A chance so close to zero, zero’s a baby
pool shoved against your screen door

thirty-six thousand feet below this airplane
where a preschooler chokes on a pretzel.

Every passenger stands, clutching
their necks as the mother scrapes her finger

down the girl’s throat. “You’re living in despair,”
the psychiatrist said back home. Long after

she forgets she once stopped breathing,
the girl asks if a plane ever falls from the sky.

“Sometimes it does,” you say. “Sometimes it does.”
One in eleven million. And when she says,

“They’ll catch us, the yellow trees,” you see
the start of a ginkgo tunnel: You haven’t lost

a baby. You go to work, sell tires, rinse
your feet at dusk in your makeshift plastic

pond, where soon all the suns will float:
the bright petals you won’t win, but find.

Copyright © 2018 Kristin Robertson. Reprinted with permission of the author. This poem originally appeared in The Southern Review, Autumn 2018.

A mouse went to see his mother.  When his car broke down he bought a bike.
When the bike wore out he bought skates.  When the skates wore down he ran.
He ran until his sneakers wore through.  Then he walked.  He walked and 
walked, almost walked his feet through so he bought new ones.  His mother was 
happy to see him and said, "what nice new feet you have on."
—paraphrase of a story in Mouse Tails by Arnold Lobel

hey, listen, a bad thing happened to 
my friend's marriage, can't tell you
only can tell my own story which 
so far isn't so bad:

"Dad" and I stay married.  so far.
so good.  so so.

But it felt undoable. This lucky life
every day, every day. every. day.

(all the poetry books the goddamn same
until one guys gets up and stuns the audience)

Then, Joe Wenderoth, not by a long shot
sober says, I promised my wife I wouldn't fuck
anyone, to no one in particular and reads a poem 
about how Jesus has no penis.

Meanwhile, the psychiatrist, attractive in a fatherly 
way, says libido question mark.

And your libido?
like a father, but not like mine, or my sons'—

"fix it."

My friend's almost written 
a good novel by which I mean finished 
which means I'd like to light myself 
on fire, on fire
with envy, this isn't "desire" 
not what the Dr. meant
by libido?
                        I hope—

not, it's just chemical:
            jealousy. boredom. lethargy.

 

Books with prominent seraphs: their feet feet feet I am
marching to the same be—

other

than the neuronic slave I thought anxiety made me 
do it, made me get up and carry forth, sally 
the children to school the poems dragged 
by little hands on their little seraphs 
to the page my marriage sustained, remaining 
energy: project #1, project #2, broken 
fixtures, summer plans, demand met, request 
granted, bunny noodles with and without cheesy 
at the same time, and the night time I insomnia 
these hours penning invisible letters—

            till it stopped.

doc said: it's a syndrome.        you've got it, 
                                      classic.

it's chemical,
mental

circuitry we've got a fix for this
classic, I'm saying I can

make it better.

Everything was the same, then,
but better.

At night I slept.
In the morning got up.

Kids to school, husband still a fool-
hardy spirit makes
me pick a monday morning fight, snipe! I'll pay for that
later I'm still a pain in the 
elbow from writing prose those shift+hold+letter, 
I'm still me less sleepy, crazy, I suppose
less crazy-jealous just
ha-ha now at Jesus' no penis his
amazed at the other poet's kickass
friend's novel I dream instead about
the government makes me put stickers
on my driver's license of family members
who are Jews, and mine all are.  Can they get us 
all? I escape with a beautiful light-haired man,
blue-eyed day trader, gentile. 
 

gentle, gentle, mind encased in its 
blood-brain barrier from the harsh skull
sleep,  sleep and sleepy wake and want 
to sleep and sleep a steep dosage— 

            "—chemical?"

in my dreams now every man's mine, no-
problem, perhaps my mind's a little plastic, 
malleable, not so fatal now 

the dose is engineered like that new genetic watercress
to turn from green to red when planted over buried 
mines, nitrogen dioxide makes for early autumn
red marks the spot where I must 
watch my step, up one half-step-dose specific—


            The psychiatrist's lived in NY so long
            he's of ambiguous religious—
            everyone's Jewish sometimes—
            writes: "up the dosage."


now,
when I'm late I just shrug
it's my new improved style
missed the train? I tug
the two boys single file

the platform a safe aisle
between disasters, blithely
I step, step, step-lively
carefully, wisely.

I sing silly ditties 
play I spy something pretty
grey-brown-metal-filthy
for a little city fun.

Just one way to enjoy life's 
trials, mile after mile, lucky
to have such dependable feet.

you see,
the rodents don't frighten I'm
calm as can be expected to recover left to my 
one devivces I was twice as fast getting everywhere but
where did that get me but there, that inevitable location
more waiting, the rats there scurry, scurry, a furry

till the next train comes

"up the dosage."

