_____
I was locked into a single seed, my future fathoming.
I was matter underwater and a sheer hoping,
when I latched to earth, a first withered bloom.
A sonic wonder, I sang about the future.
I was master of the oxen pulling me toward dawn,
an existence first in death, a state of stillness
before beginning, a middle earth of rain.
I wore many masks until the right one fit.
Then the storm passed and I was wakened by water.
Morality
I had stolen through the back door, eyed
two loaves of bread. In the life before this one,
I had seen the window, a greater reflection,
yeast in the tin rising fast. My wanting grew.
How does desire trump that? Perhaps desire
is what we know best when the heart
is listless but listening. I memorized my history
which was nothing short of gleaming disasters
repeated, just for me.
History
I fell into a patch of green which was earth's matter
and fell some more. I am a boy and found myself
between war and my own luck, startled myself
in goodness and in haste, made a fire and got to cooking.
Man: the most tender and incessant beast.
A flawed danger but no less beautiful. A prairie
where I walk for the first time, where I am the theory
of origin: my brain barks in the heat, my legs buckle
in the initial step, then a slow certainty, an engine
of progress. My ankles turn clockwise in the soil,
loosening root and worm, shaking free
from the tangle and what held me there.
Mambo Sun
I was never burned by anything that could touch me
and I sat in the imagined throne with spoonsful of red sugar
tasting the years ahead of me, wondering of the origin
of my mother. I think she is flame and quick step, glee
and ignition. I saw her hands once in a flash flood
pulling me awake, several claps and then I came alive
rising through the underbrush and cadence rumble,
then I breathed and found god's bone, cracked in pieces
in my throat and my own voice fused to answer back.
Copyright © 2012 by Tina Chang. Used with permission of the author.
1
A moment of pleasure,
An hour of pain,
A day of sunshine,
A week of rain,
A fortnight of peace,
A month of strife,
These taken together
Make up life.
2
One real friend
To a dozen foes,
Two open gates,
’Gainst twenty that’s closed,
Prosperity’s chair,
Then adversity’s knife;
These my friends
Make up life.
3
At daybreak a blossom,
At noontime a rose,
At twilight ’tis withered,
At evening ’tis closed.
The din of confusion,
The strain of the fife,
These with other things
Make up life.
4
A smile, then a tear,
Like a mystic pearl,
A pause, then a rush
Into the mad whirl,
A kiss, then a stab
From a traitor’s knife;
I think that you’ll agree with me,
That this life.
This poem is in the public domain. Published in Poem-a-Day on July 31, 2021, by the Academy of American Poets.
for my favorite auntie, Jeanette
Sometimes I think I’m never going to write a poem again
and then there’s a full moon.
I miss being in love but I miss
myself most when I’m gone.
In the salty wet air of my ancestry
my auntie peels a mango with her teeth
and I’m no longer
writing political poems; because there are
mangoes and my favorite memory is still alive.
I’m digging for meaning but haunted by purpose
and it’s an insufficient approach.
What’s the margin of loss on words not spent today?
I’m getting older. I’m buying smaller images to travel light.
I wake up, I light up, I tidy, and it’s all over now.
Copyright © 2021 by Camonghne Felix. Originally published in Poem-a-Day on July 7, 2021, by the Academy of American Poets.
Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.
Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.
I’m no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind’s hand.
All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat’s. The window square
Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.
From Ariel, published by Harper & Row, 1966. Copyright © 1966 by Ted Hughes. All rights reserved. Used by arrangement with HarperCollins Publishers, Inc.