Human Landscapes from my Datça

by Sarp Armağan Demiral

 



                              after Nâzım Hikmet

 

I.





Balıkçılar, sitting on empty milk crates,

                              cast their fishing rods

                              into the turquoise—

on their lips a thin strip

               of cigarette, the homely scent, tobacco

               in the morning air.

                              They are the most patient

humans I know. I want to say kolay gelsin

     as they hold the line

     steady like they would

     their children. Gentle. The promise of the new world

at their fingertips.

                              The sun not yet scorching,

                              just dawning—

a smile cracks a sun-kissed face

               as his line catches.





II.





Teyzeler, these shawl-covered women

                              remind me of being

                              held—

all of them a mother

               even if they do not have a child

               of their own. I want to say ellerinize sağlık

                              as they feed my spirit,

                              sunflower seeds

pinched between their plump fingers,

between their tea-stained teeth.

                              Teyzeler on the beachside benches,

                              gossip hot on their tongues.

Çıtır çıtır, the seeds crack open. Flung

    onto the uneven, faded bricks,

    painted by kindergarteners. A full landscape

               of sunflower shells

               around their slippers.





III.





Amcalar, filling the teahouses

                              before and after

                              work—

eight men to each table, chain smoking,

               playing okey and tavla ‘till midnight.

                              I’ve never been

               courageous enough to join them—

I want to say kusura bakmayın

               and yet, I’m terrified my tongue

               will twist to silence, my language

broken into stasis. I watch instead. It’s how I remember

                              my absence

in my country. All the things I don’t do.

               All the things I don’t say.

 





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