I always took it for granted, the right to vote
She said
And I knew what my mother meant
Her voice constricted tightly by the flu A virus
& a 30-year-relationship 
with Newport 100s
I ain’t no chain smoker
she attempts to silence my concern
only a pack a week. That’s good, you know?

My mother survived a husband she didn’t want 
and an addiction that loved her more 
than any human needs

I sit to write a poem about the 100 year Anniversary
of the 19th Amendment 
& my first thought returns to the womb
& those abortions I did not want at first
but alas

The thirst of an almost anything 
is a gorge always looking to be
until the body is filled with more fibroids 
than possibilities

On the 19th hour of the fourth day in a new decade
I will wake restless from some nightmare
about a bomb & a man with no backbone
on a golf course who clicks closed his Motorola phone
like an exclamation point against his misogynistic stance
He swings the golf club with each chant
Women let me grab
Women like me
Women vote until I say they don’t

In my nightmare he is an infective agent
In the clear of day
he is just the same

Every day he breathes is a threat to this country’s marrow
For Ida & Susan & Lucretia & Elizabeth Cady

& every day he tweets grief  
like a cynical cornball comic’s receipts 
like a red light signaling the end of times

The final night of 2019
& my New Year’s Eve plans involves
anything that will numb the pain
of a world breaking its own heart

My mother & I have already spoken
& her lungs are croaking wet
I just want you to know I don’t feel well
& I pause to pull up my stockings beneath my crumpled smile
On this day I sigh
I just wanted to dance & drink & forget about the 61.7% votes

My silk dress falls to my knees with the same swiftness
defiant as the white feminist who said “I’m your ally”
then voted for the demise of our nation’s most ignored
underpaid, imprisoned & impoverished citizens

Every day there is a telephone near 
I miss my mother
In the waiting room of the OB/GYN
Uptown bound on the dirt orange train seat of the subway
O! How my mother loves the places she can never go
Her bones swaddled with arthritis & smoke
So she relies on my daily bemoans

The train smells like yesterday, Ma
They raise the tolls & fix nothing for the people
My landlord refuses to fix my toilet, my bathroom sink, my refrigerator
The city is annoying like an old boyfriend, always buzzing about nothing 
& in the way of me making it on time to the polls
This woman didn’t say thank you when I held the door
& who does she think she is?

Each time I crack & cap on the everydayness of my day
My mother laughs as if she can see the flimsy MTA card
The yellow cabs that refuse to stop for her daughter
In these moments she can live again 
A whole bodied woman with a full mouth
to speak it plain

I ask my mother what hurts? 
What hurts? 
How can I help from here?

3000 miles away
Alone in a tower between the sea 
& the Mexico borders

My mother sighs a little sigh & says
Nothing
I just wanted to hear your voice

Copyright © 2020 by Mahogany L. Browne. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative and published in Poem-a-Day on March 21, 2020 by the Academy of American Poets.

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou. Reprinted by permission of Random House, Inc.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door—
"'Tis some visitor," I muttered, "tapping at my chamber door—
               Only this and nothing more."

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
               Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
               This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;—
               Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"—
               Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
               'Tis the wind and nothing more!"

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
               Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night's Plutonian shore!"
               Quoth the Raven "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
               With such name as "Nevermore."

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered "Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before."
               Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
               Of 'Never—nevermore.'"

But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
               Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
               She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
               Quoth the Raven "Nevermore."

"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
               Quoth the Raven "Nevermore."

"Prophet!" said I, "thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore."
               Quoth the Raven "Nevermore."

"Be that word our sign in parting, bird or fiend!" I shrieked, upstarting—
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
               Quoth the Raven "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
               Shall be lifted—nevermore!

This version appeared in the Richmond Semi-Weekly Examiner, September 25, 1849. For other versions, please visit the Edgar Allan Poe Society of Baltimore's site: http://www.eapoe.org/works/poems/index.htm#R.

Thanks to the morning light,
   Thanks to the foaming sea,
To the uplands of New Hampshire,
   To the green-haired forest free;
Thanks to each man of courage,
   To the maids of holy mind,
To the boy with his games undaunted
   Who never looks behind.
 
