My Love is of a birth as rare
As ’tis for object strange and high:
It was begotten by despair
Upon Impossibility.

Magnanimous Despair alone
Could show me so divine a thing,
Where feeble Hope could ne'r have flown
But vainly flapt its Tinsel Wing.

And yet I quickly might arrive
Where my extended Soul is fixt,
But Fate does Iron wedges drive,
And alwaies crowds it self betwixt.

For Fate with jealous Eye does see
Two perfect Loves; nor lets them close:
Their union would her ruine be,
And her Tyrannick pow'er depose.

And therefore her Decrees of Steel
Us as the distant Poles have plac'd,
(Though Love's whole World on us doth wheel)
Not by themselves to be embrac'd.

Unless the giddy Heaven fall,
And Earth some new Convulsion tear;
And, us to joyn, the World should all
Be cramp'd into a Planisphere.

As Lines so Loves oblique may well
Themselves in every Angle greet:
But ours so truly Parallel,
Though infinite can never meet.
                                                    
Therefore the Love which us doth bind,
But Fate so enviously debarrs,
Is the Conjunction of the Mind,
And Opposition of the Stars.

This poem is in the public domain. Published in Poem-a-Day on March 31, 2018, by the Academy of American Poets.

Tell me no more of minds embracing minds, 
     And hearts exchang'd for hearts; 
That spirits spirits meet, as winds do winds, 
     And mix their subt'lest parts; 
That two unbodied essences may kiss, 
And then like Angels, twist and feel one Bliss. 

I was that silly thing that once was wrought 
     To practise this thin love; 
I climb'd from sex to soul, from soul to thought; 
     But thinking there to move, 
Headlong I rolled from thought to soul, and then 
From soul I lighted at the sex again. 

As some strict down-looked men pretend to fast, 
     Who yet in closets eat; 
So lovers who profess they spririts taste, 
     Feed yet on grosser meat; 
I know they boast they souls to souls convey, 
Howe'r they meet, the body is the way. 

Come, I will undeceive thee, they that tread 
     Those vain aerial ways 
Are like young heirs and alchemists misled 
     To waste their wealth and days, 
For searching thus to be for ever rich, 
They only find a med'cine for the itch.

This poem is in the public domain.

Down in a green and shady bed
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view.

And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower,
Instead of hiding there.

Yet there it was content to bloom,
In modest tints arrayed;
And there diffused a sweet perfume,
Within the silent shade.

Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.

This poem is in the public domain.

As late I rambled in the happy fields,	
   What time the sky-lark shakes the tremulous dew	
   From his lush clover covert;—when anew	
Adventurous knights take up their dinted shields:	
I saw the sweetest flower wild nature yields,	        
   A fresh-blown musk-rose; 'twas the first that threw	
   Its sweets upon the summer: graceful it grew	
As is the wand that queen Titania wields.	
And, as I feasted on its fragrancy,	
   I thought the garden-rose it far excell'd:	        
But when, O Wells! thy roses came to me	
   My sense with their deliciousness was spell'd:	
Soft voices had they, that with tender plea	
   Whisper'd of peace, and truth, and friendliness unquell'd.

This poem is in the public domain.

Jenny kiss'd me when we met,   
  Jumping from the chair she sat in;   
Time, you thief, who love to get   
  Sweets into your list, put that in!   
Say I'm weary, say I'm sad,
  Say that health and wealth have miss'd me,   
Say I'm growing old, but add,   
      Jenny kiss'd me.

This poem is in the public domain.

Silent is the house: all are laid asleep:
One alone looks out o’er the snow-wreaths deep,
Watching every cloud, dreading every breeze
That whirls the wildering drift, and bends the groaning trees.

Cheerful is the hearth, soft the matted floor;
Not one shivering gust creeps through pane or door;
The little lamp burns straight, its rays shoot strong and far:
I trim it well, to be the wanderer’s guiding-star.

Frown, my haughty sire! chide, my angry dame!
Set your slaves to spy; threaten me with shame:
But neither sire nor dame nor prying serf shall know,
What angel nightly tracks that waste of frozen snow.

What I love shall come like visitant of air,
Safe in secret power from lurking human snare;
What loves me, no word of mine shall e’er betray,
Though for faith unstained my life must forfeit pay.

Burn, then, little lamp; glimmer straight and clear—
Hush! a rustling wing stirs, methinks, the air:
He for whom I wait, thus ever comes to me;
Strange Power! I trust thy might; trust thou my constancy.

This poem is in the public domain.

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!

This poem is in the public domain.

