Art 3 Color Theory

Eruptive lightnings flutter to and fro
Above the heights of immemorial hills;
Thirst-stricken air, dumb-throated, in its woe
Limply down-sagging, its limp body spills
Upon the earth. A panting silence fills
The empty vault of Night with shimmering bars
Of sullen silver, where the lake distils
Its misered bounty.—Hark! No whisper mars
The utter silence of the untranslated stars.

All the complicated details
of the attiring and
the disattiring are completed!
A liquid moon
moves gently among
the long branches.
Thus having prepared their buds
against a sure winter
the wise trees
stand sleeping in the cold.

The weather map today is pale. The lines on the map
are like the casts of fishing lines
looping and curved briefly across air.
The sky now, also, toward evening, is pale.
On Sunday, in Beacon, there were lines
drawn on walls and also lines
drawn across the canvases of the last paintings
of Agnes Martin. One of them has two pale squares
on a blackened field.

		The lines on your walls
follows directions
as if

as if there were a kind of logic
charged with motion
at the end of winter: the pale blue northern cold
almost merged with the pale green
at Hartford, and then the blank newsprint of the sea.

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.