The second half of my life will be black 
to the white rind of the old and fading moon. 
The second half of my life will be water 
over the cracked floor of these desert years. 
I will land on my feet this time, 
knowing at least two languages and who 
my friends are. I will dress for the 
occasion, and my hair shall be 
whatever color I please.
Everyone will go on celebrating the old 
birthday, counting the years as usual, 
but I will count myself new from this 
inception, this imprint of my own desire.

The second half of my life will be swift, 
past leaning fenceposts, a gravel shoulder, 
asphalt tickets, the beckon of open road. 
The second half of my life will be wide-eyed, 
fingers shifting through fine sands, 
arms loose at my sides, wandering feet. 
There will be new dreams every night, 
and the drapes will never be closed. 
I will toss my string of keys into a deep 
well and old letters into the grate.

The second half of my life will be ice
breaking up on the river, rain
soaking the fields, a hand
held out, a fire,
and smoke going
upward, always up.

From Straight Out of View by Joyce Sutphen. Copyright © 1995, 2001 by Joyce Sutphen. Used by permission of Holy Cow! Press. All rights reserved.

                                              One river gives
                                              Its journey to the next.

We give because someone gave to us.
We give because nobody gave to us.

We give because giving has changed us.
We give because giving could have changed us.

We have been better for it,
We have been wounded by it—

Giving has many faces: It is loud and quiet,
Big, though small, diamond in wood-nails.

Its story is old, the plot worn and the pages too,
But we read this book, anyway, over and again:

Giving is, first and every time, hand to hand,
Mine to yours, yours to mine.

You gave me blue and I gave you yellow.
Together we are simple green. You gave me

What you did not have, and I gave you
What I had to give—together, we made

Something greater from the difference.
 

Copyright © 2014 by Alberto Ríos. Used with permission of the author.