The dreams of the dreamer
   Are life-drops that pass
The break in the heart
   To the soul’s hour-glass.

The songs of the singer
   Are tones that repeat
The cry of the heart
   ‘Till it ceases to beat.

translated by Sarah Arvio

To find a kiss of yours
what would I give
A kiss that strayed from your lips
dead to love

My lips taste
the dirt of shadows     

To gaze at your dark eyes
what would I give
Dawns of rainbow garnet  
fanning open before God— 

The stars blinded them
one morning in May

And to kiss your pure thighs
what would I give
Raw rose crystal  
sediment of the sun

*

[Por encontrar un beso tuyo]

Por encontrar un beso tuyo,
¿qué daría yo?
¡Un beso errante de tu boca
muerta para el amor!

(Tierra de sombra
come mi boca.)

Por contemplar tus ojos negros,
¿qué daría yo?
¡Auroras  de carbunclos irisados
abiertas frente a Dios!

(Las estrellas los cegaron
una mañana de mayo.)

Y por besar tus muslos castos,
¿qué daría yo?

(Cristal de rosa primitiva,
sedimento de sol.)

A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”

The light here on earth keeps us plenty busy: a fire
in central Pennsylvania still burns bright since 1962.

Whole squads of tiny squid blaze up the coast of Japan
before sunrise. Of course you didn’t show when we went

searching for you, but we found other lights: firefly,
strawberry moon, a tiny catch of it in each other’s teeth.

Someone who saw you said they laid down
in the middle of the road and took you all in,

and I’m guessing you’re used to that—people falling
over themselves to catch a glimpse of you

and your weird mint-glow shushing itself over the lake.
Aurora, I’d rather stay indoors with him—even if it meant

a rickety hotel and its wood paneling, golf carpeting
in the bathrooms, and grainy soapcakes. Instead

of waiting until just the right hour of the shortest
blue-night of the year when you finally felt moved

enough to collide your gas particles with sun particles—
I’d rather share sunrise with him and loon call

over the lake with him, the slap of shoreline threaded
through screen windows with him. My heart

slams in my chest, against my shirt—it’s a kind
of kindling you’d never be able to light on your own. 

The rising moon has hid the stars;
Her level rays, like golden bars,
       Lie on the landscape green,
       With shadows brown between.

And silver white the river gleams,
As if Diana, in her dreams,
       Had dropt her silver bow
       Upon the meadows low.

On such a tranquil night as this,
She woke Endymion with a kiss,
       When, sleeping in the grove,
       He dreamed not of her love.

Like Dian’s kiss, unasked, unsought,
Love gives itself, but is not bought;
       Her voice, nor sound betrays
       Its deep, impassioned gaze.

It comes,—the beautiful, the free,
The crown of all humanity,—
       In silence and alone
       To seek the elected one.

It lifts the boughs, whose shadows deep,
Are Life’s oblivion, the soul’s sleep,
       And kisses the closed eyes
       Of him, who slumbering lies.

O, weary hearts! O, slumbering eyes!
O, drooping souls, whose destinies
       Are fraught with fear and pain,
       Ye shall be loved again!

No one is so accursed by fate,
No one so utterly desolate,
       But some heart, though unknown,
       Responds unto his own.

Responds,—as if with unseen wings,
A breath from heaven had touched its strings
       And whispers, in its song,
      “Where hast thou stayed so long!”

Every day brings a ship,
Every ship brings a word;
Well for those who have no fear,
Looking seaward well assured
That the word the vessel brings
Is the word they wish to hear.

                          is dark
a neglected mansion

with vanishing court
rats in the empty pool

and antiquated actress
languishing

as ghost of her famous self
flickers in the projector’s beam

or framed in silver
haunts every room

Face unrecognizable?
Name forgotten?

O float me to Oblivion
in my swan bed

with my bandaged wrists
and doors shorn of locks

with swirl of my cigarette smoke
and glitter of my jewels

and silent flutter
of my weightless tulle
 

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They'll see how beautiful I am
And be ashamed—

I, too, am America.