I lov'd thee from the earliest dawn,
   When first I saw thy beauty's ray,
And will, until life's eve comes on,
   And beauty's blossom fades away;
And when all things go well with thee,
With smiles and tears remember me.

I'll love thee when thy morn is past,
   And wheedling gallantry is o'er,
When youth is lost in ages blast,
   And beauty can ascend no more,
And when life's journey ends with thee,
O, then look back and think of me.

I'll love thee with a smile or frown,
   'Mid sorrow's gloom or pleasure's light,
And when the chain of life runs down,
   Pursue thy last eternal flight,
When thou hast spread thy wing to flee,
Still, still, a moment wait for me.

I'll love thee for those sparkling eyes,
   To which my fondness was betray'd,
Bearing the tincture of the skies,
   To glow when other beauties fade,
And when they sink too low to see,
Reflect an azure beam on me.

This poem is in the public domain.

It's a year almost that I have not seen her:
Oh, last summer green things were greener,
Brambles fewer, the blue sky bluer.

It's surely summer, for there's a swallow:
Come one swallow, his mate will follow,
The bird race quicken and wheel and thicken.

Oh happy swallow whose mate will follow
O'er height, o'er hollow! I'd be a swallow,
To build this weather one nest together.

This poem is in the public domain.

Love is enough: though the World be a-waning,
And the woods have no voice but the voice of complaining,
   Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder
   And this day draw a veil over all deeds pass'd over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
   These lips and these eyes of the loved and the lover.

This poem is in the public domain.

Christmas is here;
Winds whistle shrill,
Icy and chill,
Little care we;
Little we fear
Weather without,
Shelter’d about
The Mahogany Tree.

Once on the boughs
Birds of rare plume
Sang, in its bloom;
Night birds are we;
Here we carouse,
Singing, like them,
Perch’d round the stem
Of the jolly old tree.

Here let us sport,
Boys, as we sit—
Laughter and wit
Flashing so free.
Life is but short—
When we are gone,
Let them sing on,
Round the old tree.

Evenings we knew,
Happy as this;
Faces we miss,
Pleasant to see.
Kind hearts and true,
Gentle and just,
Peace to your dust!
We sing round the tree.

Care, like a dun,
Lurks at the gate:
Let the dog wait;
Happy we’ll be!
Drink every one;
Pile up the coals,
Fill the red bowls,
Round the old tree.

Drain we the cup.—
Friend, art afraid?
Spirits are laid
In the Red Sea.
Mantle it up;
Empty it yet;
Let us forget,
Round the old tree.

Sorrows, begone!
Life and its ills,
Duns and their bills,
Bid we to flee.
Come with the dawn,
Blue-devil sprite,
Leave us to-night,
Round the old tree.

This poem is in the public domain.


                                           I.

As the blind Milton’s memory of light,
The deaf Beethoven’s phantasy of tone,
Wrought joys for them surpassing all things known
In our restricted sphere of sound and sight,—
So while the glaring streets of brick and stone
Vex with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses. All day long,
Think ye ’t is I, who sit ’twixt darkened walls,
While ye chase beauty over land and sea?
Uplift on wings of some rare poet’s song,
Where the wide billow laughs and leaps and falls,
I soar cloud-high, free as the winds are free.

                                           II.

Who grasps the substance? who ’mid shadows strays?
He who within some dark-bright wood reclines,
’Twixt sleep and waking, where the needled pines
Have cushioned all his couch with soft brown sprays?
He notes not how the living water shines,
Trembling along the cliff, a flickering haze,
Brimming a wine-bright pool, nor lifts his gaze
To read the ancient wonders and the signs.
Does he possess the actual, or do I,
Who paint on air more than his sense receives,
The glittering pine-tufts with closed eyes behold,
Breathe the strong resinous perfume, see the sky
Quiver like azure flame between the leaves,
And open unseen gates with key of gold?
 

This poem is in the public domain. 

The night is still, the moon looks kind,
    The dew hangs jewels in the heath,
An ivy climbs across thy blind,
    And throws a light and misty wreath.

The dew hangs jewels in the heath,
    Buds bloom for which the bee has pined;
I haste along, I quicker breathe,
    The night is still, the moon looks kind.

Buds bloom for which the bee has pined,
    The primrose slips its jealous sheath,
As up the flower-watched path I wind
    And come thy window-ledge beneath.

The primrose slips its jealous sheath,—
    Then open wide that churlish blind,
And kiss me through the ivy wreath!
    The night is still, the moon looks kind.
 

This poem is in the public domain.

They are all gone away,
   The House is shut and still,
There is nothing more to say.

Through broken walls and gray
   The winds blow bleak and shrill:
They are all gone away.

