Like Candy

by Rob Colgate

                    For Tim Dlugos / After “G-9”

 

 

Upon learning that your former home

in New Haven is still standing

within running distance, I decide

to run there on my day off.

I jog calmly, rhythmically, my small legs

extending from the tiny shorts

that I got to try to draw boys’ attention

at the gym. Kieran had left early

that morning, gathering his things

as I brushed my teeth and laid out clothes

for my shift later at the lab. Have fun

looking at brains all day
and a kiss 

before leaving. Last week he had asked me

if I would get on PrEP. Just to be sure,

he murmured into my neck as we fell

asleep. I told him I was worried it would

interfere with my other meds but

would check with my doctor. Would it be 

the worst thing if you went a little crazy again 

just to fuck me good?
He smiled, a joke only he

could pull off, the eyes-closed grin, his groggy

fingers tapping out bassoon melodies

on my bare hip. The doctor told me

there were no serious interactions between

Descovy and Seroquel, so I went straight

to the Walgreens on York and picked up

my prescription. Preexposure prophylaxis.

Tim, they are handing these pills out like candy.

Here, look, see the blue ridges, the smooth

rectangles, how they dissolve like stigmata

and your hands are finally clean. But

they were never dirty, just eager, and joyful,

and young. A clean light flushes across

the side of East Rock in the distance

as I run by the Divinity School. I took

a seminar there with Christian, on poetry

and faith. I wish I could say

I felt your spirit moving through

the old hallways, but I am still looking

for you. I am running up Prospect Street

until I find you. I still have the course packet

rom the class, and there is an entire section

of just poems about joy. Can I read it to you?

I promise I will when I get to you. For now

I keep running, trying to remember the way

through your old neighborhood. When I can

no longer respond with words, I run.

Kieran always tells the story of just before

we met, when we had only been chatting

over Facebook. The afternoon before

our first date (a walk up Science Hill

to sit on the swing outside the observatory)

I was jogging through Cross Campus

and almost crashed into him. You were going

too fast for me to move out of the way

or recognize you, but I was just happy

to have a cute boy knock me over,
he laughs.

It is always stories like this, nostalgia

for a time when love and anxiety didn't weave

so tightly together. And then I remember

that I am still living that life, that last year’s

Rob is inside me somewhere.

With every house I pass, I want to gather in me

a memory of wonder, as if

a sphere of glowing light, that I can place

on your doorstep when I get there.

This house is for when Jeff and I

lost our jackets at Industry and walked

twenty blocks in tank tops, hugging

each other, rubbing our arms up

and down while we laughed

at the slush getting in our sneakers.

This house is for last summer’s Klonopin

incident when Clay pulled my unconscious body

up off the gravel in the alley outside Roscoe’s

and drunkenly tried to wake me up

by holding poppers under my nose

like smelling salts. And this house is for you,

Tim, when Colin introduced us before

we all got on that flight to Minneapolis,

and you had to watch me sob across the aisle

the whole time because I could not believe

Danny would just leave me like that. Or at least

that is how it felt to me, as if you were 

really there. You died in 1990, 22 years before

they approved PrEP. I want to tilt your head

back as you lay in G-9 and help you swallow

one down, even though I know it won’t help,

you are already too sick, my aid means nothing.

But Tim, you can even get a coupon online

for a zero-dollar copay. You don't even need

insurance. We are all on it. Graham always

makes a show of taking his with a tequila soda

while we are at Woads. This is gay culture!

shouted over a tangle of limbs and Madonna.

Gay people will always love each other

like Death is dancing with us. We will

get him kicked out of the bar then go

eat bodega sandwiches in the park. Every

light-up floor flashes with

the special kind of cherishing

that comes with the end of a plague.

And yes, the plague is not really

over. But we even have another

medicine now for those already

positive. It makes the viral load

undetectable, and therefore

untransmittable, the ways we love

each other uncompromising,

the stigma unraveling, our bodies

undulating in the crowd until our love

is understood as a river that glows

every morning, that still flows

with the same strength as before.

Michael and Alan have been together

for eleven years now. I saw them dancing

in Boston with my aunt. Me and Matty

go to Partners on a weeknight, our bodies

warm with whiskey, never weak with thin

blood. On some weekends, they even bring

New York City drag queens into town

for cabaret numbers at 168 York Street

Cafe. I’ll save a seat for you. I still call Sachin

faking a breakdown every time

he has a bad date. Kevin still finds

a reason to take his shirt off at every

formal party. In the mornings, Kieran still

slips pennies into my shoes, so you have 

a lucky run
. And the still light still enters my room

at dawn. It is strange how quickly my legs

wake up, how normal the heat in my muscles

begins to feel. I am making a list of all the boys

I have ever loved and all the ones I know

who have died from the virus. Both lists

are for you. There is no second list.

The list of boys on PrEP is growing

every day. Outside my apartment in Boystown

last summer, the crosswalk was painted

with rainbow stripes that I could almost feel

staying with my body as I passed over them

on my morning run, ribbons of color

wrapping around my legs like bands

of light. That was the summer Kieran

and I tried going open, to manage

the long distance
. That ended quickly, with me

sobbing to him over the phone after I had

drunkenly invited a neighbor over

and had to kick him out as soon as his hand

grazed against my collarbone. Today, Kieran

and I worry less about missing out

on debauchery. You stop wanting to go

to sex parties with your boyfriend once

the two of you have spent three days together

in the hospital, after some laced coke induced

a more-intense-than-usual psychotic episode. Kieran,

don't just sit here with me, go to class, hurry, leave

me, I'm gonna be crazy forever then die.


He ate dining hall mac and cheese

and vending machine duplex cookies for every

meal, just so he didn't have to leave

the hospital between visiting hours.

The quiet devastation of realizing

that to your lover, you were never

a monster, never a burden for being

sick. Every day we further loosen the leather

harness that squeezes gay love and death

together. There are no monsters chasing me

on this run, Tim, just square after square

of sidewalk, elm after elm, and look—

here I am, outside your old house, and suddenly

I want Kieran to be here too, to hold onto,

to take his hand and run it up the banister.

The house is beautiful. The blue paint is worn,

chipping, the same sky blue as the free

pills, as the sunny reality that I ran here

to tell you about. The sides of the house

are streaked with thin vertical stripes

of rain rot, just like the pinstripe curtains

in your hospital room, the drapes

and sheets at the P-town guest house.

I have never been there, but I will get

to go— maybe next summer, with Kieran,

I hope, if we are still together,

not just if he is still alive, because

he will be, Tim, we both will be.

And I will keep running for you.

I will stay by the side of my gay

friends and lovers to anthologize

each colored light, toothy grin,

messy desire. I will put it all in a book

for you, and on the powder blue cover

I will cross out G-9 and etch in

GSI 225, shape it like a small

oblong capsule so that it is like

you are holding the cure itself in your hands

when you are reading this poem,

this poem about joy.

And here is our graceful

exposure, and here is the love persistent,

as I kneel, sobbing, like I always do,

outside your house, where we are

supposed to be, the morning light

wild on my skin as it breaks, over

and over again, each mote of glow

lifting me, cell by cell—

I am glowing. Your whole house

is glowing. It is 6am, Tim,

and I am running to you.

 

 

This poem first appeared in Tammy’s 11th issue.

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