like some 14 year old girl waiting for her crush to glance back i 

keep waiting for capitalism to end

but it won’t end

my adult life lover states

on what will end:

Libraries 
Birds 
Retirement 
Recess
Sprinting during recess 
Hispid Hares
Starfish shaped like stars 
Inconvenience
Wrinkles 
Sunken cheeks 
Living corals 
Protests
Anti-Nuclear Proliferation 
Non-Aggression Pacts 
Dragonflies
Mangosteen 
DMZs
Trade Embargos 
Leopards, all kinds 
Sawfins
Rewilding
Infiltration Plot/Dreams 
Oak, Trees.
Partulina Variabilis 
Partulina Splendida
(-------) Violence Prevention Programs
News. News:

Might a few jellyfish survive—

counting till revelations becomes part of—

Outside the water sings 
its tortuous note, 
devoid of the parrot, 
devoid of the quetzal.

A song without ears, 
a dry silk wrapped around the throat, 
neither warm nor cold 
but a vacillation between the two. 

A hammer swinging 
through the aether of the flesh, 

the mind’s red line. 

Tonight a part of me shivers, liking it, 
my whole body in one place, 
where steel drags along. 

I wonder if the body wants more 
to open or to shut. 

                                                no one speaks of how tendrils feed on the fruits

                        of my demise     these dead hands                  for instance     that alight                phlox

wild strawberry                 and pine             this is my body out of context       rotting in the                wrong hemisphere         

   I died                     so all my enemies would tremble at my murmur                  how it                      populates their homes     

                              so I could say to the nearest fellow dead person        I know more than

      all my living  foes                  I’ve derived sun-fed  design                             for once                             from

                    closing my oak eyes                           now they’ll never snare the civilian

                                                                     pullulating my throat

              I swim down to 
              look for our four-
              chambered house.
                            The window
              in our room still leaf-
              darkened, its bruiselight
              charged with fault. 

Am I very lonely? 

             I age in reverse until I am as
             small as my child
             body, my chest swollen
             with bright longing

             that the walls will not always
             greet each other 
                           in collapse—

The lord is kind.

             The underworld is lit by half
                          -moon as if to say, none
                          of this is evidence,
                          only decay.

             In the drift, this wreck still looks like a life:
             everything still hanging is relieved
             of its weight like an archer’s arrow
                           suspended in rags 
                           of snow.
             I hunt the me
             that made this heavenless night,

             my young fear circling your
             false beacon, its low
             stars and difficult earth stacked
             immense against
             every fact—

I should be funnier here:

                            Underwater, iron sinks

                                                                            weightless as       

               a kite 

                                     plummeting 

                      through peaks.

startling semiannual saccharine sensitivity to sentencing in a season of severing and severances to so called civil servants of streachery and separation i sense a series of spectators or investigators wont save us like stolen generators nothing speculative about spectacles we beasts spit and sputter   spits and sputters splitting sutures of your occipital up your occidental skeptical of this spectacular softness of this plexus flex i choose the best for myself   swearing the swivel of the stank of spangled smear with speared wet spirit spent to coalesce in this nonsense that’s the thing about your language is i make it sound so good it doesnt have to make sense they is all what you is where you from  someone tell these oxymorons we is dual citizens former resident aliensss and we have only just begun counting down this society’s days with the efficiency of arabic numerals

(for a.g., you & yours)

the night is silver in its silence
moon-pop echoes of the day
raked up rubble of the hours spent

my, the children slumber
a thousand tomorrows bubbling at their lips
the dream projections lighting up
the clouds’ ample cotton                    relish the silence

as you’ll relish tomorrow
and the honesty of such raucous noise, thick
child feet of our unfeathered breasts, beasts we cherish

hallway run, sprints to smash the mash of food
tumbling, rolling right into these arms
charmed in their amnesia regarding where one
begins or ends

reminding us of the joy
of first step and the storm after the holler:
mama see, mama watch

pitter/patter
                     pitter/patter

thunder on a hardwood, heartbeat
this sole and counted rhythm

every generation a temporal fugitive
running from the death grip
every death ship’s watch, yesterdays
we weren’t meant to make it through
relish the memory ingrained in the sound
how these tiny, tiny feet
grip the floor, say

tomorrow, tomorrow

I make you

tomorrow

My mother said this to me
long before Beyoncé lifted the lyrics
from the Yeah Yeah Yeahs,

and what my mother meant by
Don’t stray was that she knew
all about it—the way it feels to need

someone to love you, someone
not your kind, someone white,
some one some many who live

because so many of mine
have not, and further, live on top of
those of ours who don’t.

I’ll say, say, say,
I’ll say, say, say,
What is the United States if not a clot

of clouds? If not spilled milk? Or blood?
If not the place we once were
in the millions? America is Maps—

Maps are ghosts: white and 
layered with people and places I see through.
My mother has always known best,

knew that I’d been begging for them,
to lay my face against their white
laps, to be held in something more

than the loud light of their projectors
of themselves they flicker—sepia
or blue—all over my body.

