Imagine, when a human dies,
the soul misses the body, actually grieves
the loss of its hands and all
they could hold. Misses the throat closing shy
reading out loud on the first day of school.
Imagine the soul misses the stubbed toe,
the loose tooth, the funny bone. The soul still asks, Why
does the funny bone do that? It’s just weird.
Imagine the soul misses the thirsty garden cheeks
watered by grief. Misses how the body could sleep
through a dream. What else can sleep through a dream?
What else can laugh? What else can wrinkle
the smile’s autograph? Imagine the soul misses each falling
eyelash waiting to be a wish. Misses the wrist
screaming away the blade. The soul misses the lisp,
the stutter, the limp. The soul misses the holy bruise
blue from that army of blood rushing to the wound’s side.
When a human dies, the soul searches the universe
for something blushing, something shaking
in the cold, something that scars, sweeps
the universe for patience worn thin,
the last nerve fighting for its life, the voice box
aching to be heard. The soul misses the way
the body would hold another body and not be two bodies
but one pleading god doubled in grace.
The soul misses how the mind told the body,
You have fallen from grace. And the body said,
Erase every scripture that doesn’t have a pulse.
There isn’t a single page in the bible that can wince,
that can clumsy, that can freckle, that can hunger.
Imagine the soul misses hunger, emptiness,
rage, the fist that was never taught to curl—curled,
the teeth that were never taught to clench—clenched,
the body that was never taught to make love—made love
like a hungry ghost digging its way out of the grave.
The soul misses the unforever of old age, the skin
that no longer fits. The soul misses every single day
the body was sick, the now it forced, the here
it built from the fever. Fever is how the body prays,
how it burns and begs for another average day.
The soul misses the legs creaking
up the stairs, misses the fear that climbed
up the vocal cords to curse the wheelchair.
The soul misses what the body could not let go—
what else could hold on that tightly to everything?
What else could see hear the chain of a swingset
and fall to its knees? What else could touch
a screen door and taste lemonade?
What else could come back from a war
and not come back? But still try to live? Still try
to lullaby? When a human dies the soul moves
through the universe trying to describe how a body trembles
when it’s lost, softens when it’s safe, how a wound would heal
given nothing but time. Do you understand? Nothing in space can
imagine it. No comet, no nebula, no ray of light
can fathom the landscape of awe, the heat of shame.
The fingertips pulling the first gray hair
and throwing it away. I can’t imagine it,
the stars say. Tell us again about goosebumps.
Tell us again about pain.
From Lord of the Butterflies (Button Poetry, 2018) by Andrea Gibson. Copyright © 2018 Andrea Gibson. Reprinted by permission of the author.
try calling it hibernation.
Imagine the darkness is a cave
in which you will be nurtured
by doing absolutely nothing.
Hibernating animals don’t even dream.
It’s okay if you can’t imagine
Spring. Sleep through the alarm
of the world. Name your hopelessness
a quiet hollow, a place you go
to heal, a den you dug,
Sweetheart, instead
of a grave.
From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.
When you are trapped in a nightmare, your motivation to awaken will be so much greater than that of someone caught up in a relatively pleasant dream.
—Eckhart Tolle
When I realized the storm
was inevitable, I made it
my medicine.
Took two snowflakes
on the tongue in the morning,
two snowflakes on the tongue
by noon.
There were no side effects.
Only sound effects. Reverb
added to my lifespan,
an echo that asked—
What part of your life’s record is skipping?
What wound is on repeat?
Have you done everything you can
to break out of that groove?
By nighttime, I was intimate
with the difference
between tying my laces
and tuning the string section
of my shoes, made a symphony of walking
away from everything that did not
want my life to sing.
Felt a love for myself so consistent
metronomes tried to copyright my heartbeat.
Finally understood I am the conductor
of my own life, and will be even after I die.
I, like the trees, will decide what I become:
Porch swing? Church pew?
An envelope that must be licked to be closed?
Kinky choice, but I didn’t close.
I opened and opened
until I could imagine that the pain
was the sensation of my spirit
not breaking,
that my mind was a parachute
that could always open
in time,
that I could wear my heart
on my sleeve and never grow
out of that shirt.
That every falling leaf is a tiny kite
with a string too small to see, held
by the part of me in charge
of making beauty
out of grief.
From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.