Nor is there one to-day
   To speak them good or ill:
There is nothing more to say.

Why is it then we stray
   Around the sunken sill?
They are all gone away,

And our poor fancy-play
   For them is wasted skill:
There is nothing more to say.

There is ruin and decay
   In the House on the Hill:
They are all gone away,
There is nothing more to say.

This poem is in the public domain.

She rose among us where we lay.
She wept, we put our work away.
She chilled our laughter, stilled our play;
And spread a silence there.
And darkness shot across the sky,
And once, and twice, we heard her cry;
And saw her lift white hands on high
And toss her troubled hair.

What shape was this who came to us,
With basilisk eyes so ominous,
With mouth so sweet, so poisonous,
And tortured hands so pale?
We saw her wavering to and fro,
Through dark and wind we saw her go;
Yet what her name was did not know;
And felt our spirits fail.

We tried to turn away; but still
Above we heard her sorrow thrill;
And those that slept, they dreamed of ill
And dreadful things:
Of skies grown red with rending flames
And shuddering hills that cracked their frames;
Of twilights foul with wings;

And skeletons dancing to a tune;
And cries of children stifled soon;
And over all a blood-red moon
A dull and nightmare size.
They woke, and sought to go their ways,
Yet everywhere they met her gaze,
Her fixed and burning eyes.

Who are you now, —we cried to her—
Spirit so strange, so sinister?
We felt dead winds above us stir;
And in the darkness heard
A voice fall, singing, cloying sweet,
Heavily dropping, though that heat,
Heavy as honeyed pulses beat,
Slow word by anguished word.

And through the night strange music went
With voice and cry so darkly blent
We could not fathom what they meant;
Save only that they seemed
To thin the blood along our veins,
Foretelling vile, delirious pains,
And clouds divulging blood-red rains
Upon a hill undreamed.

And this we heard:  "Who dies for me,
He shall possess me secretly,
My terrible beauty he shall see,
And slake my body's flame.
But who denies me cursed shall be,
And slain, and buried loathsomely,
And slimed upon with shame."

And darkness fell.  And like a sea
Of stumbling deaths we followed, we
Who dared not stay behind.
There all night long beneath a cloud
We rose and fell, we struck and bowed,
We were the ploughman and the ploughed,
Our eyes were red and blind.

And some, they said, had touched her side,
Before she fled us there;
And some had taken her to bride;
And some lain down for her and died;
Who had not touched her hair,
Ran to and fro and cursed and cried
And sought her everywhere.

"Her eyes have feasted on the dead,
And small and shapely is her head,
And dark and small her mouth," they said,
"And beautiful to kiss;
Her mouth is sinister and red
As blood in moonlight is."

Then poets forgot their jeweled words
And cut the sky with glittering swords;
And innocent souls turned carrion birds
To perch upon the dead.
Sweet daisy fields were drenched with death,
The air became a charnel breath,
Pale stones were splashed with red.

Green leaves were dappled bright with blood
And fruit trees murdered in the bud;
And when at length the dawn
Came green as twilight from the east,
And all that heaving horror ceased,
Silent was every bird and beast,
And that dark voice was gone.

No word was there, no song, no bell,
No furious tongue that dream to tell;
Only the dead, who rose and fell
Above the wounded men;
And whisperings and wails of pain
Blown slowly from the wounded grain,
Blown slowly from the smoking plain;
And silence fallen again.

Until at dusk, from God knows where,
Beneath dark birds that filled the air,    
Like one who did not hear or care,
Under a blood-red cloud,
An aged ploughman came alone      
And drove his share through flesh and bone,
And turned them under to mould and stone;
All night long he ploughed.

This poem is in the public domain.

The scent of hyacinths, like a pale mist, lies 

   between me and my book;	
And the South Wind, washing through the room,	
Makes the candles quiver.	
My nerves sting at a spatter of rain on the shutter,	
And I am uneasy with the thrusting of green shoots	        
Outside, in the night.	
 
Why are you not here to overpower me with your 

   tense and urgent love?

This poem is in the public domain.

I have a rendezvous with Life,

In days I hope will come,

Ere youth has sped, and strength of mind,

Ere voices sweet grow dumb.

I have a rendezvous with Life,

When Spring's first heralds hum.

Sure some would cry it's better far

To crown their days with sleep

Than face the road, the wind and rain,

To heed the calling deep.

Though wet nor blow nor space I fear,

Yet fear I deeply, too,

Lest Death should meet and claim me ere

I keep Life's rendezvous.

This poem is in the public domain.

Wanderer moon
smiling a
faintly ironical smile
at this
brilliant, dew-moistened
summer morning,—
a detached
sleepily indifferent
smile, a
wanderer’s smile,—
if I should
buy a shirt
your color and
put on a necktie
sky-blue
where would they carry me?