Brown a first-cut brisket in hot Dutch oven 
after dusting with paprika.  Remove.  Sauté 
thickly sliced onions and add wine. (Sweet 
is better, lasts forever, never need a new bottle). 
Put the meat on onions, cover with tomato-sauce-
onion-soup-mix mixture, cover. Back in a low 
oven many hours.

The house smells like meat.
My hair smells like meat. 

I'm a light unto the nation.

I'm trying 
to get out of Egypt.
This year, 
I'll  be better.

Joseph makes sense of the big man's dreams, is saved,
saves his brothers those jealous boys who sold him 
sold them all as slaves. Seven years of plenty.  Seven
years of famine.  He insomnias the nights counting up
grains, storing, planning, for what? They say throw 
the small boys in the river (and mothers do so). Smite 
the sons (and fathers do it.) God says take off your shoes,
this holy ground this pitiful, incombustible bush.

Is God chemical?  
Enzymatic of our great need to chaos?

We're unforgivable. 
People of the salted
cheeks.  Slap, turn, slap.

To be chosen 
is to be 
unforgiving/ unforgiv-
en, always chosen: 
be better.

The Zuckers are a long line of obsessives. 

This served them well in war time saw it 
coming in time that unseeable thing they 
hoarded they ferried, schemed, paced, got the hell 
out figured out at night, insomnia, how to visa—

now, if it happens again, I won't be 
ready

I'm "better."

The husband, a country club Jew from Denver, American
intelligentsia will have to carry me out and he's no big 
man and I'm not a small girl how fast

can the doctor switch the refugee gene back on?


How fast can I get worse?  Smart again and worse?

Better to be alive than better.  

            "...listen:" says the doctor, "sleeping isn't death.  
            All children unlearn this fear you got confused 
            thought thinking was the same as spinning—"             
            Writes: "up the dosage."  
            don't think.  this refugee thing part
            of a syndrome fear of medication of being better...

Truth is, the anti-obsessional medicine works 
wonders and drags me through life's course...

About this time of year but years ago the priests spread 
rumors of blood libel. Jews huddled in basements accused 
of using Christian babes' blood to make unleavened bread.

signs and wonders.
Christ rises.

Blood and body and babes.
Basements and briskets 
and bread of afflictions.

I am calm now with my pounds of meat 
made and frozen, my party schedule, my pills 
of liberation, my gentile dream-boy, American 
passport, my grey haired-psychiatrist, my blue-
eyed son, my brown-eyed son, my poems on their 
pretty little fleet-feet, my big shot friends, olive-skinned 
husband, my right elbow on fire: fire inside deep in the nerve 
from too much carrying and word-mongering, smithery, bearing 
and tensing choosing to be better to live this real life this better orbit this Jack

Kerouac never loved you like you wanted. 
Blake.
Buddha. 
Only Jesus and that's his shtick,
he loves

everyone: smile! that's it,
for the camera, blood pressure
normal, better, you're a poster child
for signs and wonders what a little chemistry
does for the brain, blood, thought, hey,

did you know that Pharaoh actually wanted
to let them go?  those multitude Jews
but God hardened Pharaoh's heart against them [Jews]
to prove his prowess show his signs, wonders, outstretched 
hand, until the dosage was a perfect ten and then 
some, sea closing up around those little chariots
the men and horses while women on the far shore shook 
their tambourines.  And then what?  Forty years to get the smell
of slavery off them. 

Because of this. Bloody Nile. My story one of
the lucky.  Escape hatch even from my own
obsess—

            I am here because of this.
Because of what my ancestors did for me to tell this
story of the outstretched hand what it did for me this
marked door and behind this red-marked door, around 
a corner a blue-eyed boy waits to love me up with his 
leavened bread, his slim body, professional detachment, 
medical advancements, forgive me my father's mother's
father was the last in a long line of Rabbis—again! with this? This
rhapsody of affliction and escape, the mind bobbing along
in its watery safe. Be like everyone. Else. Indistinguishable but
better than the other nations but that's what got us into this, Allen,
no one writes these long-ass poems anymore.  Now we're
better, all better.  All Christian.  Kind. 

Copyright © 2012 Rachel Zucker. First appeared in Columbia Poetry Review. Used with permission of the author.

I still taste you from the time
you painted my tongue
with your scarlet finger.
It cured my heart of innocence,
that single dose, and I have tasted it—
the double truth—ever since:
the bittersweet in the words
I cannot speak but stick
in my mouth like stones
I've learned to talk around.

From The Double Truth, published by University of Pittsburgh Press. Copyright © 2011 by Chard deNiord. Used by permission of the publisher. All rights reserved.