Believe in yourself.
Be all that you can.
Look for your fate among the stars.
Imagine you are your best when being yourself
the best way you can.

Believe in yourself. Be all you want to be.
Open your mind, a window to the world,
different ways of thinking, seeing,
but be yourself—it’s the best.

Become your dreams, visions to live by.
No matter what anyone says,
believe you can do it.
Day by day, a little at a time.
Be patient.

Believe you can find a way
to assemble the puzzle called life,
forming pictures that make some kind of sense.
Even when pieces fall scattered to the ground,
disappearing into the finite void,
forever lost, never to be found,
choosing your future from those that are left,
like one piece from some other dimension.

Maybe a corner triangle shape of sky,
or zigzag of ocean floor with seaweed and one school of fish,
or maybe a centerpiece on the table in some fancy dining room,
or patch of window lace curtain next to flowered bouquet,
wind blowing through sunlight, which some artist will paint someday.
Or bouncing feet on the moon,
walking in giant moon leaps, talking moon talk,
deep into research in your flying laboratory.

Be all that you can, but believe in yourself.
Climb the stairway of your imagination, one step after another.
Growing like the leaf, blossoming into a great tree,
complete with squirrels, nests, universe all around.

Be all that you can,
just believe in yourself.

From Bluestown Mockingbird Mambo (Arte Publico Press, 1990). Copyright © 1990 by Sandra María Esteves. Used with the permission of the author.

The river is famous to the fish.

The loud voice is famous to silence,   
which knew it would inherit the earth   
before anybody said so.   

The cat sleeping on the fence is famous to the birds   
watching him from the birdhouse.   

The tear is famous, briefly, to the cheek.   

The idea you carry close to your bosom   
is famous to your bosom.   

The boot is famous to the earth,   
more famous than the dress shoe,   
which is famous only to floors.

The bent photograph is famous to the one who carries it   
and not at all famous to the one who is pictured.   

I want to be famous to shuffling men   
who smile while crossing streets,   
sticky children in grocery lines,   
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,   
or a buttonhole, not because it did anything spectacular,   
but because it never forgot what it could do.

From Words Under the Words: Selected Poems by Naomi Shihab Nye. Copyright © 1995. Reprinted with permission of Far Corner Books, Portland, OR.

You are not fifteen, or twelve, or seventeen—
You are a hundred wild centuries

And fifteen, bringing with you
In every breath and in every step

Everyone who has come before you,
All the yous that you have been,

The mothers of your mother,
The fathers of your father.

If someone in your family tree was trouble,
A hundred were not:

The bad do not win—not finally,
No matter how loud they are.

We simply would not be here
If that were so.

You are made, fundamentally, from the good.
With this knowledge, you never march alone.

You are the breaking news of the century.
You are the good who has come forward

Through it all, even if so many days
Feel otherwise.  But think:

When you as a child learned to speak,
It’s not that you didn’t know words—

It’s that, from the centuries, you knew so many,
And it’s hard to choose the words that will be your own.

From those centuries we human beings bring with us
The simple solutions and songs,

The river bridges and star charts and song harmonies
All in service to a simple idea:

That we can make a house called tomorrow.
What we bring, finally, into the new day, every day,

Is ourselves.  And that’s all we need
To start.  That’s everything we require to keep going. 

Look back only for as long as you must,
Then go forward into the history you will make.

Be good, then better.  Write books.  Cure disease.
Make us proud.  Make yourself proud.

And those who came before you?  When you hear thunder,
Hear it as their applause.

Copyright © 2018 by Alberto Ríos. Used with the permission of the author.