Overnight, it’s pow! The held note
keeps falling. And only seems
slow. Because it’s just 
frozen rain, what’s the big deal? the checker
in Stop and Shop told me.
                                           Save warmth
like stamps. The fade of their color
in the 1920s.  Airmail.  The pilot with his 
skin-tight goggle helmet on his 
miniature head could be 
snow-blind.
                           All heads are small. Mine’s
lost as a thimble 
in this weather. Where 
a finger should be and be 
sewing, every thought 
I ever thunk. 
                               Just this word
thunk. Never used. 
It lands, noisy
metal in a bucket. That’s
the last of it.  No echo
for miles of this
                              snowfall—as in 
grace, fallen from,
as in a great height, released
from its promise.

From Grace, Fallen From by Marianne Boruch. Copyright © 2008 by Marianne Boruch. Published by Wesleyan University Press. Used by permission of the publisher. All rights reserved.

When men were all asleep the snow came flying,
In large white flakes falling on the city brown,
Stealthily and perpetually settling and loosely lying,
      Hushing the latest traffic of the drowsy town;
Deadening, muffling, stifling its murmurs failing;
Lazily and incessantly floating down and down:
      Silently sifting and veiling road, roof and railing;
Hiding difference, making unevenness even,
Into angles and crevices softly drifting and sailing.
      All night it fell, and when full inches seven
It lay in the depth of its uncompacted lightness,
The clouds blew off from a high and frosty heaven;
      And all woke earlier for the unaccustomed brightness
Of the winter dawning, the strange unheavenly glare:
The eye marvelled—marvelled at the dazzling whiteness;
      The ear hearkened to the stillness of the solemn air;
No sound of wheel rumbling nor of foot falling,
And the busy morning cries came thin and spare.
      Then boys I heard, as they went to school, calling,
They gathered up the crystal manna to freeze
Their tongues with tasting, their hands with snowballing;
      Or rioted in a drift, plunging up to the knees;
Or peering up from under the white-mossed wonder,
"O look at the trees!" they cried, "O look at the trees!"
      With lessened load a few carts creak and blunder,
Following along the white deserted way,
A country company long dispersed asunder:
      When now already the sun, in pale display
Standing by Paul’s high dome, spread forth below
His sparkling beams, and awoke the stir of the day.
      For now doors open, and war is waged with the snow;
And trains of sombre men, past tale of number,
Tread long brown paths, as toward their toil they go:
      But even for them awhile no cares encumber
Their minds diverted; the daily word is unspoken,
The daily thoughts of labor and sorrow slumber
At the sight of the beauty that greets them, for the charm they have broken.

This poem is in the public domain.

O hefty hardcover on the built-in shelf in my parents’ living room,
O authority stamped on linen paper, molted from your dust jacket,
Questing Beast of blue and gold, you were my companion

on beige afternoons that came slanting through the curtains
behind the rough upholstered chair. You knew how to trim a sail
and how the hornet builds a hive. You had a topographical map

of the mountain ranges on the far side of the moon
and could name the man who shot down the man
who murdered Jesse James. At forty, I tell myself

that boyhood was all enchantment: hanging around the railway,
getting plastered on cartoons; I see my best friend’s father
marinating in a lawn chair, smiling benignly at his son and me

from above a gin and tonic, or sitting astride his roof
with carpentry nails and hammer, going at some problem
that kept resisting all his mending. O my tome, my paper brother,

my narrative without an ending, you had a diagram of a cow
broken down into the major cuts of beef, and an image
of the Trevi Fountain. The boarding house,

the church on the corner: all that stuff is gone.
In winter in Toronto, people say, a man goes outside
and shovels snow mostly so that his neighbors know

just how much snow he is displacing. I’m writing this
in Baltimore. For such a long time, the boy wants
to grow up and be at large, but posture becomes bearing;

bearing becomes shape. A man can make a choice
between two countries, believing all the while
that he will never have to choose.

Copyright © 2015 by James Arthur. Originally published in Poem-a-Day on October 16, 2015, by the Academy of American Poets.