Your songs are the impossible ruins that keep the hours on turn. Keep awe bare like sound at night. The candle burn. Ice melts and wax. The dirt on your mind. Engines roll in clutter. Clank cool and electrify the room. We always become mysterious— birds at the end of each evening. Whoever does the telling stops time like a crescendo. We hit blue notes so the edges of your honey jars rattle laughter against our teeth. Rhythm breaks like need or the knowledge a mouth organ has about breath and tone, blood and gravity and balance— all those sweet sounds that can make even windows shatter.
Copyright © 2018 by Soham Patel. Originally published in Poem-a-Day on February 16, 2018, by the Academy of American Poets.
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
Life to the lees. All times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vext the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known—cities of men
And manners, climates, councils, governments,
Myself not least, but honored of them all,—
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untraveled world whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, mine own Telemachus,
To whom I leave the scepter and the isle,
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail;
There gloom the dark, broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me,
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honor and his toil.
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are,
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
This poem is in the public domain.
For Robert Lowell
This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,
rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.
Once up against the sky it's hard
to tell them from the stars—
planets, that is—the tinted ones:
Venus going down, or Mars,
or the pale green one. With a wind,
they flare and falter, wobble and toss;
but if it's still they steer between
the kite sticks of the Southern Cross,
receding, dwindling, solemnly
and steadily forsaking us,
or, in the downdraft from a peak,
suddenly turning dangerous.
Last night another big one fell.
It splattered like an egg of fire
against the cliff behind the house.
The flame ran down. We saw the pair
of owls who nest there flying up
and up, their whirling black-and-white
stained bright pink underneath, until
they shrieked up out of sight.
The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down,
and then a baby rabbit jumped out,
short-eared, to our surprise.
So soft!—a handful of intangible ash
with fixed, ignited eyes.
Too pretty, dreamlike mimicry!
O falling fire and piercing cry
and panic, and a weak mailed fist
clenched ignorant against the sky!
From The Complete Poems 1927-1979 by Elizabeth Bishop, published by Farrar, Straus & Giroux, Inc. Copyright © 1979, 1983 by Alice Helen Methfessel. Used with permission.
Soon my father will lose his wedding ring but before that happens we take the path along the cliff-edge past the sign that says Danger: Keep Back because the waves below have undermined it, and the next big storm will be enough to bring the whole face down. I know this but I can’t help looking down and noticing how each wave throws a ring of pretty foam that’s nothing like a storm round fallen rocks forming a sort of path for someone who might find themselves below which no one ever would, my father says. It’s much too dangerous, my father says, new rock-falls any time might tumble down and injure them, and while the sea below looks calm, a quickly-rising tide would ring and terrify them, devastate the path, then drown them just as surely as a storm. I hear him out about the calm and storm and fall in line with everything he says, continuing along the cliff-top path until it leads us in a zig-zag down onto the sea-shore where a wormy ring of sand recalls the tunneling below. My father says the North Sea is below freezing almost, thanks to a recent storm, and so he eases off his wedding ring because the cold is bound to shrink, he says, his fingers, and his ring would then slip down and vanish like the dangerous cliff path. He turns around to see once more the path, the dizzy fall, the rocks, the waves below. He thinks his only choice is to set down on one stone of the many that the storm has carried from their North Sea bed, which says a lot about the power of storms, his ring. It slides down out of sight as though the storm has also switched his path to run below. This neither of us says. He never finds his ring.
Copyright © 2018 by Andrew Motion. Originally published in Poem-a-Day on April 28, 2018, by the Academy of American Poets.