All this time,
I thought my mother said, Wait,
as in, Give them a little more time

to know your worth,
when really, she said, Weight,
meaning heft, preparing me

for the yoke of myself,
the beast of my country’s burdens,
which is less worse than

my country’s plow. Yes,
when my mother said,
They don’t love you like I love you,

she meant,
Natalie, that doesn’t mean
you aren’t good.

*The italicized words, with the exception of the final stanza, come from the Yeah Yeah Yeahs song "Maps."

They grow too aware of crowns, spend 
evenings rinsing and rinsing, water boiled 
with oils and herbs left to cool 
alongside chicken and grains. The women 
send their children to work, on themselves 
or the house, and steam their scalps.

I dream of my father but don’t know what he says. 
It’s kind. I share rice and other grains with a man. 
I hand him light in my kitchen. 
He takes it and my belly cools.

I prefer not to write about love.
I prefer not to write about my body.
My father’s love, my mother’s body.
Both regenerate with astounding speed.

At times, I find myself in an ancient pose.
In a café, I make my arms a bow
and look up, as if an arrow will appear
at an absurd angle. I mark a line 

from privacy to throat, trace the dark line 
under my bellybutton. Maybe someone 
took my astral baby. Maybe I birthed the man
who denied me. Maybe he had to deny me
to avoid a crime. I don’t point my fingers.

I’m convinced our fate is determined 
in part by water, that we can’t avoid walking by 
or being near a body of it, however we plan our travel. 
That showers are prescribed before birth. 
How many things have I missed 
letting my wet bangs touch my eyelashes, 
singing into a stream?

^{“Child with continuing cling issue his No in final fire”
             -Gwendolyn Brooks}

sapphires are lovely as the Star of Bombay revered by Child.
she embodies its six rays replacing spoiled limbs. with
heat she hopes to change her lack luster, halt the continuing
spectrum a cousin sapped from her. a vampire’s cling,
she remembers his as cornflower blue. a distracting issue
a lover is not guilty of. how does he know it’s a turn off? he
cannot enter her that way nor retire to any position. No
moment to gaze without recall. shadows cannot swing in
the amber light. she admires little if at all. a final
twinge when lover pinch upon entering Crayola blush fire.

with the anemone zero.

Drink 12 oz. of coffee in Longmont.

Are you parched?

Is your name Pinky?

What color is the skin of your inner arm, creamy?

Valentine City rebate: a box of chocolates from Safeway.

Yours, yours, yours.

In its entirety.

Don't collude with your inability to give or receive love.

Collude, instead, with the lining of the universe.

Descent, rotation, silk water, brief periods of intense sunlight
striated with rose pink glitter.

The glitter can only get us.

So far.

Here we are at the part with the asphalt, airstream Tupperware,
veins, some nice light stretching.

Call me.

This is a poem for a beloved.

Who never arrived.

I hope to God you will not ask me to go anywhere except my own country. If we go back, we will follow whatever orders you give us. We do not want to go right or left, but straight back to our own land.
          —Barboncito

I hope to God you will not ask

Me or my People to send

Postcard greetings: lamented wind

Of perfect sunrisings, golden

Yes, we may share the same sun setting

But the in-between hours are hollow

The People fill the void with prayers for help

Calling upon the Holy Ones

Those petitions penetrate and loosen

The binds you tried to tighten

Around our heart, a tension

Blocking the wind, like a shell

Fluttering inside, fluttering inside

I knew what I was about
stroking your lovely
neck in the perilously
brief
interval at the intersection of
desire, the real, and feminist
derring-do.

And if the intersection is three
or four points of variance,
divergence, diversion,
aversion, and hapless brief
interval
larger than the grid,
in dread of a walled corner,
a piano stool, a
contraband .38,
and that flip of an
eye eros,
oh, throat

I don’t do well with
expectation. Come up
here if it’s too cool a
story below with your
windows cracked.
Higher is warmer
in this last,
fast
phantasmic
interval.

I ripped my mother being born

             and I am the only.

                            The oldest ripped my grandmother

                                     and still came more.

We have a family history

             of losing our heads,

                            of no one listening,

                                        of telling someone before.

We are raucous and willful,

              loud as thunder.

                            No one can forget us,

                                        we bear our teeth.

We pass through bodies

              like summer heat. We eat

                            and thicken, worry men.

                                        They plead and suffer, come again.

I entered the world

              a turning storm,

                            but no one stopped me

                                        though they’d been warned.

