1979, 1983 by Alice Helen Methfessel. Used with permission of Farrar, Straus & Giroux, LLC. All rights reserved.

Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplac'd,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgrac'd,
And strength by limping sway disabled
And art made tongue-tied by authority,
And folly—doctor-like—controlling skill,
And simple truth miscall'd simplicity,
And captive good attending captain ill:
    Tir'd with all these, from these would I be gone,
    Save that, to die, I leave my love alone.

This poem is in the public domain.

I printed it out. I stamped it with the sole of my shoe. I check the time, my pocket watch ticked: I invented a character to don a waistcoat. I was. Then I am. The rats proceeded through the maze. They found their way back to the cage and a door slotted shut. They were fed. Again, they were rewarded. 

The exit sign lit the hallway red. All the arrows indicated how to move in an emergency. Then changed their minds and direction faltered. My joints creaked. The wheels on the janitor’s mop bucket squealed as he passed. Such a beloved, muddy water. 

I cooked it up like a controlled drug. Like a control. Ingredients mixed and the simmer. The scent. Color came and went. The outcome was good. The results told me what I can confirm. 

Nearby, the river cracked the half-gone light. 

From Identifying the Pathogen (Tupelo Press, 2026) by Jennifer Militello. Copyright © 2026 Jennifer Militello. Used with the permission of The Permissions Company, LLC, on behalf of Tupelo Press.

Control was all
I wanted: a handle
on the day, the night
when it curved,
when it swayed,
when I could sense
the teeming stars
in light, in dark
the sun’s bare wire.
Some switch
to turn it off:
each shadow
pinned to each tree
like a radius
of some infant’s
milk it spilled.
And the leaves,
their gossip
of claw and beak
and wind and heat
and wing. Tether
lake to bank and
cloud to peak.
And weather it.
Weather it. All this
to say I’ve
taken off my ring.

Copyright © 2013 by Melissa Stein. Used with permission of the author. This poem appeared in Poem-A-Day on March 22, 2013. Browse the Poem-A-Day archive.

Just want things
proportional.

Just things,
not all.

Not kings, kings
should be below:

shoveling, dripping,
and most of all—

literally speaking—
not people

nothing living
need be within our ratio.

I underexaggerate,
though:

there’s something
to population control,

something impossible
yet crucial,

so many ways
to be living,

particles, heavy metals,
even animals are living.

Kings live too amidst their industries
but who would know

and time
just want time

to stay
excessive

the moment cleaving
in threes
 

Copyright © 2016 Ben Doller. Used with permission of the author.

Here is how I control my heart: I string each thought one behind the next, like beads.

I wear the answers I am waiting to give. The jewelry becomes heavy as soil.

My long blink is a scream & a yes. There are things I have to say, but they do not yet know the questions they must ask. & a blink is no word; if they misunderstand—

A heart is just soil. Ask anyone. A heartbeat is a blink. A long blink is a scream. A longer blink is sleep. All night I am screaming.
 

Copyright © 2015 by Lisa Ciccarello. Originally published in Poem-a-Day on April 28, 2015, by the Academy of American Poets. 

Not mine own fears, nor the prophetic soul
Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Supposed as forfeit to a confined doom.
The mortal moon hath her eclipse endured
And the sad augurs mock their own presage;
Uncertainties now crown themselves assured
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and Death to me subscribes,
Since, spite of him, I’ll live in this poor rhyme,
While he insults o’er dull and speechless tribes:
    And thou in this shalt find thy monument,
    When tyrants’ crests and tombs of brass are spent.

This poem is in the public domain.