This poem is in the public domain.

Time does not bring relief; you all have lied   
Who told me time would ease me of my pain!   
I miss him in the weeping of the rain;   
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,   
And last year's leaves are smoke in every lane;   
But last year's bitter loving must remain
Heaped on my heart, and my old thoughts abide.   
There are a hundred places where I fear   
To go,—so with his memory they brim.   
And entering with relief some quiet place   
Where never fell his foot or shone his face   
I say, "There is no memory of him here!"   
And so stand stricken, so remembering him.

This poem is in the public domain.

There is no magic any more,
      We meet as other people do,
You work no miracle for me
      Nor I for you.

You were the wind and I the sea—
      There is no splendor any more,
I have grown listless as the pool
      Beside the shore.

But though the pool is safe from storm
      And from the tide has found surcease,
It grows more bitter than the sea,
      For all its peace.

This poem is in the public domain.

I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.

With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.

Selfyeast of spirit a dull dough sours. I see 
The lost are like this, and their scourge to be
As I am mine, their sweating selves, but worse. 

This poem is in the public domain.

Long vast shapes... cooled and flushed through with darkness...
Lidless windows
Glazed with a flashy luster
From some little pert café chirping up like a sparrow.
And down among iron guts
Piled silver
Throwing gray spatter of light... pale without heat...
Like the pallor of dead bodies.

This poem is in the public domain.

Bend low again, night of summer stars.
So near you are, sky of summer stars, 
So near, a long-arm man can pick off stars, 
Pick off what he wants in the sky bowl, 
So near you are, summer stars, 
So near, strumming, strumming, 
                So lazy and hum-strumming.

From Smoke and Steel (Harcourt, Brace and Howe, 1920). This poem is in the public domain.

I have painted a picture of a ghost
Upon my kite,
And hung it on a tree.
Later, when I loose the string
And let it fly,
The people will cower
And hide their heads,
For fear of the God
Swimming in the clouds.

This poem is in the public domain.

If we must die—let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die—oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
Oh, Kinsmen! We must meet the common foe;
Though far outnumbered, let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!

Used by permission of the Archives of Claude McKay (Carl Cowl, administrator).

Dark hills at evening in the west,
Where sunset hovers like a sound
Of golden horns that sang to rest
Old bones of warriors under ground,
Far now from all the bannered ways
Where flash the legions of the sun,
You fade—as if the last of days
Were fading, and all wars were done.

This poem is in the public domain. Published in Poem-a-Day on August 9, 2015, by the Academy of American Poets.

I saw a star slide down the sky, 
Blinding the north as it went by,
Too burning and too quick to hold,
Too lovely to be bought or sold,
Good only to make wishes on
And then forever to be gone.

                               I
What shall I do with this absurdity—
O heart, O troubled heart—this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
                      Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible—
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
 

                                II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
 
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine,
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
 
Some few remembered still when I was young
A peasant girl commended by a song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
 
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day—
Music had driven their wits astray—
And one was drowned in the great bog of Cloone.
 
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
 
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
 
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards—
 
O towards I have forgotten what—enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
 
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
 
As I would question all, come all who can;
Come old, necessitous, half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.
 
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
 
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
Plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
 
Does the imagination dwell the most
Upon a woman won or a woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
 

                                III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State,
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse—
Pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock Plotinus' thought
And cry in Plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar Paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman
Mirror-resembling dream.
 
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
 
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
 
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come—
The death of friends, or death
Of every brilliant eye
That made a catch in the breath—
Seem but the clouds of the sky
When the horizon fades,
Or a bird's sleepy cry
Among the deepening shades.

And God stepped out on space,
And he looked around and said:
I'm lonely—
I'll make me a world.

And far as the eye of God could see
Darkness covered everything,
Blacker than a hundred midnights
Down in a cypress swamp.

Then God smiled,
And the light broke,
And the darkness rolled up on one side,
And the light stood shining on the other,
And God said: That's good!

Then God reached out and took the light in his hands,
And God rolled the light around in his hands
Until he made the sun;
And he set that sun a-blazing in the heavens.
And the light that was left from making the sun
God gathered it up in a shining ball
And flung it against the darkness,
Spangling the night with the moon and stars.
Then down between
The darkness and the light
He hurled the world;
And God said: That's good!

Then God himself stepped down—
And the sun was on his right hand,
And the moon was on his left;
The stars were clustered about his head,
And the earth was under his feet.
And God walked, and where he trod
His footsteps hollowed the valleys out
And bulged the mountains up.