What if I tell you they didn’t evacuate
the high school after he brought in the
clock? What if he and clock waited in the
principal’s office
until the police came? You look at me
as though I pulled the fire alarm,
yelled into a crowded theatre. You
think I can erase the weapon out
of the hands of that young man in
Kevlar pointing his assault rifle at me?
Would your pain lessen? Would you
sleep tomorrow? What if I expunge the
hoodie? Outlaw convenience
stores? Institute curfew for all adult males
after 8 p.m.? Did you know that kid
loved horses, ate Skittles, went to
aviation camp? What if
I rub out midnight of the blue, blue
world? Take the jaywalk from the boy
trying to catch a city
bus? Which blue should it be? First or
second? The last thing you hear on the radio
before mashing
another button? What if there were no loosies
to smoke, steal, hawk? What if Sandy used her signal?
I say her name, I canonize the thought all
black lives matter. What if I raise my
voice? What if I don’t stop speaking?
What if I stop talking back?
Then will you miss me?

i have wanted to be a sieve

i have wanted to be an anechoic chamber

and reflect back to you     no sound

but for the quiet rush and thrum

of your own nervous blood

i have wanted to be instrument

and not just body     to be felt

the cleavage of the world through

but instead to splay the invisible

light waned out through     skin

          skin and rushes
          a bird-wing desire
          alight and under       {fire}

                                               {i} walked out into the burning-est
                                               woken / of time / am i / acting-vist
                                               enough / as light / in the interim
                                               / inner of darkness / now entering
                                               / the machine / in knowing of
                                               cloak & insidious /
                                               of wonder / & plunder /
                                               not to seek / satisfaction in peaks
                                               / & difficult in climb
                                               / & / into surrender's don’ts //

                                               {i} walked out
                                               into the brilliant
                                               wokenest of
                                               time & everything
                                               was trite-ist

These days, I refuse to let you see me
the way I see myself.

I wake up in the morning not knowing
whether I will make it through the day;

reminding myself of the small, small things
I’ve forgotten to marvel in;

these trees, blood-free and bone-dry
have come to rescue me more than once,

but my saving often requires hiding
yet they stand so tall, so slim and gluttonous

refusing to contain me; even baobab trees
will split open at my command, and

carve out fleshless wombs to welcome me.
I must fall out of love of the world

without me in it, but my loves have
long gone, and left me in a foreign land

where once I was made of bone,
now water, now nothing.

Breathe
. As in what if
the shadow is gold
en? Breathe. As in
hale assuming
exhale. Imagine
that.      As in first
person singular. Homonym
:. As in subject. As
in centeroftheworld as in
mundane. The opposite of spectacle
spectacular. This is just us
breathing. Imagine
normalized respite
gold in shadows
. You have the
right to breathe and remain
. Imagine
that
.

Executions have always been public spectacles. It is New Year’s 2009 in Austin and we are listening to Jaguares on the speakers. Alexa doesn’t exist yet so we cannot ask her any questions. It is nearly 3 AM, and we run out of champagne. At Fruitvale Station, a man on his way home on a train falls onto the platform, hands cuffed. Witnesses capture the assassination with a grainy video on a cell phone. I am too drunk, too in love, to react when I hear the news. I do not have Twitter to search for the truth. Rancière said looking is not the same as knowing. I watch protests on the television while I sit motionless in the apartment, long after she left me. Are we what he calls the emancipated spectator, in which spectatorship is “not passivity that’s turned into activity” but, instead, “our normal situation”? Police see their god in their batons, map stains and welts on the continents of bodies. To beat a body attempts to own it. And when the body cannot be owned, it must be extinguished.

Childless, I am in a house on the ocean-edge
of a national park. Nights, I consider broadcast horrors. This is not
my house. I am a stranger, a newcomer. So often, too,

is the horror. Passes time. Passes time. Past time lights
up my liturgical tendencies, illumines past time, my lovelies.
Here, in this room, in this house, the light is sometimey as always.

Clouds. Wind and all. Pronounced through windows onto woods, onto lawns.
Say “Light casts its tender hieroglyphs on the mundane
and cataclysmic equally,” and fancify a nothing, go straight

for an inaccuracy that distracts and passes time.

And light comes before the hieroglyph, and (as marker)
these hieroglyphs give meager insight into the “nature” of light beyond
some minor perceptions. And what? Shall I ride the alliterative waves

of articulation and silence that fog my mouth and mind? Or just let
the words like particles roll? See where and what this accrual of syllables gets us?
It’s midday, and you are both years before the you to whom this poem

whispers, before the women with whom these syllables conspire. Lullaby, loves,
this ain’t. I have become a woman who screams softly. Maybe an over-abundance
of caution? Of caustic care? Well, I’ve seen the clips and memes, heard the murmurs

and corporate decisions meant to mark-up and mock the nature of you that’s well beyond
easy perception. In past times,

I’ve been medicated out of my self, locked under
an atmospheric feeling, the condition of which would not relent, which could will “will not”

to relent. Wheels of wheeling won’t re-
lent. Absolve your self sunken between
Breath breath breathe                and the toxic dirt.