More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

Copyright © 2017 by Ada Limón. Originally published in Poem-a-Day on May 15, 2017, by the Academy of American Poets.

Of course, she was not chosen to deliver
any of the official hail-and-farewells. Would, in fact,
have skipped the whole pomp and circumstance crap
if the principal had not threatened to hold her diploma hostage,
if her parents had not pleaded with her to celebrate
the milestone for their sakes—so she donned
the rented robe, the dorky mortarboard, and paraded
down the auditorium aisles with her beaming so-called peers.

Lots of introductions. Lots of momentous occasions
and memories—many of which Ms. S was already
eager to forget. But she listened politely to the usual
promises of new beginnings, the exhortations to follow
dreams and change the world—even got a bit teary eyed
at the prospect that one of them actually might.
Then the ritual flipping of the tassels, the alma mater
one last time off-key, the filing out to hugs and congratulations
and vows to stay in touch she knew she’d never keep.

Ms. S had her eye on distant horizons, some vague
anywhere-else-but-here place where her brief past
could be erased and all the potential her teachers had,
for years, claimed she was wasting, would be realized,
where she would finally hear her life’s calling
calling her into the life she was meant to have.

The world, she thought, is my oyster.

Of course, being an inland girl, she had never
actually seen an oyster up close. Had yet to discover
how hard the damn things were to crack.

Copyright © 2018 Grace Bauer. This poem originally appeared in Tin House, Winter 2018. Used with permission of the authors.

Whether it’s a turtle who drags herself
Slowly to the sandlot, where she digs
The sandy nest she was born to dig

And lay leathery eggs in, or whether it’s salmon
Rocketing upstream
Toward pools that call, Bring your eggs here

And nowhere else in the world
, whether it is turtle-green
Ugliness and awkwardness, or the seething
Grace and gild of silky salmon, we

Are envious, our wishes speak out right here,
Thirsty for a destiny like theirs,
An absolute right choice

To end all choices. Is it memory,
We ask, is it a smell
They remember,

Or just what is it—some kind of blueprint
That makes them move, hot grain by grain,
Cold cascade above icy cascade,

Slipping through
Water’s fingers
A hundred miles

Inland from the easy, shiny sea?
And we also—in the company
Of our tribe

Or perhaps alone, like the turtle
On her wrinkled feet with the tapping nails—
We also are going to travel, we say let’s be

Oblivious to all, save
That we travel, and we say
When we reach the place we’ll know

We are in the right spot, somehow, like a breath
Entering a singer’s chest, that shapes itself
For the song that is to follow.

Copyright © 1987 by Alicia Ostriker. Used with the permission of the author.

The river is famous to the fish.

The loud voice is famous to silence,   
which knew it would inherit the earth   
before anybody said so.   

The cat sleeping on the fence is famous to the birds   
watching him from the birdhouse.   

The tear is famous, briefly, to the cheek.   

The idea you carry close to your bosom   
is famous to your bosom.   

The boot is famous to the earth,   
more famous than the dress shoe,   
which is famous only to floors.

The bent photograph is famous to the one who carries it   
and not at all famous to the one who is pictured.   

I want to be famous to shuffling men   
who smile while crossing streets,   
sticky children in grocery lines,   
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,   
or a buttonhole, not because it did anything spectacular,   
but because it never forgot what it could do.

From Words Under the Words: Selected Poems by Naomi Shihab Nye. Copyright © 1995. Reprinted with permission of Far Corner Books, Portland, OR.

Under Old West guitar and Jazz band trumpet,
where the riverboat steam horn blares,
you order a corn dog.

Beignets and étouffée
are down the way, cowboy,
you don’t have to put up with that.

But the sun dips into everybody’s eyes,
strollers full of screams rock by
and you

start searching, at the popcorn cart and in your life,
for something more
than everything

you’ve been settling
for.

 

Copyright © 2022 by Matt Mason. From At the Corner of Fantasy and Main (The Old Mill Press, 2022). Used with the permission of the poet. 

Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.

        if you have had 
            your midnights
    and they have drenched
        your barren guts
           with tears

  I sing you sunrise
         and love
and someone to touch

From Continuum: New and Selected Poems (Just Us Books, Inc., 2007 and 2014) by Mari Evans. Copyright © 2007 and 2014 by Mari Evans. Used with the permission of the Estate of Mari Evans.