To sin by silence, when we should protest,
Makes cowards out of men. The human race
Has climbed on protest. Had no voice been raised
Against injustice, ignorance, and lust,
The inquisition yet would serve the law,
And guillotines decide our least disputes.
The few who dare, must speak and speak again
To right the wrongs of many. Speech, thank God,
No vested power in this great day and land
Can gag or throttle. Press and voice may cry
Loud disapproval of existing ills;
May criticise oppression and condemn
The lawlessness of wealth-protecting laws
That let the children and childbearers toil
To purchase ease for idle millionaires.

Therefore I do protest against the boast
Of independence in this mighty land.
Call no chain strong, which holds one rusted link.
Call no land free, that holds one fettered slave.
Until the manacled slim wrists of babes
Are loosed to toss in childish sport and glee,
Until the mother bears no burden, save
The precious one beneath her heart, until
God’s soil is rescued from the clutch of greed
And given back to labor, let no man
Call this the land of freedom.

I tried to put a bird in a cage.
                O fool that I am!
         For the bird was Truth.
Sing merrily, Truth: I tried to put
                 Truth in a cage!

And when I had the bird in the cage,
                 O fool that I am!
          Why, it broke my pretty cage.
Sing merrily, Truth: I tried to put
                  Truth in a cage!

And when the bird was flown from the cage,
                  O fool that I am!
            Why, I had nor bird nor cage.
Sing merrily, Truth: I tried to put
                   Truth in a cage!
             Heigh-ho! Truth in a cage.

always the hopeless asked to give others hope
the ones pushed up against wall after wall

when you’re done unpinning yourself
from the wall, please give hope

those who work twice as hard to seem half as good
being asked to do one more thing

we need to be seen
because things are not going well
and the crows are up to no good
 

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;

“But I like it
“Because it is bitter,
“And because it is my heart.”
 

This is what life is really like.
This is what life is really like.
This is what life is really like every day.
  
—Gray Parrot, Vienna, 1943.

In the circus animals’ diary: “And all this was destroyed in ninety minutes.”
Makeshift forests flaming to high heavens, metal bent bars.
Siberian tigers, black panthers, jaguars, pumas,
bears, hyenas and wolves, and all the lion pit saved from burning
by the keepers’ own hands. By bullets. Only so much can be said.
Herbage will be scarce. Nature will gather like sleeping poppies
over the craters and lost species.
The African wart-hog will be cooked over an open fire in the garden.
One thinks of one’s restlessness, Faustian—
in the minutes-before-dawn dark
with the devil cry of black crows, the miry skull
of the half-eaten rabbit, then gold grimy hills
and light-making jewels and hand mirrors among the trees.
Why are you here? It dawns. All this will never be again.
The circus can’t be locked. 
 

We can not tell what happiness 
We might on earth possess 
If in singleness of heart 
We would strive to act a proper part. 
‘Tis true we see the effects of sin
All without and all within. 
We long may live a life in vain, 
Much good possess, but still complain. 
We may appear to other eyes, 
To be extremely rich and wise; 
But if our hearts are not right, 
Life will not be beautiful and bright. 
Oh! may our life, day by day, 
In love and duty pass away; 
And at last when our bodies die, 
We may live in that world above the sky; 
Where free from sin, death and pain, 
The good will meet and love again. 

There is a faith that weakly dies 
When overcast by clouds of doubt, 
That like a blazing wisp of straw 
A vagrant breeze will flicker out. 

Be mine the faith whose living flame 
Shall pierce the clouds and banish night, 
Whose glow the hurricanes increase
To match the gleams of heaven’s night. 

Brown love is getting the pat down but not the secondary screening
and waiting after you clear to make sure the Sikh man or
the Black woman or the hijabis behind you get through

Brown love is asking the Punjabi guy working at the starbucks knockoff
if all the tea sizes are still the same price
and he says no,
it hasn’t been like that for at least four years,
but he slips you an extra tea bag without talking about it.

