Twilight—and you
Quiet—the stars;
Snare of the shine of your teeth,
Your provocative laughter,
The gloom of your hair;
Lure of you, eye and lip;
Yearning, yearning,
Languor, surrender;
Your mouth,
And madness, madness,
Tremulous, breathless, flaming,
The space of a sigh;
Then awakening—remembrance,
Pain, regret—your sobbing;
And again, quiet—the stars,
Twilight—and you.

This poem is in the public domain.

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou. Reprinted by permission of Random House, Inc.

imagine a tulip, upon seeing a garden full of tulips, sheds its petals in disgust, prays some bee will bring its pollen to a rose bush. imagine shadows longing for a room with light in every direction. you look in the mirror & see a man you refuse to love. small child sleeping near Clorox, dreaming of soap suds & milk, if no one has told you, you are a beautiful & lovable & black & enough & so—you pretty you—am i.

From Don’t Call Us Dead (Graywolf Press, 2017). Copyright © 2017 by Danez Smith. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.

after Morgan Parker, after Wu-Tang

                      in the morning I think about money

           green horned lord of my waking

                      forest in which I stumbled toward no salvation

                                 prison made of emerald & pennies

           in my wallet I keep anxiety & a condom

I used to sell my body but now my blood spoiled

           All my favorite songs tell me to get money

                                              I’d rob a bank but I’m a poet

                                 I’m so broke I’m a genius

           If I was white, I’d take pictures of other pictures & sell them

I come from sharecroppers who come from slaves who do not come from kings

                                              sometimes I pay the weed man before I pay the light bill

                      sometimes is a synonym for often

I just want a grant or a fellowship or a rich white husband & I’ll be straight

           I feel most colored when I’m looking at my bank account

I feel most colored when I scream ball so hard motherfuckas wanna find me

                                 I spent one summer stealing from ragstock

If I went to jail I’d live rent-free but there is no way to avoid making white people richer

                                              A prison is a plantation made of stone & steel

           Being locked up for selling drugs = Being locked up for trying to eat

                                              a bald fade cost 20 bones now a days

                      what’s a blacker tax than blackness?

                                              what cost more than being American and poor?

                                         here is where I say reparations.

here is where I say got 20 bucks I can borrow?

           student loans are like slavery but not but with vacation days but not but police

I don’t know what it says about me when white institutions give me money

                      how much is the power ball this week?

I’mma print my own money and be my own god and live forever in a green frame

                      my grandmamma is great at saving money

           before my grandfather passed he showed me where he hid his money & his gun

                      my aunt can’t hold on to a dollar, a job, her brain

                                 I love how easy it is to be bad with money

                      don’t ask me about my taxes

                                 the b in debt is a silent black boy trapped

Copyright © 2017 by Danez Smith. Originally published in Poem-a-Day on February 1, 2017, by the Academy of American Poets.

If we must die—let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die—oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
Oh, Kinsmen! We must meet the common foe;
Though far outnumbered, let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!

Used by permission of the Archives of Claude McKay (Carl Cowl, administrator).

some black women are my friends & their tears seem the hems
                           of blue dresses.   I ball un-ball
my pocketed palms
                           & think on stockings, bells.

among my students sometimes number black women—
I wish their tears were rungs;  such desire may too be grease,                tho.

my mother’s youngest sister’s torn calendar tears,
             Mondays, Marches, 29ths, ’91s & ’83s
till wicker bins choke, shredder hacks.

a couple of tears, middle sister pinches at her eye,
a black woman’s spyglass. she peers
through the wide between her &.

my older cousins, black women, their tears are:
             (a)  fresh batteries in broken clocks
             (b)  ruined coin souvenirs
             (c)  wheatbread heels jim crowed in fridges
             (d)  what pitted the yellow linoleum thus

the black mother of the black woman who married me,
her tears’re sunk ships:
coral polyps load the lode  & awful hopeful at it.

...!!!] then I’m at last quiet.
                                       my daughter, black girl, rattles,
at me, her scabbard of tears.


my younger cousins, black women, their tears are:
            (a)  pill bottles
            (b)  in pill bottles
            (c)  lids you press down, then turn to loose
            (d)  anything bottled & near bathroom mirrors

likely my father’s oldest sister, black woman,
kept her tears where they’d pass for shotgun:
            slant shade the jamb threw as simmering mask.
 
            my father’s other sister, her tears stop his mouth,
or they’re wood doves, cote’d in his chestnut mind?

grandmother, my black father’s mother? gone.
her tears were empty chairs: pine
                                                  among pine-ware.

white bowl      though the rice there was tears of my great aunt,
black woman.

these days, my grandmother, black woman who mothered my               mother,
mislays her tears—she always finds them in the,
                                                            finds them in,
                                                            finds them—.

the black woman who married me,
her tears inside her out like black church stockings   /     runs.

& my black mother dead.

Copyright © 2016 by Douglas Kearney. Originally published in Poem-a-Day on July 25, 2016, by the Academy of American Poets.

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I’ll be at the table
When company comes.
Nobody’ll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides, 
They’ll see how beautiful I am
And be ashamed—

I, too, am America.

From The Collected Poems of Langston Hughes, published by Knopf and Vintage Books. Copyright © 1994 by the Estate of Langston Hughes. All rights reserved. Used by permission of Harold Ober Associates Incorporated.

Don’t knock at my door, little child,
     I cannot let you in,
You know not what a world this is
     Of cruelty and sin.
Wait in the still eternity
     Until I come to you,
The world is cruel, cruel, child,
     I cannot let you in!

Don’t knock at my heart, little one,
     I cannot bear the pain
Of turning deaf-ear to your call
     Time and time again!
You do not know the monster men
     Inhabiting the earth,
Be still, be still, my precious child,
     I must not give you birth!

This poem is in the public domain. Published in Poem-a-Day on June 8, 2019, by the Academy of American Poets.

Lift every voice and sing,
Till earth and heaven ring,
Ring with the harmonies of Liberty;
Let our rejoicing rise
High as the list’ning skies,
Let it resound loud as the rolling sea.
Sing a song full of the faith that the dark past has taught us,
Sing a song full of the hope that the present has brought us;
Facing the rising sun of our new day begun,
Let us march on till victory is won.

Stony the road we trod,
Bitter the chast’ning rod,
Felt in the days when hope unborn had died;
Yet with a steady beat,
Have not our weary feet
Come to the place for which our fathers sighed?
We have come over a way that with tears has been watered.
We have come, treading our path through the blood of the slaughtered,
Out from the gloomy past,
Till now we stand at last
Where the white gleam of our bright star is cast.

God of our weary years,
God of our silent tears,
Thou who hast brought us thus far on the way;
Thou who hast by Thy might,
Led us into the light,
Keep us forever in the path, we pray.
Lest our feet stray from the places, our God, where we met Thee,
Lest our hearts, drunk with the wine of the world, we forget Thee;
Shadowed beneath Thy hand,
May we forever stand,
True to our God,
True to our native land.

From Saint Peter Relates an Incident by James Weldon Johnson. Copyright © 1917, 1921, 1935 James Weldon Johnson, renewed 1963 by Grace Nail Johnson. Used by permission of Viking Penguin, a division of Penguin Books USA Inc.