Let us begin with a simple line, Drawn as a child would draw it, To indicate the horizon, More real than the real horizon, Which is less than line, Which is visible abstraction, a ratio. The line ravishes the page with implications Of white earth, white sky! The horizon moves as we move, Making us feel central. But the horizon is an empty shell— Strange radius whose center is peripheral. As the horizon draws us on, withdrawing, The line draws us in, Requiring further lines, Engendering curves, verticals, diagonals, Urging shades, shapes, figures… What should we place, in all good faith, On the horizon? A stone? An empty chair? A submarine? Take your time. Take it easy. The horizon will not stop abstracting us.
From Resurrection Updated: Collected Poems 1975-1997 by James Galvin. Copyright © 1997 by James Galvin. Reprinted by permission of Copper Canyon Press.
translated by Robert Bly
The snowfall is so silent,
so slow,
bit by bit, with delicacy
it settles down on the earth
and covers over the fields.
The silent snow comes down
white and weightless;
snowfall makes no noise,
falls as forgetting falls,
flake after flake.
It covers the fields gently
while frost attacks them
with its sudden flashes of white;
covers everything with its pure
and silent covering;
not one thing on the ground
anywhere escapes it.
And wherever it falls it stays,
content and gay,
for snow does not slip off
as rain does,
but it stays and sinks in.
The flakes are skyflowers,
pale lilies from the clouds,
that wither on earth.
They come down blossoming
but then so quickly
they are gone;
they bloom only on the peak,
above the mountains,
and make the earth feel heavier
when they die inside.
Snow, delicate snow,
that falls with such lightness
on the head,
on the feelings,
come and cover over the sadness
that lies always in my reason.
La nevada es silenciosa
La nevada es silenciosa,
cosa lenta;
poco a poco y con blandura
reposa sobre la tierra
y cobija a la llanura.
Posa la nieve callada
blanca y leve;
la nevada no hace ruido;
cae como cae el olvido,
copo a copo.
Abriga blanda a los campos
cuando el hielo los hostiga;
con sus lampos de blancura;
cubre a todo con su capa
pura, silenciosa;
no se le escapa en el suelo
cosa alguna.
Donde cae allí se queda
leda y leve,
pues la nieve no resbala
como resbala la lluvia,
sino queda y cala.
Flores del cielo los copos,
blancos lirios de las nubes,
que en el suelo se ajan,
bajan floridos,
pero quedan pronto
derretidos;
florecen sólo en la cumbre,
sobre las montañas,
pesadumbre de la tierra,
y en sus entrañas perecen.
Nieve, blanda nieve,
la que cae tan leve
sobre la cabeza,
sobre el corazón,
ven y abriga mi tristeza
la que descansa en razón.
From Roots and Wings: Poetry from Spain 1900-1975, translated by Robert Bly, edited by Hardie St. Martin, and published by Harper & Row. © 1976 by Hardie St. Martin. Used with permission. All rights reserved.