Brown love is the unsmiling aunty
at the disabled immigration line
barking
anything to declare? No? No? Have a good day.
and your rice, semolina, kari karo seeds and jaggary all get through
even though they are definitely from countries
where there are insects that could eat america to the ground

Brown love is texting your cousin on whatsapp asking
if she’s ever had a hard time bringing weed tincture in her carry on 

brown love is a balm
in this airport of life

where, if we can scrape up enough money
we all end up
because we all came from somewhere
and we want to go there
or we can’t go to there but we want to go to the place we went after that
where our mom still lives even though we fight
or our chosen sis is still in her rent controlled perfect apartment
where we get the luxury of things being like how we remember
we want to go to the place we used to live
and even if gentrification snatched the bakery
with the 75 cent coffee where everyone hung out all night
we can still walk the block where it was
and remember

and the thing about brown love is, nobody smiles.
nobody is friendly. nobody winks. nobody can get away with that
they’re all silently working their terrible 9 dollar an hour
food service jobs where tip jars aren’t allowed
or TSA sucks but it’s the job you can get out of the military
and nobody can get away with being outwardly loving
but we do what we can

brown love is the woman who lets your 1 pound over the 50 pound limit bag go
the angry woman who looks like your cousin
who is so tired on the american airlines customer service line
she tags your bag for checked luggage
and doesn’t say anything about a credit card, she just yells Next!
Brown love is your tired cousin who prays you all the way home
from when you get on the subway to when you land and get on another.
This is what we have
we do what we can.

If you believe what you hear, he was everywhere
from Virginia to Alabama just beyond every holler.

Which is to say he was everywhere and everywhere
he was, he was unwanted. In one story, they say it

happened because if a white man said it happened,
then it happened. In another, he was a prisoner which

is more plausible because only a man who lives in darkness
can be felled by the light. But if it happened that often,

there had to be more than one, or maybe it was everyone
or all of us and maybe he stood down there at the cold face

shoulders stooped and begged a mountain move
which we all have done some time or another. Maybe he

prayed for strength to move it as we do some time or
another. But this we can say is true: the world sent

a man down into the earth one day—the same world
who fixed his shackles, closed each door, the world

which said no, and no, and no like so many stones.
The world sent a man into the earth one day to leave

him. That man emerged from the earth with one word
that the earth had been holding, and in that moment

he broke the earth, stumbled out into the chilly air
before he fell, he brought this one word to us. Liar.

Sunday afternoon on a city beach.
No sand, slabs of manufactured stone.
I watch two blondes, maybe sisters,
Inflate a raft. They use a bicycle pump.
One tries to assemble two paddles,
Gives up, puts them in her bag.
The one on the pump removes her top.
She has exerted herself into better posture.
Her breasts are larger than I expected.
I want to see if their tiny raft will hold them.
The clouds and current move north.
As they enter the water, Tony Allen warns
Against the boat journey: Running away
From a misery / Find yourself in a double misery.
I recall photos of British tourists in Greece
Frowning at refugees,
Greek children in gym class while hungry.
In the direction the raft floats, the sisters
Paddling with their hands, a planetarium.
I wonder if it houses a telescope capable
Of seeing the double misery on a Greek island.
Maybe its lens is too powerful.
The side of their raft reads EXPLORER.
Their soles are black. If you pay attention
To movies, white women have grimy soles.
I have seen black actresses with exquisite feet.
I recall my mother checking my socks
In the exam room before the doctor entered.
The sisters let their ponytails drag
In dubious lake water.
I’m not sure I hear these lyrics: Even if
They let you enter / They probably won’t let you.
Even if they let you enter / The baron won’t let you,
The baron won’t let you.
I note their appearances,
Takeoff point. Just in case.
I doubt any of our thoughts converge.
What is it like to be so free?
To drift in water in a country you call
Your own. Unprepared because you can laugh
Into an official’s face. Explain, offer no apology.