Cities of proud hotels,
   Houses of rich and great,
Vice nestles in your chambers,
   Beneath your roofs of slate.
It cannot conquer folly,—
   Time-and-space-conquering steam,—
And the light-outspeeding telegraph
   Bears nothing on its beam.

The politics are base;
   The letters do not cheer;
And ’t is far in the deeps of history,
   The voice that speaketh clear.
Trade and the streets ensnare us,
   Our bodies are weak and worn;
We plot and corrupt each other,
   And we despoil the unborn.
 
Yet there in the parlor sits
   Some figure of noble guise,—
Our angel, in a stranger’s form,
   Or woman’s pleading eyes;
Or only a flashing sunbeam
   In at the window-pane;
Or Music pours on mortals
   Its beautiful disdain.
 
The inevitable morning
   Finds them who in cellars be;
And be sure the all-loving Nature
   Will smile in a factory.
Yon ridge of purple landscape,
   Yon sky between the walls,
Hold all the hidden wonders
   In scanty intervals.
 
Alas! the Sprite that haunts us
   Deceives our rash desire;
It whispers of the glorious gods,
   And leaves us in the mire.
We cannot learn the cipher
   That ’s writ upon our cell;
Stars taunt us by a mystery
   Which we could never spell.
 
If but one hero knew it,
   The world would blush in flame;
The sage, till he hit the secret,
   Would hang his head for shame.
Our brothers have not read it,
   Not one has found the key;
And henceforth we are comforted,—
   We are but such as they. 
 
Still, still the secret presses;
   The nearing clouds draw down;
The crimson morning flames into
   The fopperies of the town.
Within, without the idle earth,
   Stars weave eternal rings;
The sun himself shines heartily,
   And shares the joy he brings.
 
And what if Trade sow cities
   Like shells along the shore,
And thatch with towns the prairie broad
   With railways ironed o’er?—
They are but sailing foam-bells
   Along Thought’s causing stream,
And take their shape and sun-color
   From him that sends the dream.
 
For Destiny never swerves
   Nor yields to men the helm;
He shoots his thought, by hidden nerves,
   Throughout the solid realm.
The patient Dæmon sits,
   With roses and a shroud;
He has his way, and deals his gifts,—
   But ours is not allowed.
 
He is no churl nor trifler,
   And his viceroy is none,—
Love-without-weakness,—
   Of Genius sire and son.
And his will is not thwarted;
   The seeds of land and sea
Are the atoms of his body bright,
   And his behest obey.
 
He serveth the servant,
   The brave he loves amain;
He kills the cripple and the sick,
   And straight begins again;
For gods delight in gods,
   And thrust the weak aside;
To him who scorns their charities
   Their arms fly open wide.
 
When the old world is sterile
   And the ages are effete,
He will from wrecks and sediment
   The fairer world complete.
He forbids to despair;
   His cheeks mantle with mirth;
And the unimagined good of men
   Is yeaning at the birth.
 
Spring still makes spring in the mind
   When sixty years are told;
Love wakes anew this throbbing heart,
   And we are never old;
Over the winter glaciers
   I see the summer glow,
And through the wild-piled snow-drift
   The warm rosebuds below.

This poem is in the public domain.

When the world grows old by the chimney-side,
Then forth to the youngling nooks I glide,
Where over the water and over the land
The bells are booming on either hand.

Now up they go ding, then down again dong,
And awhile they ring to the same old song,
For the metal goes round at a single bound,
A-cutting the fields with its measured sound,
While the tired tongue falls with a lengthened boom
As solemn and loud as the crack of doom.

Then changed is their measure to tone upon tone,
And seldom it is that one sound comes alone,
For they ring out their peals in a mingled throng,
And the breezes waft the loud ding-dong along.

When the echo hath reached me in this lone vale,
I am straightway a hero in coat of mail,
I tug at my belt and I march on my post,
And feel myself more than a match for a host.

From Poems of Nature (The Bodley Head, 1895) by Henry David Thoreau. Copyright © 1895 by Henry David Thoreau. This poem is in the public domain. This poem is in the public domain.