Like when, seventeen, I’d slide into your Beetle and you’d head
out of town, summer daylight, and parked among the furrows
of some field, you’d reach for the wool blanket. I knew you’d
maneuver then into the cramped quarters between passenger seat
and glove box, blanket over your head and my lap, where you’d
sweat and sweat until I cried out. Or further back, first winter
of our courtship, nearing curfew, when we’d “watched” Predator again
from the Braden’s lovers’ row, you’d slow to a halt at the last stop sign
before my house. I knew we’d linger under the streetlamp’s acid glow,
and you’d ask if I had to go home. Yes, I’d say, I better, soon—but I
knew you wouldn’t hit the gas, not for the longest time, three minutes,
five, and snow falling and the silent streets carless, I’d lift my top,
you’d unzip my jeans and treat the expanse of soft skin between shirt hem
and underwear like sex itself, your worshipful mouth, my whole body lit
from within and without. Or even further back, how I knew by the first
electric touch of our fingers in that dark theater, like a secret handshake—
I know you, I need you, like an exchange of life force between two
aliens from planets never before joined across the cold, airless terror
of space, that it was on, that it was on and on and on, forever.

Copyright © 2020 by Melissa Crowe. Originally published in Poem-a-Day on January 21, 2020, by the Academy of American Poets.

I loved you before I was born.
It doesn't make sense, I know.

I saw your eyes before I had eyes to see.
And I've lived longing 
for your ever look ever since.
That longing entered time as this body. 
And the longing grew as this body waxed.
And the longing grows as the body wanes.
The longing will outlive this body.

I loved you before I was born.
It doesn't make sense, I know.

Long before eternity, I caught a glimpse
of your neck and shoulders, your ankles and toes.
And I've been lonely for you from that instant.
That loneliness appeared on earth as this body. 
And my share of time has been nothing 
but your name outrunning my ever saying it clearly. 
Your face fleeing my ever
kissing it firmly once on the mouth.

In longing, I am most myself, rapt,
my lamp mortal, my light 
hidden and singing. 

I give you my blank heart.
Please write on it
what you wish. 

From The Undressing: Poems by Li-Young Lee. Copyright © 2018 by Li-Young Lee. Used by permission of W. W. Norton & Company, Inc.

The places where Edmonia’s bones were fractured still hold violent reverberations. When it rains I massage the static hum out of each point of impact. There is nothing heavier than flesh that wishes to be on another axis, except perhaps stone she shaped. Tonight she tells me, it’s impossible to bring a lover to the small death she deserves. An orgasm is excavated, never given. She takes my face in her hands without permission. I take her waist with care not to treat her like a healing thing. My fear winnows. She is digging me out of my misery with her fugitive hands. No one has ever led me out of myself the way she does when we move as though the species depends on our pleasure. She makes a pocket of me until I cry. I’ve seen that field, the site of her breaking, in the empty parking lot I cut through to class. There is nothing left for us to forge in Oberlin, and still we remain, Edmonia a sentient rock, swallowing her own feet in want of motion. We fit on this twin sized bed only by entanglement. We survive here by the brine of our brutish blood.

From Hull (Nightboat Books, 2019). Copyright © 2019 Xandria Phillips. Used with permission of Nightboat Books, nightboat.org.

for Dominique

I know this

 

from looking

                          into store fronts

 

                          taste buds voguing

alight from the way

 

treasure glows

                          when I imagine
 

                          pressing its opulence

into your hand

 

I want to buy you

                          a cobalt velvet couch

 

                          all your haters’ teeth

strung up like pearls

 

a cannabis vineyard

                          and plane tickets

 

                          to every island

on earth

 

but my pockets

                          are filled with

 

                          lint and love alone

touch these inanimate gods

 

to my eyelids

                          when you kiss me

 

                          linen leather

gator skin silk

 

satin lace onyx

                          marble gold ferns

 

                          leopard crystal

sandalwood mink

 

pearl stiletto

                          matte nails and plush

 

                          lips glossed

in my 90s baby saliva

 

pour the glitter

                          over my bare skin

 

                          I want a lavish life

us in the crook

 

of a hammock

                          incensed by romance

 

                          the bowerbird will

forgo rest and meals

 

so he may prim

                          and anticipate amenity

 

                          for his singing lover

call me a gaunt bird

 

a keeper of altars

                          shrines to the tactile

 

                          how they shine for you

fold your wings

 

around my shoulders

                          promise me that

 

                          should I drown

in want-made waste

 

the dress I sink in

                          will be exquisite

From Hull (Nightboat Books, 2019). Copyright © 2019 Xan Phillips. Used with permission of Nightboat Books, nightboat.org.

His priestly gestures, consecrating the broken eggs,
hands moving over the stove, slabs of meat

skittering in grease, drop biscuits big as a cat’s
head, threaded with cheese.

Him, making the fountain, making lantana, acanthus,
making bloom and ripple, song, making the birds.

My husband, the blue room, the bright room, best china,
best silver lifted from a box in the closet,

its red beds of best silver, put back later for later.
My husband who is not my husband who is still mine.

See him, crying in the Dublin airport—
he doesn’t want you to see. Can you see

the eucomis, its waxy leaves, its stalk blossoming
in the hot sun, pushing up among the marigolds?

Scars from this or that on shin or back, wrist or hand,
the way the garden loves him, the bees.

Him among the lilies, his hands lilies, his mouth
a twist of quince, his scent.

My husband among the lilies.

My husband, sauntering down the aisles. Him, sauntering
down the aisles at the flea market, dust settling

on everything, his small flashlight, his blue eyes,
his sound of geese, a train. Look,

something glitters and is gone. My husband, the gold
in the trees, falling, and him, a coverlet of mulch

across the beds, or asleep, the heat of him,
the hot water bottle of him, the cat purring at our feet.

My husband who is not my husband who is still mine.
The blue walls say so, the orchid deciding to bloom again.

Copyright © 2014 by Ed Madden. Used with the permission of the poet.

When Lynne saw the lizard floating
in her mother-in-law’s swimming pool,
she jumped in. And when it wasn’t
breathing, its body limp as a baby
drunk on milk, she laid it on her palm
and pressed one fingertip to its silky breast
with just about the force you need
to test the ripeness of a peach, only quicker,
a brisk little push with a bit of spring in it.
Then she knelt, dripping wet in her Doc Martens
and camo T-shirt with the neck ripped out,
and bent her face to the lizard’s face,
her big plush lips to the small stiff jaw
that she’d pried apart with her opposable thumb,
and she blew a tiny puff into the lizard’s lungs.
The sun glared against the turquoise water.
What did it matter if she saved one lizard?
One lizard more or less in the world?
But she bestowed the kiss of life,
again and again, until
the lizard’s wrinkled lids peeled back,
its muscles roused its own first breath
and she set it on the hot cement
where it rested a moment
before darting off.

Copyright © Ellen Bass. This poem originally appeared in Indigo
(Copper Canyon Press, 2020). Used with permission of the author.