The sea called—
you faced the estuary,
you were drowned as the tide passed.—
I am glad of this—
at least you have escaped.

The heavy sea-mist stifles me.
I choke with each breath—
a curious peril, this—
the gods have invented
curious torture for us.

One of us, pierced in the flank,
dragged himself across the marsh,
he tore at the bay-roots,
lost hold on the crumbling bank—

Another crawled—too late—
for shelter under the cliffs.

I am glad the tide swept you out,
O beloved,
you of all this ghastly host
alone untouched,
your white flesh covered with salt
as with myrrh and burnt iris.

We were hemmed in this place,
so few of us, so few of us to fight
their sure lances,
the straight thrust—effortless
with slight life of muscle and shoulder.

So straight—only we were left,
the four of us—somehow shut off.

And the marsh dragged one back,
and another perished under the cliff,
and the tide swept you out.

Your feet cut steel on the paths,
I followed for the strength
of life and grasp.
I have seen beautiful feet
but never beauty welded with strength.
I marvelled at your height.

You stood almost level
with the lance-bearers
and so slight.

And I wondered as you clasped
your shoulder-strap
at the strength of your wrist
and the turn of your young fingers,
and the lift of your shorn locks,
and the bronze
of your sun-burnt neck.

All of this,
and the curious knee-cap,
fitted above the wrought greaves,
and the sharp muscles of your back
which the tunic could not cover—
the outline
no garment could deface.

I wonder if you knew how I watched,
how I crowded before the spearsmen—
but the gods wanted you,
the gods wanted you back.

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

O, rich young lord, thou ridest by
With looks of high disdain;
It chafes me not thy title high,
Thy blood of oldest strain.
The lady riding at thy side
Is but in name thy promised bride.
       Ride on, young lord, ride on!

Her father wills and she obeys,
The custom of her class;
’Tis Land not Love the trothing sways—
For Land he sells his lass.
Her fair white hand, young lord, is thine,
Her soul, proud fool, her soul is mine,
       Ride on, young lord, ride on!

No title high my father bore;
The tenant of thy farm,
He left me what I value more:
Clean heart, clear brain, strong arm
And love for bird and beast and bee
And song of lark and hymn of sea,
       Ride on, young lord, ride on!

The boundless sky to me belongs,
The paltry acres thine;
The painted beauty sings thy songs,
The lavrock lilts me mine;
The hot-housed orchid blooms for thee,
The gorse and heather bloom for me,
       Ride on, young lord, ride on!

                           Come, boys, sing!—
                               Sing of the yellow corn,
                           Sing, boys, sing,
                               Sing of the yellow corn!
He springeth up from the fallow soil,
With the blade so green and tall,
And he payeth well the reaper’s toil,
When the husks in the autumn fall.
              The pointed leaves,
                  And the golden ear,
              The rustling sheaves,
                  In the ripened year—
                            Sing, boys, sing!
                               Sing of the yellow corn,
                            Sing, boys, sing,
                               Sing of the yellow corn.

He drinks the rain in the summer long,
And he loves the streams that run,
And he sends the stalk so stout and strong,
To bask in the summer sun.
              The pointed leaves,
                   And the golden ear,
              The rustling sheaves,
                   In the ripened year—
                              Sing, boys, sing!
                                  Sing of the yellow corn,
                              Sing, boys, sing,
                                  Sing of the yellow corn.

He loves the dews of the starry night,
And the breathing wind that plays
With his tassels green, when the mellow light
Of the moon on the meadow stays.
              The pointed leaves,
                   And the golden ear,
              The rustling sheaves,
                   In the ripened year—
                              Sing, boys, sing!
                                  Sing of the yellow corn,
                              Sing, boys, sing,
                                  Sing of the yellow corn.

A glorious thing is the yellow corn,
With the blade so green and tall,
A blessed thing is the yellow corn,
When the husks in the autumn fall.
              Then, sing, boys, sing!
                  Sing of the yellow corn,
              Sing, boys, sing,
                  Sing of the yellow corn!
                     The pointed leaves,
                          And the golden ear,
                     The rustling sheaves,
                          In the ripened year—
                              Come, sing, boys, sing!
                                   Sing of the yellow corn,
                               Sing, boys, sing,
                                   Sing of the yellow corn.

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

Night was done. We rose and after 
Washing, dressing,—kissed with laughter,—
After all, the sweet night knows. 
Lilac breakfast cups were clinking 
While we sat like brothers drinking 
Tea,—and kept our dominoes.

And our dominoes smiled greeting, 
And our eyes avoided meeting 
With our dumb lips’ secrecy.
“Faust” we sang, we played, denying
Night’s strange memories, strangely dying,
As though night’s twain were not we.

A Memory

You lay so still in the sunshine, 
So still in that hot sweet hour— 
That the timid things of the forest land 
Came close; a butterfly lit on your hand, 
Mistaking it for a flower.

You scarcely breathed in your slumber, 
So dreamless it was, so deep— 
While the warm air stirred in my veins like wine, 
The air that had blown through a jasmine vine, 
But you slept—and I let you sleep.

The night is black,
The train speeds on its track,
Now it tunnels cliffs,
Now it crosses water,
Now above the vale it lifts,
Now along the river,
Again within the city,
Then in the village center.

Again amidst the blackest black
Where only night is sitting,
The train speeds on its track,
Chug-chug, chug-chug,
Jug-jug, jug-jug.
To its sound my thoughts are fitting,
Chug-chug, chug-chug,
Jug-jug, jug-jug.

Where will you carry me, I wonder?
Please set me down in Paradise.
To Eden’s garden take me back.
But whatever place it be,
upon whatever track,
I do not care, for you bear
My very dearest here with me.

Underneath the stars the houses are awake;
Upward comes no sound my silent watch to break.
Night has hid the street, with all its motley sights;
Miles around, afar, shine out the city lights:

Stars that softly glimmer in a lower sky,
Dearer than, the glories unexplored on high;
Home-stars, that, like eyes, are glistening through the dark,
With a human tremor wavers every spark.

Glittering lamps above and twinkling lamps below;
The remote, strange splendor, the familiar glow:
One Eye, looking downward from creation’s dome,
Sees in both, his children’s window-lights of home.

Who have dwellings there, in avenues of space?
Whose clear torches kindle through the vague sky-place?
Are they holding tapers, us, astray, to guide,
spirit-pioneers, who lately left our side?

Never drops an answer from those worlds unknown:
Yet no ray is shining for itself alone.
Hints of heaven gleam upward, through our earthly nights;
Tremulous with pathos are the city lights:—

Tremulous with pathos of a half-told tale:
Through therein hope flickers, burning low and pale,
It shall win completeness perfect as the sun:
Broken rays shall mingle, earth and heaven be one.