Green spring grass on
the hills had cured
by June and by July
gone wooly and
brown, it crackled
underfoot, desiccated while
within the clamor of live
oaks, an infestation of
tiny larvae clung
to the underleaves,
feeding between
veins. Their frass, that
fine dandruff of excrement
and boring dust, tinkled
as it dropped onto dead leaves
below the limbs. You
could hear it twenty
feet away, tinkling.
Across the valley, on
Sugarloaf Ridge, the full
moon showed up
like a girl doing cartwheels.
No one goes on living
the life that isn’t there.
Below a vast column of
smoke, heat, flame, and
wind, I rose, swaying
and tottering on my
erratic vortex, extemporizing
my own extreme weather, sucking up
acres of scorched
topsoil and spinning it
outward in a burning sleet
of filth and embers that
catapulted me forward
with my mouth open
in every direction at once. So
I came for you, churning, turning
the present into purgatory
because I need to turn
everything to tragedy before
I can see it, because
it must be
leavened with remorse
for the feeling to rise.
Copyright © Forrest Gander. Used with permission of the author.
So the world turned
its one good eye
to watch the bees
take most of metaphor
with them.
Swarms—
in all their airborne
pointillism—
shifted on the breeze
for the last time. Of course,
the absence of bees
left behind significant holes
in ecology. Less
obvious
were the indelible holes
in poems, which would come
later:
Our vast psychic habitat
shrunk. Nothing was
like nectar
for the gods
Nobody was warned by
a deep black dahlia, and nobody
grew like a weed.
Nobody felt spry as
a daisy, or blue
and princely
as a hyacinth; was lucid as
a moon flower. Nobody came home
and yelled honey! up the stairs,
And nothing in particular
by any other name would smell as sweet as—
Consider:
the verbal dearth
that is always a main ripple of extinction.
The lexicon of wilds goes on nixing its descriptions.
Slimming its index of references
for what is
super as a rhubarb, and juicy
as a peach,
or sunken as a
comb and ancient as an alder tree, or
conifer, or beech, what is royal
as jelly, dark as a wintering
hive, toxic as the jessamine vine
who weeps the way a willow does,
silently as wax
burned in the land of milk and
all the strong words in poems,
they were once
smeared on the mandible of a bee.
Copyright © 2023 by RK Fauth. Originally published in Poem-a-Day on April 29, 2023, by the Academy of American Poets.
In this version, the valley
lime green after rain
rolls its tides before us.
A coyote bush shivers with seed.
We hold out our palms as if catching snow—
our villages of circular tracts
overcast with stars.
We have been moving together in sequence
for thousands of years, paralyzed
only by the question of time.
But now it is autumn under bishop pines—
the young blown down by wind feed
their lichens to the understory.
We follow the deer-path
past the ferns, to the flooded
upper reaches of the estuary.
The channel snakes through horsetails
and hemlock as the forest deepens, rises
behind us and the blue heron,
frozen in the shallows.
The shadow of her long neck ripples.
Somewhere in the rustling tulle reeds
spider is casting her threads to the light
and we spot a crimson-hooded fly agaric,
her toadstool’s gills white
as teeth as the sun
bleeds into the Pacific.
We will walk the trail
until it turns to sand
and wait at the spit’s edge, listening
to the breakers, the seagulls
as they chatter their twilight preparations.
What we won’t understand
about the sound of the sea is no different
than the origin of planets
or the wind’s crystalline structures
irreversibly changing.
The albatross drags her parachute
over the earth’s gaping mouth.
We turn back only for the instant
the four dimensions fold
into a sandcastle—before its towers
are collapsed by waves.
The face that turns
toward the end of its world
dissolves into space—
despite us, the continuum
remains.
Copyright © 2022 by Jennifer Elise Foerster. Originally published in Poem-a-Day on December 20, 2022, by the Academy of American Poets.
I wandered lonely as a Cloud
That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:—
A Poet could not but be gay
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
This poem appeared in Poem-a-Day on October 1, 2017. This poem is in the public domain.
It's an earth song,—
And I've been waiting long for an earth song.
It's a spring song,—
And I've been waiting long for a spring song.
Strong as the shoots of a new plant
Strong as the bursting of new buds
Strong as the coming of the first child from its mother's womb.
It's an earth song,
A body song,
A spring song,
I have been waiting long for this spring song.
This poem is in the public domain.
They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.
Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse’s feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods.
But there is no road through the woods.
From Rewards and Fairies (Doubleday, Page & Company, 1910) by Rudyard Kipling. This poem is in the public domain.
Bees and a honeycomb in the dried head of a horse in a pasture corner—a skull in the tall grass and a buzz and a buzz of the yellow honey-hunters.
And I ask no better a winding sheet
(over the earth and under the sun.)
Let the bees go honey-hunting with yellow blur of wings in the dome of my head, in the rumbling, singing arch of my skull.
Let there be wings and yellow dust and the drone of dreams of honey—who loses and remembers?—who keeps and forgets?
In a blue sheen of moon over the bones and under the hanging honeycomb the bees come home and the bees sleep.
This poem is in the public domain. Published in Poem-a-Day on August 3, 2019, by the Academy of American Poets.
I had a beautiful dream I was dancing with a tree.
Some things on this earth are unspeakable:
Genealogy of the broken—
A shy wind threading leaves after a massacre,
Or the smell of coffee and no one there—
Some humans say trees are not sentient beings,
But they do not understand poetry—
Nor can they hear the singing of trees when they are fed by
Wind, or water music—
Or hear their cries of anguish when they are broken and bereft—
Now I am a woman longing to be a tree, planted in a moist, dark earth
Between sunrise and sunset—
I cannot walk through all realms—
I carry a yearning I cannot bear alone in the dark—
What shall I do with all this heartache?
The deepest-rooted dream of a tree is to walk
Even just a little ways, from the place next to the doorway—
To the edge of the river of life, and drink—
I have heard trees talking, long after the sun has gone down:
Imagine what would it be like to dance close together
In this land of water and knowledge . . .
To drink deep what is undrinkable.
From Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
Copyright © 2016 by Craig Santos Perez. “Thirteen Ways of Looking at a Glacier” originally appeared in Newsletter of the Comparative Literature Association of the Republic of China. Reprinted with permission of the author.
And he entered, great spelunker,
the resonant and ancient darkness,
that empty ventricle keeping
the earth’s heart beating with the silent calls
of bats, their acrid guano blanketing
the cold, stone floor.
Such hollowness, so far beneath the surface,
and yet the sunlit world still stepping
to more infectious rhythms up above
never once tempted him with its pulsations—
that was a land of prattle, and light so bright
it blotted out the rarer glows he sought.
On he walked, no flashlight in his hand.
He closed his eyes, preferring
a darkness of his own to the black
of that slick gullet, the cave he could not stop
from swallowing him. Soon he reached the room
where glowworms dangled sticky threads
to catch unwary insects. They taunted his shut eyes
with hints of incandescence.
He shivered in the dampness of that space,
but in the end,
it was easy for him to slide his eyes awake
in the dark and empty cavern
and count the living stars upon the walls.
Copyright © 2015 by Blake N. Campbell. Used with the permission of the author.