Do you want to come in?
Take a deep breath.
The repo man is gone.
All I had to do was show him
My favorite gun
And tell him about
My conviction
That a shame-faced galaxy
Mutters a homily of return. 
The repo man will return
With back-up
So I promoted the orphan
To vagabond.
Why do you think they call it
The chain of command?
Writing out of fear—
That razzle-dazzle
Of shackles and manacles
Makes angels cry,
And, admit it,
That’s what you wanted.
My first angel came
In a haze of Alice blue
That emanated
From a dulcimer she cradled
But did not play.
She did a little angel jig
And turned away.
I guess all angels are sad-eyed,
Like you.
Do you want to come in?
Take a deep breath.
Everything is about to happen.

I am taken with the hot animal
of my skin, grateful to swing my limbs

and have them move as I intend, though
my knee, though my shoulder, though something
is torn or tearing. Today, a dozen squid, dead

on the harbor beach: one mostly buried,
one with skin empty as a shell and hollow

feeling, and, though the tentacles look soft,
I do not touch them. I imagine they
were startled to find themselves in the sun.

I imagine the tide simply went out
without them. I imagine they cannot

feel the black flies charting the raised hills
of their eyes. I write my name in the sand:
Donika Kelly. I watch eighteen seagulls

skim the sandbar and lift low in the sky.
I pick up a pebble that looks like a green egg.

To the ditch lily I say I am in love.
To the Jeep parked haphazardly on the narrow
street I am in love. To the roses, white

petals rimmed brown, to the yellow lined
pavement, to the house trimmed in gold I am

in love. I shout with the rough calculus
of walking. Just let me find my way back,
let me move like a tide come in.