Then he stopped and looked and saw
That the earth was hot and barren.
So God stepped over to the edge of the world
And he spat out the seven seas—
He batted his eyes, and the lightnings flashed—
He clapped his hands, and the thunders rolled—
And the waters above the earth came down,
The cooling waters came down.

Then the green grass sprouted,
And the little red flowers blossomed,
The pine tree pointed his finger to the sky,
And the oak spread out his arms,
The lakes cuddled down in the hollows of the ground,
And the rivers ran down to the sea;
And God smiled again,
And the rainbow appeared,
And curled itself around his shoulder.

Then God raised his arm and he waved his hand
Over the sea and over the land,
And he said: Bring forth! Bring forth!
And quicker than God could drop his hand,
Fishes and fowls
And beasts and birds
Swam the rivers and the seas,
Roamed the forests and the woods,
And split the air with their wings.
And God said: That's good!

Then God walked around,
And God looked around
On all that he had made.
He looked at his sun,
And he looked at his moon,
And he looked at his little stars;
He looked on his world
With all its living things,
And God said: I'm lonely still.

Then God sat down—
On the side of a hill where he could think;
By a deep, wide river he sat down;
With his head in his hands,
God thought and thought,
Till he thought: I'll make me a man!

Up from the bed of the river
God scooped the clay;
And by the bank of the river
He kneeled him down;
And there the great God Almighty
Who lit the sun and fixed it in the sky,
Who flung the stars to the most far corner of the night,
Who rounded the earth in the middle of his hand;
This great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till he shaped it in is his own image;

Then into it he blew the breath of life,
And man became a living soul.
Amen.      Amen.

From God's Trombones by James Weldon Johnson. Copyright © 1927 The Viking Press, Inc., renewed 1955 by Grace Nail Johnson. Used by permission of Viking Penguin, a division of Penguin Books USA Inc.

 (A Funeral Sermon)

Weep not, weep not,
She is not dead;
She’s resting in the bosom of Jesus.
Heart-broken husband—weep no more;
Grief-stricken son—weep no more;
Left-lonesome daughter—weep no more;
She only just gone home.

Day before yesterday morning,
God was looking down from his great, high heaven,
Looking down on all his children,
And his eye fell on Sister Caroline,
Tossing on her bed of pain.
And God’s big heart was touched with pity,
With the everlasting pity.

And God sat back on his throne,
And he commanded that tall, bright angel standing at his right hand:
Call me Death!
And that tall, bright angel cried in a voice
That broke like a clap of thunder:
Call Death!—Call Death!
And the echo sounded down the streets of heaven
Till it reached away back to that shadowy place,
Where Death waits with his pale, white horses.

And Death heard the summons,
And he leaped on his fastest horse,
Pale as a sheet in the moonlight.
Up the golden street Death galloped,
And the hooves of his horses struck fire from the gold,
But they didn’t make no sound.
Up Death rode to the Great White Throne,
And waited for God’s command.

And God said: Go down, Death, go down,
Go down to Savannah, Georgia,
Down in Yamacraw,
And find Sister Caroline.
She’s borne the burden and heat of the day,
She’s labored long in my vineyard,
And she’s tired—
She’s weary—
Go down, Death, and bring her to me.

And Death didn’t say a word,
But he loosed the reins on his pale, white horse,
And he clamped the spurs to his bloodless sides,
And out and down he rode,
Through heaven’s pearly gates,
Past suns and moons and stars;
on Death rode,
Leaving the lightning’s flash behind;
Straight down he came.

While we were watching round her bed,
She turned her eyes and looked away,
She saw what we couldn’t see;
She saw Old Death. She saw Old Death
Coming like a falling star.
But Death didn't frighten Sister Caroline;
He looked to her like a welcome friend.
And she whispered to us: I’m going home,
And she smiled and closed her eyes.

And Death took her up like a baby,
And she lay in his icy arms,
But she didn’t feel no chill.
And death began to ride again—
Up beyond the evening star,
Into the glittering light of glory,
On to the Great White Throne.
And there he laid Sister Caroline
On the loving breast of Jesus.

And Jesus took his own hand and wiped away her tears,
And he smoothed the furrows from her face,
And the angels sang a little song,
And Jesus rocked her in his arms,
And kept a-saying: Take your rest,
Take your rest.

Weep not—weep not,
She is not dead;
She’s resting in the bosom of Jesus.

From God’s Trombones by James Weldon Johnson. Copyright © 1927 The Viking Press, Inc., renewed 1955 by Grace Nail Johnson. Used by permission of Viking Penguin, a division of Penguin Books USA Inc.